"Flash" Writers, Teddy Sears Race Down Burning Questions From "Flash of Two Worlds"
Creators | Any Empire and Swallow Me Whole creator (and our special guest this weekend for What Are You Reading?) Nate Powell appeared at the United Nations earlier this month with several teen-fiction writers who contributed to What You Wish For, a benefit book to fund libraries in Darfuri refugee camps in Chad. Video of the event can now be found on the U.N. website. [Top Shelf]
Business | Details on the collaboration between Stan Lee’s POW! Entertainment Inc. and former Disney CEO Michael Eisner’s Vuguru have emerged: The two companies will work on a YouTube channel called “Stan Lee’s YouTube World of Heroes.” The channel is one of the 100 online video channels announced by the Google-owned video site, which seeks to add “professional, high-quality programming” to its site. [Los Angeles Times]
Business | They might move slow and eat people, but MSNBC estimates that zombies are worth about $5 billion to the economy. [MSNBC]
Art | Jerry Robinson’s cover artwork from Detective Comics #67 is expected to bring in more than $300,000 when it goes up for auction Nov. 15. “Robinson penciled and inked this cover and the detail of his art is amazing close-up,” said Todd Hignite, consignment director for Comic Art at Heritage Auctions, “particularly his shading lines on Batman and Robin, and on the feathery details of the ostrich being straddled by that bird-of-prey, the Penguin.” [Art Daily]
Business | Stan Lee’s POW! Entertainment Inc. and Vuguru, former Disney CEO Michael Eisner’s independent studio, are partnering to produce “original digital content.” [press release]
Comics | Darryl Ayo has a small manifesto about comics that makes a lot of sense: “Things that don’t make sense in North American comics: 1) comics that exist after their creators have ceased to. 2) these comics’ existence continues despite minimal effort to applicable to contemporary culture. Things that make perfect sense in North American comics: people’s general lack of interest in comics.” He points out a number of reasons why the comics audience is small and challenges creators and publishers to “Do better.” One point he makes that is rarely mentioned: The critical importance of editors. [Comix Cube]