In the immortal words of that slowed-down Mary-Kate and Ashley Olson pizza-making video, when does a dream become a nightmare? This is the question addressed by justly celebrated young cartoonist Michael DeForge, in the context of your friendly neighborhood Spider-Man no less, in his cheerfully unauthorized, thoroughly unpleasant Spider-Man comic “Peter’s Muscle,” which you can now read online in its entirety at Jordan Crane’s webcomics portal What Things Do. Spinning out of the infamous (and in-continuity!) relationship between Aunt May and Doctor Octopus, the story finds the Wall-Crawler recounting a disturbing dream that starts with finding a face underneath a membranous sidewalk and somehow only gets more uncomfortably intimate from there. With any luck, a full-color edition of this strip will anchor a future Strange Tales installment, but for now, this will more than suffice.
Maintaining their respective recent hot streaks, cartoonist Michael DeForge has posted his 2010 Koyama Press release Spotting Deer in its entirety on Jordan Crane’s resurgent, resplendent alternative-webcomics portal What Things Do. Structured like a field guide to an imaginary animal that winds up revealing a surprising amount about its imaginary author, it’s also a rare full-color work for talented young writer/artist DeForge, who proves himself just as innovative with color as he is with creature design, typography, urban wastelands, and the rest of his usual tricks and tropes. If you’re tired of the same old same-old in comics, here’s something that feels exciting and new.
Hello and welcome to Wha Are You Reading? Today our special guest is illustrator, photographer, writer, filmmaker and jazz musician Dave McKean, whose works include Cages, Mr. Punch, Signal to Noise, The Day I Swapped My Dad for Two Goldfish, Arkham Asylum: A Serious House on Serious Earth, Violent Cases, Coraline and many, many more. He has a new book with writer Richard Dawkins, The Magic of Reality: How We Know What’s Really True, coming out in October, as well as a graphic novel called Celluloid coming out from Fantagraphics in June. Special thanks to Chris Mautner for asking him to participate this week.
To see what Dave and the Robot 6 crew have been reading, click below …
Cartoonists rarely produce great work right out of the starting gate. It usually it takes lots of time and lots of effort for an artist to hone their style and storytelling abilities. Debut comics — even those made by the greats — rarely offer any indication of what type of treasures lie ahead. Even Chris Ware had to make Floyd Farland before he could produce Jimmy Corrigan.
Still, sometimes a cartoonist seems to spring out of the sea foam fully formed, producing a work that not only draws attention and great buzz, but also indicates exactly where they’re headed — what direction they plan to take as an artist and what you as a reader can expect from them.
Here then, are six debut comics that made people go “Who the heck is this guy? And why haven’t I heard of him before?” I’m sure I missed someone. I always do. Be a dear and let me know who I forgot in the comments section, won’t you?
Another Toronto Comic Arts Festival has come and gone, leaving in its wake a lot of broke-but-smiling comics fans, a couple of artists with a new cause celebre, and some interesting reading.
As we reported on Friday, Canadian customs seized all five copies of the Black Eye comics anthology that creator Tom Neely was trying to bring to TCAF. The news was originally reported by Ryan Standfest, editor and publisher of Rotland Press + Comic Works, at The Comics Journal, and Ryan adds in comments that Blaise Larmee’s Young Lions was also seized from Sparkplug publisher Dylan Williams. (For those who are curious about what’s too hot for Canada, here is a preview.) Standfest posted his reaction to the Black Eye confiscation at the Rotland blog; I’m sure there will be more to say about this soon.
The winners of the Doug Wright Awards were announced on Saturday night: Pascal Girard’s Bigfoot won the award for Best Book, Alex Fellows won the Best Emerging Talent award for Spain and Morocco, and the Pigskin Peters Award, given to non-traditional and avant-garde comics, went to Michael DeForge’s Spotting Deer.
Meanwhile, the folks at the Canadian comcs news blog Sequential have posted a special TCAF edition of Sequential Pulp, which you can download as a PDF or read via Issu, with lots of good stuff, including interviews with Jillian Tamaki and Mark Laliberte, books reviews by Tom Spurgeon, Salgood Sam, and others, and pages and pages of original comics. It’s all free, so go, browse.
The Toronto Comic Arts Festival, or TCAF, is coming up May 7-8, and to promote it some friends of the organizers have created this nifty video featuring many of Toronto’s talented comics folks — Chester Brown, Michael Comeau, Steve Charles Manale, Vicki Nerino, Michael Cho, Michael DeForge, Seth, Fiona Smyth and Britt Wilson.
Nominees were selected by a panel of judges — Michael Allred, Brandon Graham, Laura Hudson, Michael Ring and Jason Leivian — from among the entries submitted earlier this year. Winners were determined by an online vote.
The winners are:
Best Artist: Emily Carroll, His Face All Red
Best Writer: Aaron Renier, The Unsinkable Walker Bean
Best Cartoonist: Bryan Lee O’Malley, Scott Pilgrim’s Finest Hour
Best Letterer: Johnny Ryan, Prison Pit #2
Best Colorist: Emily Carroll, His Face All Red
Best Publication Design: Michael DeForge, Spotting Deer
Best Anthology: Studygroup 12 #4, edited by Zack Soto
Best Small Press: I Want You #2 by Lisa Hanawalt
Best New Talent: Michael DeForge
Reader’s Choice: Pang, the Wandering Shaolin Monk by Ben Costa
Director’s Choice: The Sixth Gun, by Brian Hurtt and Cullen Bunn, published by Oni Press
Welcome to a special Super Bowl Sunday edition of What Are You Reading? Not that it’s any different from a regular WAYR column, but you can enjoy it while eating hot wings while the TV is paused.
Today our special guest is biology professor Jay Hosler, creator of Clan Apis and Optical Allusions. His latest book, Evolution, with artists Kevin Cannon and Zandor Cannon, was recently released by Hill & Wang. Check out his blog for a story he’s working on about photosynthesis.
To see what Jay and the Robot 6 gang are reading, click below.
The third and final issue of Marvel’s Strange Tales II arrives in shops Dec. 8, and will feature stories by James Stokoe, Michael DeForge, Toby Cypress, Harvey Pekar and Ty Templeton, Nick Gurewitch with Kate Beaton, Eduardo Medeiros and Benjamin Marra, among others.
And thanks to our friends over at Marvel, we’re pleased to present two preview pages from the anthology today, featuring Stokoe’s Silver Surfer tale (who we alreayd know draws a jaw-dropping awesome Galactus), and DeForge’s Spider-Man, Jubilee and Iceman.
Check’em out after the jump.
Some cool comics just got a lot easier to get your hands on. Chris Pitzer of AdHouse Books — the stalwart and stunningly designed publishing imprint behind the likes of Jim Rugg & Brian Maruca’s Afrodisiac, Josh Cotter’s Skyscrapers of the Midwest and Driven by Lemons, James Jean’s Process Recess art books, and Pulphope: The Art of Paul Pope — today announced the creation of AdDistro, a new distribution effort that will make comics from small publishers and self-publishers available for purchase through AdHouse proper. The first three additions to the roster are London-based Nobrow Press, Canada’s Koyama Press, and creator Malachi Ward. Pitzer’s got quite an eye for quality, so if you’ve enjoyed AdHouse offerings in the past, I’m sure these newcomers are well worth a look. Might I suggest starting with Michael DeForge’s excellent, award-winning Lose series from Koyama?
Toronto-based artcomix enfant terrible Michael DeForge did the honors for this flyer advertising the release party for the sixth and final volume in Bryan Lee O’Malley’s Scott Pilgrim series, Scott Pilgrim’s Finest Hour. It’s always fun to see O’Malley’s distinctive character designs filtered through an artist with a totally different sensibility — and yet DeForge’s take on them seems just as much like a relic from some lost, demented TurboGrafx16 game.
“Bad Romance” yes! Bad comics no! Making its debut at last weekend’s Toronto Comic Arts Festival, Prison for Bitches is a no-holds-barred fanzine tribute to Lady Gaga. Taking its name from a segment in Gaga and Beyoncé’s instant-classic “Telephone” video and edited by Same Hat!’s Ryan Sands and newly minted Doug Wright Award winner Michael DeForge, the ‘zine contains artistic tributes to Lady Gaga from a host of underground art and comics stalwarts and up-and-comers, including Johnny Ryan, Michael Kupperman, Hellen Jo, Lisa Hanawalt, and Nick Gazin.
The book’s slated to go on sale online today; in the meantime, click the link for sample spreads, and click here for DeForge’s strip, which foresees another 86 years of world domination by the Haus of Gaga. (And click here for previous Robot 6/Gaga goodness.) Don’t be the last little monster on your block to get a copy!