Michael Walsh Archives - Robot 6 @ Comic Book Resources
Rapper Ghostface Killer makes no bones about his love of comic books, occasionally even using the alias Tony Starks. For his 2013 album Twelve Reasons to Die, he ventured into comics himself with a companion series featuring contributions by such artists as Paolo Rivera, Francesco Francavilla, Ben Templesmith and Ron Wimberly.
For his follow-up 36 Seasons, due out Dec. 9, Ghostface is once again turning to comics talent, this time for a booklet included with the album. Produced by Matthew Rosenberg, who wrote the Twelve Reasons to Die comic, the booklet includes art from the likes of Ming Doyle, David Lapham, Michael Walsh, Palle Schmidt, Tyler boss, Artyom Trakhanov and Aaron Conley.
Dark Horse will celebrate the 200th issue of Dark Horse Presents in February with an 80-page installment that includes the first U.S. publication of “Masks,” a short story by Gone Girl author Gillian Flynn and veteran artist Dave Gibbons.
The story, about a mother turned masked vigilante, originally appeared in April as part of The Guardian’s celebration of the opening of the “Comics Unmasked: Art and Anarchy in the U.K.” exhibition at the British Museum. “Masks” marks Flynn’s comics debut.
Anyone with even a passing interest in comics art and storytelling should set aside some time to read this A.V. Club discussion with three Marvel art teams — Tradd Moore and Val Staples, Declan Shalvey and Jordie Bellaire, and Michael Walsh and Matthew Wilson — about their approach to staging specific action scenes in their respective books All-New Ghost Rider, Moon Knight and Secret Avengers.
“I used a lot of panels here of varied sizes because I feel it gives the scene an undulating flow,” Moore explains of an All-New Ghost Rider page. “I do that a lot with fight scenes. Speed up, slow down, rise, fall. It’s kind of mesmerizing to me. To make a comparison to metal: The small panels are like a frantic blast beat, while the bigger, clearer panels are like a heavy breakdown or head-banging riff. I imagine viewers’ eyes speeding up and slowing down, widening and narrowing, as they scan across the page. I think it’s the kind of page that warrants multiple, extended views.”
If you bought Shutter #1 this week by Joe Keatinge and Leila del Duca — and you should, if you haven’t yet — then you probably noticed the return of a certain orange-and-black-stripped attorney — Tiger Lawyer!
Created by Ryan Ferrier, Tiger Lawyer has starred in a couple of self-published comics and also ran as a back-up in a previous Joe Keatinge comic, Hell Yeah. Ferrier created the character with the idea that he could use him all sorts of different situations and genres, and work with a variety of artists.
Awards | Graphic novels for the first time have made the shortlist for the Costa Book Awards (formerly the Whitbread Awards): Mary and Bryan Talbot’s Dotter of Her Father’s Eyes in the Biography category, and Days of the Bagnold Summer by Joff Winterhart in the Novel category. [The Guardian]
Passings | Indian politician and former editorial cartoonist Bal Thackeray has died at the age of 86; Thackeray was in the news most recently supporting fellow cartoonist Aseem Trivedi, who was jailed briefly on charges of sedition. [The Comics Reporter]
Awards | The Australian Cartoonists Association has bestowed their highest honor, the Gold Stanley Award, on David Pope, cartoonist for The Canberra Times. [The Canberra Times]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, my Wednesday haul would start with Glory #30 (Image, $3.99). This series has been great, and since Kris Anka began doing covers, it’s gone to very great. Now, seeing New Yorker cartoonist Roman Muradov coming in to do a story makes it potentially even more, well, great. I’m psyched to see Glory face off against her sister, and Campbell’s depiction of both has been mesmerizing. Next I’d pick up Comeback #1 (Image, $3.50), featuring letterer Ed Brisson making his major writing debut. The cover design by Michael Walsh is impeccable, and the concept of time traveling for grieving loved ones is a fascinating concept. Next up, I’d get a Marvel double – Wolverine and the X-Men #21 (Marvel, $3.99) and Hawkeye #4 (Marvel, $2.99). This carnie issue of Wolverine and the X-Men is intriguing; it’s going out on a limb, but after what Jason Aaron and Nick Bradshaw have done so far, I trust them. With Hawkeye, I’m slightly hesitant to pick up an issue knowing David Aja isn’t drawing it, but Javier Pulido has the potential to be an ideal temporary substitute.
If I had $30, I’d look back on my $15 and reluctantly put Hawkeye #4 back on the shelf to free up money for Derek Kirk Kim’s Tune, Book 1: Vanishing Point (First Second, $16.99). Man oh man, do I love Kim’s work, and seeing the previews for this online makes me see a honing of the artist’s style akin to the way Bryan O’Malley did between Lost At Sea and Scott Pilgrim. Count me in.
If I could splurge, I’d take a chance on the anthology Digestate (Birdcage Bottom Books, $19.95). I’m no foodie like C.B. Cebulski, but I like food and I like anthologies so this is right up my alley; especially when the chefs include Jeffrey Brown and Liz Prince. Where’s my order?
It’s time once again for our monthly trip through Previews looking for cool, new comics — now with 100 percent more JK Parkin! Michael May, Graeme McMillan, Chris Arrant and JK have each picked the five comics they’re most anticipating in order to create a Top 20 (or so; we overlap sometimes) of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
47 Ronin #1 (Dark Horse, $3.99): Mike Richardson, Dark Horse’s head honcho, teams with Usagi Yojimbo creator Stan Sakai to retell the story of the 47 ronin who avenged their master after he was forced to commit ritual suicide for assaulting a court official. It will be both very cool and a little odd to see Sakai drawing samurai that aren’t anthropomorphic animals and aren’t in black and white (the book’s full color), but I’ve always admired his clean style. As an added bonus, Kazuo Koike of Lone Wolf and Cub fame consulted on the project, so this should be a treat.
Great Pacific #1 (Image Comics, $2.99): Joe Harris and Martin Morazzo have come up with a book that I just love the high concept behind: the heir to one of America’s most successful oil companies moves to the infamous Great Pacific Garbage Patch and declares it a sovereign country. He then fights giant sea monsters, based on the preview art that’s been released, which is an added bonus.
Marvel NOW!: This might be cheating, but Marvel has 10 new comics debuting in November under the Marvel NOW! banner. Mark Waid on Hulk? John Romita on Captain America? Matt Fraction writing Fantastic Four and FF? Jonathan Hickman on Avengers? Yeah, I’ll just lump all these together and hope no one notices I’m gaming the system here …
Walt Disney’s Donald Duck: A Christmas for Shacktown: Fantagraphics continues its series of high-end collections of the best of Carl Barks’ duck stories, with the Christmas-themed third volume arriving just in time to be stuffed in somebody’s stocking.
Retrovirus (Image Comics, $16.99): Jimmy Palmiotti and Justin Gray’s latest graphic novel, drawn by Norberto Fernandez, is about a research scientist who specializes in viruses heading to Antarctica to examine a perfectly preserved caveman. I’m a fan of Palmiotti and Gray’s work together, from Jonah Hex to The Monolith (which gets the collection treatment in November), and this one sounds like it could be a lot of fun.
Thursday may have started a bit slow in the news department, but it sure ended with a huge bang. Here’s a roundup of announcements that hit today from Comic-Con International in San Diego:
• Neil Gaiman announced via video that he will write a new Sandman miniseries that will detail what happened to Morpheus to allow him to be so easily captured in The Sandman #1. J.H. Williams III will provide the art. “It was a story that we discussed telling for Sandman‘s 20th anniversary,” Gaiman said, “but the time got away from us. And now, with Sandman‘s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told.” The series will be published by Vertigo sometime next year.
• Legendary will also publish the Majestic Files by J. Michael Straczynski, which will feature art by Geoff Shaw and Matt Banning.
• Terry Moore will write a Strangers in Paradise prose novel to coincide with the comic’s 20th anniversary next year. He also plans to do an all-ages comic after Rachel Rising finishes in 30-40 issues.
“… we could use more books with talking tigers, am I right?”
– Joe Keatinge
If, like Joe, you think comics could use more talking tigers, then Ryan Ferrier has the comic for you. Tiger Lawyer, his self-published comic, is now available through his Big Cartel site as either a print or digital comic, and very soon, it’ll start appearing in Keatinge’s Hell Yeah comic.
Ferrier was kind enough to answer a few questions about Tiger Lawyer and his subpoena into the pages of Hell Yeah.
JK Parkin: I’m sure you’ve been asked about this a million times already, but the title, Tiger Lawyer, is the kind that elicits a chuckle and makes you wonder where the idea came from. So, where did the initial idea come from?
Ryan Ferrier: I really wish I had a cool story for this question, but alas it was one of those things that I’ve completely forgotten, though I’m fairly certain it stemmed from something I posted on Twitter last December, something silly. It was a tweet along the lines of Tiger Lawyer being my next comic, made entirely with sarcasm. I do remember gearing up to tackle a different script, and decided to actually write Tiger Lawyer–the script that would become the first short–one afternoon. I immediately posted the script online, and surprisingly, people dug it enough for me to actually make it.