Strong Talks Merging "Super-Cute" with "Super-Psycho" for "Arkham Knight's" Harley Quinn
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Cat Person, by Seo Kim: Kim, a storyboard artist for the Cartoon Network show Adventure Time, started with a challenge to draw a cartoon a day and ended up with what looks like a winsome collection of cartoons about cats and everyday life.
A Body Beneath, by Michael DeForge: DeForge was nominated for an Eisner this year for his Lose #4; this is a collection of issues 2-5 of that anthology. I don’t think I can improve on this bit of catalog text: “He has crafted a phantasmagoria of stories that feature a spider-infested pet horse head, post-apocalyptic dogs dealing with existential angst, the romantic undertones of a hired hit, and more.”
Safari Honeymoon, by Jesse Jacobs: This seems to be the one graphic novel of the batch that has a single narrative arc; it’s the story of a newlywed couple who find love and horror on a honeymoon trip through the jungle.
100 Crushes, by Elisha Lim: A collection of new and previously published queer comics set in Toronto, Berlin, and Singapore, among other locales, and including “interviews, memoirs, and gossip from an international queer vanguard.”
In case you missed it in Comics A.M., there’s a great interview with Koyama Press publisher Annie Koyama at Sequential Highway.
(via Tom Spurgeon)
Those dispirited by the end of the Brooklyn Comics and Graphics Festival now have another show to look forward to: Comic Arts Brooklyn, presented by Desert Island Books (which is owned by Brooklyn Comics and Graphics Festival co-founder Gabe Fowler).
Set for Nov. 9 at Mt. Caramel Church and the Knitting Factory in Williamsburg, Brooklyn, the inaugural event will feature such guests as Paul Auster, Michael DeForge, Lisa Hanawalt, David Mazzucchelli, Art Spiegelman and Adrian Tomine. Programming is being directed by cartoonist and editor Paul Karasik.
According to the press release, “CAB is a curated exhibition of some of the best local and international artists and publishers working in comics, graphic illustration and fine art: from the cutting-edge underground to the established, respected artists in the field.”
Read the announcement below:
The nominees have been announced for the 2013 Joe Shuster Awards, and faithful readers of Robot 6 will notice many familiar names on the list, including Fiona Staples, Brandon Graham, Jim Zubkavich, Ryan North and Darwyn Cooke. As you can see from that sampling, the nominees are broad in terms of styles and genres.
Named in honor of Superman co-creator Joe Shuster, the awards recognize the best of the Canadian comics world; nominees must be either Canadian citizens or permanent residents in Canada. The nominees are chosen by a committee and the winners by a jury, so there is no public vote. The awards will be presented Aug. 25 at a location to be announced later.
And with no further ado, here are the nominees:
• Isabelle Arsenault – Jane, le renard & moi (La Pastèque)
• Patrick Boutin-Gagné – Brögunn (Soleil)
• Stuart Immonen – All-New X-Men #1-4, AvX: VS #1, #6, Avenging Spider-Man #7, Secret Avengers #21 (Marvel Comics)
• Yanick Paquette – Swamp Thing #5, 7-9, 13-14 (DC Comics)
• Ramón K. Pérez – John Carter and the Gods of Mars #1-5, AvX:VS #6 (Marvel Comics)
• Fiona Staples – Saga #1-8 (Image Comics)
• Marcus To – Batwing #9-15, 0, The Flash #10,15, Huntress #4-6 (DC Comics)
Superheroes | Writer Jim Zubkavich tackles the burning question of why there are so few Canadian superheroes: “We don’t have a long standing superhero tradition in this country. We don’t have a long-standing focal point character people recognize (I like Captain Canuck, but the average person on the street does not know who he is). We’re not a country galvanized by heavy-duty patriotic pride that lends itself to a Superman, Captain America or even a Batman. We don’t have the kind of rampant crime that ‘needs’ a heroic symbol to fight back against.” [Zub Tales]
Digital comics | The first issue of Mark Millar’s Jupiter’s Legacy sold more than 100,000 copies in stores, but was that because he refused to allow it to be sold in digital format the same day? Steve Bennett is doubtful, because so many people (including himself) didn’t realize until the last minute it would be print-only for now. [ICv2]
Koyama Press announced four new titles Tuesday that are set to debut this spring: Very Casual and Lose #5 by Michael DeForge, Journal by Julie Delporte and Everything Takes Forever by Victor Kerlow. Keep reading for details …
One of the current stars in the Koyama Press lineup is Canadian artist Michael DeForge. So it’s no surprise that Koyama plans to publish the fifth issue of DeForge’s one-man anthology series Lose in 2013. The issue will feature three self-contained stories: “Living Outdoors” tracks two high school students as they explore a zoo and experiment with hallucinogens; “Muskoka” is the story of a cowboy on the road home to see his family; and “Recent Hires” follows a young author’s descent into the criminal underworld in order to win the affections of a girl.
Annie Koyama was kind enough to send us a two-page preview from the “Living Outdoors” story, which you can see below. I’d also highly recommend checking out a story DeForge recently posted to his blog, First Year Healthy.
Hello and welcome to What Are You Reading?, where every week we talk about the comics, books and other stuff topping our reading list. Our special guest today is Rafer Roberts, creator of Plastic Farm–“The strange, terrifying, and hilarious story of Chester Carter’s messianic journey through madness and self-loathing.” Roberts is currently raising money for the second volume on Kickstarter.
To see what he’s been reading, along with the Robot 6 crew, click below …
Comic-Con International kicked into full gear Friday in a bustling second day that was capped off last night with the presentation of the 24th annual Will Eisner Comic Industry Awards. Here’s the highlights of the announcements emerging from the second day — and a few holdovers from the first day — of the San Diego convention:
• During its annual “Cup O’ Joe” panel, Marvel teased post-Avengers Vs. X-Men plans that include: A+X, described as “the opposite of [AvX: VS],” by such creators as Jeph Loeb, Dan Slott, Dale Keown and Ron Garney; Avengers Vs. X-Men: Consequences, a five-issue miniseries written by Kieron Gillen that addresses the effects of the summer crossover; Marvel NOW! Point One, featuring Nick Fury Jr.; and an October one-shot called Avengers Vs. X-Men: Babies, by Skottie Young.
• After initially dismissing Kickstarter as a potential source of money for the stalled Goon animated movie, creator Eric Powell teased he plans to launch a campaign on the crowd-funding website.
“Michael DeForge is one of those rare talents who emerge, out of the blue, with a fully formed and singularly unique vision,” said Chris Oliveros, D+Q’s acquiring editor and publisher. “When I look at his work I sometimes wonder how it was formed, and then I think I can see the influences of several disparate cartoonists over the years, from Mark Beyer through Marc Bell. But ultimately DeForge’s work can’t be pinned down so easily; his striking visual sensibility and peculiar sense of humor is entirely his own.”
For more information on the deal, check out this interview with DeForge by Tom Spurgeon.
Today is Free Comic Book Day, and here’s a rundown of some of the comics that caught my interest. If you want to check ‘em out before you go, CBR has previews of many of the FCBD titles. (My FCBD comics came from my favorite Boston comics shop, Comicopia.)
Hands down, the one comic everybody wants is Archaia’s hardback anthology, which includes brand-new stories from six of their titles: Mouse Guard, Labyrinth, Return of the Dapper Men, Rust, Cursed Pirate Girl, and Cow Boy. The stories stand on their own but also tie in to the books in clever ways; the Mouse Guard story is a puppet show, and the Rust story features a boy writing a letter to his father (as his older brother does in the book). This book is a keeper; it even has a nameplate inside the front cover. Here’s a list of where Archaia creators will be doing book signings this FCBD.
BOOM! Studios has a nice flipbook with several Adventure Time comics on one side and Peanuts on the other. The Peanuts comics are mildly funny, but the Adventure Time side is edgier and features extra stories by Lucy Knisley and Michael DeForge. The stories are colorful and lively, and DeForge’s contribution, about a bacon ecosystem that supports tiny breakfast organisms, is downright surreal.
With 2012 still fresh and new, it seems like as good a time as any to look at various publishing companies’ plans for the year ahead and pick out what looks good, or at least interesting. Because the year looks to be filled with so many delights, I decided to double down and offer not just six but 12 comics I’m really looking forward to reading. Obviously this list is reflective of my own, indie-slanted interests, so feel free in the comments section to tell me what a dope I am for forgetting about Book X by Artist Y.
Most people would settle for being a death-defying stock-market genius and leave it at that, but noooooo, not Annie Koyama. She had to go and form Koyama Press, creating a home for acclaimed cartoonists like Michael DeForge and Dustin Harbin, and racking up Joe Shuster Awards for Outstanding Comic Book Publisher and, via the comics duo Tin Can Forest, Outstanding Comic Book Cartoonist. Not one to rest on her laurels, Koyama has provided Robot 6 with an exclusive look at her very strong-seeming 2012 line-up. It features new books from Tin Can Forest, DeForge, and Harbin–including the children’s comic The Playground War, whose cover you’re getting a peek at above–as well as the Koyama Press debuts of Jesse Jacobs (Even the Giants) and Julia Wertz (The Fart Party).
The full press release and the covers for the new Jesse Jacobs and Tin Can Forest books are after the jump.
Adding the RSS feed for Michael DeForge’s blog to your Google Reader this year was a bit like wrapping your mouth around the business end of a firehose. Barely a day went by without DeForge posting some beautifully strange, strangely beautiful new illustration or comics page. And at the rate he was producing work, there was no telling where it would be from — his two minicomics series, the art-world satire/science fiction Open Country and the kids’-comics oddity Kid Mafia; his ongoing bug’s-life black-comedy webcomic Ant Comic; “College Girl by Night,” his gender-bending contribution to the erotic comics anthology he co-edits with Ryan Sands, Thickness; the third issue of his flagship solo anthology series, Lose, from Koyama Press; various previously published works now archived at Jordan Crane’s webcomics portal What Things Do; comic strips and illustrations for magazines like Vice, Maisonneuve, The Comics Journal and The Believer; contributions to anthologies including kus, Smoke Signal, Gang Bang Bong, Root Rot, Sundays, and probably more that I’m forgetting.
But even more astonishing than the sheer volume of his output was its quality. As I wrote in CBR’s Top 100 Comics of 2011 countdown, DeForge published his four best comics last year, and many more thrilling works besides. I focused on that killer quartet of Lose, Open Country, Ant Comic, and “College Girl by Night” for this interview with DeForge, looking back on amazing year and teasing what’s to come in 2012.
Sean T. Collins: Sexy stuff first. I have a few questions about “College Girl by Night,” the story you contributed toThickness. Since you co-created and co-edit the series with Ryan Sands, I’m wondering which came first, the idea for the story, or the idea for the anthology it eventually appeared in? Did wanting to make smut also make you want to create a publication to house it for yourself and others, or vice versa?
Michael DeForge: My idea for the story came way, way later. I think that’s why I wanted to be slotted in the second issue instead of the first – when we decided to do the anthology, I had no idea what I wanted to draw yet. “College Girl By Night” was actually my second story idea, too. My original comic was going to be a homoerotic riff on the movie Class, starring Rob Lowe and Andrew McCarthy. I did all these character designs and had all these plans on how I’d draw their outfits and the prep school the comic would take place in, but everything fell apart when I actually started to plot it out.
King City cartoonist Brandon Graham dropped this beauty on twitpic the other day — it’s a lovely tribute to Craig Thompson’s Middle Eastern epic Habibi, centered on the book’s female lead Dodola. It’s funny: I never would have thought there’d be much visual kinship between Thompson’s lush brushwork and Graham’s thin lines, but both artists have a curvilenear sweep to their work that turns out to make their styles mesh beautifully. And obviously, Graham can pack in the Thompson-esque ornamentation like whoa.
The best thing about the illustration is that no matter what you like about it, you can find more of that thing someplace online today:
Digital comics | Following the entry this week by Image Comics into same-day digital release, 40 percent of the comics that debuted in print Wednesday were also available digitally through comiXology. Asking whether day and date comics are “hitting a tipping point,” retailer news and analysis site ICv2 notes: “Publishers are gaining confidence in the concept as evidence grows that day and date releases do not negatively impact print sales. DC’s bold move to convert its entire line to day and date digital with the New 52 has been the clearest indication yet that digital sales are not cannibalizing print.” [ICv2.com]
Legal | Kickstarter, the two-year-old crowd-funding site used by a variety of artists to fund projects, has asked a federal court to declare invalid a patent held by Brian Camelio, who founded ArtistShare in 2000. Camelio, a composer and former studio musician for the rock band Journey, has obtained a patent for a process that resembles Kickstarter’s own crowd-funding model. According to PaidContent, “Kickstarter ask a federal court to declare that the patent is invalid and that the company is not liable for infringement. If the patent, described as ‘methods and apparatuses for financing and marketing a creative work,’ is valid and Kickstarter is infringing, the site could be forced to shut down or pay significant damages.” [PaidContent]