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“I didn’t get to be the world’s greatest cameo actor overnight,” Stan Lee explains. “It took years of hard work.”
And in this new comedy short from Audi, the legendary comics creator turned master of cameo acting passes his knowledge of a new generation, which includes Michael Rooker, Kevin Smith, Tara Reid and Jason Mewes.
Gone are the days of Highways of Agony, The Last Prom and other antiquated (yet still horrifying) short films some of us were subjected to in driver’s ed classes. In their place, the Illinois Department of Transportation now has The Driving Dead, a web series starring The Walking Dead alum Michael Rooker.
Set in a rather familiar post-apocalyptic, zombie-filled world, the series depicts the dangers of not wearing seat belts and driving under the influence … even while being pursued by the undead, or the gun-wielding living. For instance, in the second episode, which debuted last week, survivors end up having to weigh the greater risk: remaining in the range of a sniper, or getting into a car with a buzzed driver. Decisions, decisions …
Their dilemma may come off a little more humorous than it was intended, but overall The Driving Dead is pretty good, with stronger acting and production values than you’d probably expected from a state-sponsored driving-safety initiative.
The 40-second scene from Marvel’s Guardians of the Galaxy depicting a Baby Groot dancing to Jackson 5’s “I Want You Back” is so adorable that it’s taken root in our hearts, leading to countless works of fan art, and the creation of little potted replicas, both official and … not.
But it also has introduced the world to a new word: grooting.
Conan O’Brien’s weeklong visit to Atlanta wouldn’t be complete without a crossover with AMC’s hit adaptation of The Walking Dead, which calls the city home.
The opening monologue of last night’s Conan was interrupted by a frantic Merle Dixon and Carol Peletier (played by Michael Rooker and Melissa McBride), seeking protection from the herd of walkers outside (not zombies, as Merle noted to the talk-show host).
“Please, please, we’re good people,” Carol pleads, clearly not speaking for the elder Dixon brother. Soon, however, they discover what’s inside Atlanta’s Tabernacle may be worse than what lurks outside.