5 All-New, All-Different Marvel Titles We're Most Excited to Read
Batman is celebrating his 75th birthday this year, which may come as a surprise. I mean, look at that smooth, handsome face, or what little of it is visible beneath his cowl. Look at those ripped muscles, or the way he runs across rooftops and beats up criminals — why, Batman doesn’t look a day over 35!
Now just as it did recently for Superman, DC Comics is releasing a pair of hefty, 400-page hardcover collections that serve as a sort of survey for how the character has been portrayed and functioned in the publisher’s comics line during since his first appearance. Batman: A Celebration of 75 Years and The Joker: A Celebration of 75 Years aren’t exactly the comics equivalents of greatest-hits albums, but they are nice starting points for newcomers and/or casual fans, offering quick, compelling overviews of the title characters through the decades.
The Batman volume, featuring Jim Lee’s rendition of the character from the 2003 storyline “Hush” on the dust jacket, must have been particularly challenging to assemble, given the thousands and thousands of pages of Batman comics, featuring dozens of different takes by scores of creators.
Marvel and Wizard World have revealed exclusive variant covers available to VIP attendees at Wizard World Louisville Comic Con and Wizard World St. Louis Comic Con: Michael Golden’s Daredevil #1 and David Mack’s Wolverine and The X-Men #1.
The covers are available as part of a variant program in which a limited-edition cover will be available at each of the 16 Wizard World Comic Con events scheduled this year. The Golden and Mack covers follow Miracleman #1 and Miracleman #2, by Neal Adams (available at Portland Comic Con and New Orleans Comic Con, respectively) and Wolverine #1, by Greg Horn (available at Sacramento Comic Con).
Epic artist P. Craig Russell has become well known for his collaborations with author Neil Gaiman over the past couple of decades, and in recent years he’s adapted several of the author’s short stories and prose novels into comics form. But now for his next hat trick, he’s enlisted a Magnificent
Seven Nine-esque group of artists to illustrate individual chapters for his adaptation of Gaiman’s celebrated 2008 children’s fantasy novel The Graveyard Book, announced in June.
As Russell told Comic Book Resources in a weekend interview, he’s writing the script and doing the layouts for the 352-page book, with a murderer’s row of artists coming in behind him to illustrate it. Joining Russell is Michael Golden, David LaFuente, Jill Thompson, Kevin Nowlan, Tony Harris, Galen Showman and Scott Hampton. Russell said Hampton’s contribution will be about 100 pages, and that Nowlan is drawing the first story.
Legal | A Belgian court has rejected a five-year-old bid by a Congolese student to have the 1946 edition of Herge’s Tintin in the Congo banned because of its racist depictions. “It is clear that neither the story, nor the fact that it has been put on sale, has a goal to … create an intimidating, hostile, degrading or humiliating environment,” the court said in its judgment. Bienvenu Mbutu Mondondo, who launched the campaign in 2007 to ban the book, plans to appeal. [The Guardian]
Publishing| John Rood, DC’s executive vice president of sales, marketing and business development, discusses the results of the New 52 readership survey, noting right of the bat that it’s “not indicative of the actual system wide performance,” which makes you wonder what it’s good for. He has some interesting things to say about bringing back lapsed readers and the demographics of DC readers in general, though. [Publishers Weekly]