Luke Cage History: From Hero for Hire to Hollywood
TV, Comic Books
Dark Horse will celebrate the 200th issue of Dark Horse Presents in February with an 80-page installment that includes the first U.S. publication of “Masks,” a short story by Gone Girl author Gillian Flynn and veteran artist Dave Gibbons.
The story, about a mother turned masked vigilante, originally appeared in April as part of The Guardian’s celebration of the opening of the “Comics Unmasked: Art and Anarchy in the U.K.” exhibition at the British Museum. “Masks” marks Flynn’s comics debut.
Marvel has reteamed with corporate sibling ESPN to commemorate LeBron James’ return to Cleveland with a special cover for ESPN The Magazine.
The illustration by Miguel Sepulveda, depicting James soaring above the city, is a sequel to the magazine’s 2010 homage to “Spider-Man No More!” that marked his departure for the Miami Heat.
Marvel Universe Live!, the upcoming multimillion-dollar arena tour show from Marvel and Feld Entertainment, is getting its own comic-book prequel. You have to buy tickets for the production to snag one, though.
The limited-edition one-shot, by Frank Tieri, Miguel Sepulveda and Jay David Ramos, with a cover by Mike McKone, is available for free to those in the continental United States who order tickets to the show between today and June 1.
Dec. 12, marks a new era and a new team dynamics for writer Jeff Parker‘s Dark Avengers as Issue 184 goes on sale. But before the new storyline begins, I convinced Parker to reflect on his Thunderbolts/Dark Avengers run, which started in November 2009 (Thunderbolts #138) as well as discussing what lies ahead with the series. It was interesting to learn his thought process when collaborating with past series artists like Kev Walker and Declan Shalvey, as well as what current artist Neil Edwards motivates Parker to tackle. This interview was a fun romp for me, full of surprises — none more than the first: that Parker nearly passed on writing the series.
Once you finish the interview, please chime in if you agree that Parker should get a chance to write a Man-Thing series for Marvel. And if you missed CBR’s Dave Richards’ interview with Parker regarding Red She-Hulk, be sure to read it to learn about more great Parker storytelling.
Tim O’Shea: You started writing Thunderbolts/Dark Avengers in November 2009. Could you have envisioned it would be a book you would still be writing a solid three years later?
Jeff Parker: No, I almost passed on it. When Bill Rosemann asked me if I’d be interested in coming on after Andy Diggle. I’d never read much of the title, and he described that they wanted to base it around The Raft superprison. And I was wary. “It’s all set in prison? They never go anywhere?” But Bill and Tom Brevoort assured me that they’d be able to go on missions, it just needed to have prison as a big backdrop; that’s what had been discussed at one of the Marvel summits. Bill had asked me because I’d just worked on The Hood sequel miniseries with him and Kyle Hotz and he thought I’d be good for continuing with a villain book.
Season’s Greetings and welcome to another edition of What Are You Reading?, our weekly look at what we’ve been reading lately. Today our special guests are Geoffrey Golden and Amanda Meadows, editors of Devastator: The Quarterly Comedy Magazine for Humans. Their latest issue has a video game theme, with contributions from James Kochalka, Corey Lewis, Danny Hellman and many more. And if you head over to their website between now through Dec. 16, the code ROBOT6 gets you 20 percent off single issues.
To see what Amanda, Geoffrey and the Robot 6 crew have been reading lately, click below.
Welcome to another edition of What Are You Reading?, your weekly look into our reading piles. Today we’re joined by special guest Jacquelene Cohen, director of publicity and promotions for Fantagraphics Books.
To see what Jacq and the Robot 6 crew have been reading lately, read on …
Digital comics | Following the entry this week by Image Comics into same-day digital release, 40 percent of the comics that debuted in print Wednesday were also available digitally through comiXology. Asking whether day and date comics are “hitting a tipping point,” retailer news and analysis site ICv2 notes: “Publishers are gaining confidence in the concept as evidence grows that day and date releases do not negatively impact print sales. DC’s bold move to convert its entire line to day and date digital with the New 52 has been the clearest indication yet that digital sales are not cannibalizing print.” [ICv2.com]
Legal | Kickstarter, the two-year-old crowd-funding site used by a variety of artists to fund projects, has asked a federal court to declare invalid a patent held by Brian Camelio, who founded ArtistShare in 2000. Camelio, a composer and former studio musician for the rock band Journey, has obtained a patent for a process that resembles Kickstarter’s own crowd-funding model. According to PaidContent, “Kickstarter ask a federal court to declare that the patent is invalid and that the company is not liable for infringement. If the patent, described as ‘methods and apparatuses for financing and marketing a creative work,’ is valid and Kickstarter is infringing, the site could be forced to shut down or pay significant damages.” [PaidContent]
David Macho continues his promotional onslaught for DC’s “New 52″ with a video preview of Stormwatch #1, by Paul Cornell and Miguel Sepulveda. Warning to those browsing at work: The teaser boasts loud and ominous Danny Elfman-esque music.
They are Stormwatch, a dangerous super human police force whose existence is kept secret from the world Directly following the ominous events of SUPERMAN #1, Adam One leads half the Stormwatch team to recover the [INFORMATION REDACTED] from deep in the Himalayas. Meanwhile, Jack Hawksmoor and the rest of the Stormwatch crew look to recruit two of the deadliest super humans on the planet: Midnighter and Apollo! And if they say no? Perhaps the Martian Manhunter can change their minds…
Stormwatch #1 debuts on Sept. 7.