Mike Allred Archives - Robot 6 @ Comic Book Resources
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
One has to assume the death of Archie was in the back of the publisher’s mind when it first conceived the Life with Archie relaunch (a series of the same name ran from 1958 to 1991). Like many people after the initial novelty of adult Archie getting married, I lost interest in the series. But reading Life with Archie #36 made me realize I likely missed out on some interesting storytelling.
Warren Ellis and Michael Allred have collaborated on a graphic novel, but it’s not likely one you expected.
The two were hired to tell the story of Bacardi, dating back to the company’s founding in 1862 in Cuba, in a graphic novel called The Spirit of Bacardi. It will be available for digital download on Aug. 6.
Iconic comic characters mostly rely on their looks. This isn’t as shallow as it seems, as comics are inherently a visual medium. It’s why Cable’s creation tends to be attributed to Rob Liefeld rather than Louise Simonson. The best characters have timeless looks, the kind of visual appeal that will work no matter when you’re introduced to him. It’s one of the reasons Spider-Man keeps coming back to the classic red-and-blue costume; he can have a bunch of different costumes, but there’s only one real one.
Two characters who are just as iconic in appearance are Silver Surfer and Ghost Rider. Here in California, there’s barely a beach bum out on the waves that doesn’t know the shiny silver visage of the Silver Surfer. Bikers and tough guys near and far love the Ghost Rider’s signature skull. And yet, for all their visual popularity, I’d be hard pressed to find someone who knows exactly who these characters are. Norrin Radd isn’t a household name, after all. Defining Ghost Rider’s powers gets a little tricky for the average Joe once you move past “His skull is on fire.” There’s just a lot of detail missing from the public perception of who these characters are, but they still remain popular.
Trust me, we all know what it looks like when the characters don’t work, so what do what is it that’s essential for them to make it?
WARNING: We talk vaguely about the new Silver Surfer #1 and All-New Ghost Rider #1, but nothing major is spoiled. Still, grab a copy and read along!
It’s another week, which means a new batch of Marvel series launched as part of the publisher’s “All-New Marvel NOW!” initiative showed up at my local comics shop: Felipe Smith and Tradd Moore’s All-New Ghost Rider, Ales Kott and Garry Brown’s Iron Patriot, and Dan Slott and Mike Allred’s Silver Surfer.
I read two out of the three, as those were the most visually interesting, and seemed to be part of the initiative’s guiding principals: matching striking talents with lower-tier characters for idiosyncratic takes that veer away from the “typical” Marvel comic. Also, those were the two that featured characters who haven’t had a shot at their own book for a longer while. (Sorry, Iron Patriot, it’s not you, it’s me. I’m sure there are plenty of other critics willing to review you).
Conventions | Rob Salkowitz, who wrote a book about Comic-Con International, looks forward to this weekend’s sold-out Emerald City Comicon, and explains why it represents the convention of the future: “One reason ECCC is such an ideal place to talk about the future of comics is because the show itself looks like the future of comics–at least the one that I call ‘The Expanding Multiverse.’ Supportive of creators and celebrities alike, embracing the broadest conception of styles and subjects from indie work to mainstream superheroes, self-consciously diverse and inclusive in its conception of fandom, ECCC and shows like it represent a sustainable path forward for geek culture in an age of super-saturation and sensory overload.” Salkowitz will be a participant, not just a fan: He has developed a programming track on comics and digital culture that will feature a number of people (IDW’s Ted Adams, Monkeybrain’s Alison Baker) giving short presentations, similar to the format and spirit of TED Talks. [ICv2]
Creators | Frannie Jackson talks with a handful of prominent creator couples — Mike Allred and Laura Allred, Kelly Sue DeConnick and Matt Fraction, Colleen Coover and Paul Tobin — about sexism within the comics industry. “I’m occasionally invited to participate in panel discussions about ‘women in comics,’” Coover says. “I’m usually emotionally torn by those invitations, because, yeah, I want women in comics to thrive and be seen as thriving, but I’d much rather be part of a discussion about ‘awesome creators in comics’ that’s stacked with awesome women and men.” [Paste]
Retailing | Andrew Wyrich visits several comics shops in the North Jersey area and finds they rely on a friendly atmosphere and incentive programs to keep customers coming back. “People who buy comics tend to have a $40 weekly budget,” said Len Katz, co-owner of The Joker’s Child in Fair Lawn, New Jersey. “We hear of people who love comics, but eventually just hit a wall with expenses. The key for us is to get customers coming back. The reality is we are not a necessary item; we aren’t milk, bread or cheese.” [The Record]
Sixteen months after Marvel NOW! began, bringing with it new creative teams, new directions, new reboots of recently rebooted titles and new titles, the publisher is launching a new initiative. Marvel NOW! has become Marvel then, and the new NOW! is the All-New Marvel NOW!, which brings with it new creative teams, new directions, new reboots of recently rebooted titles, new titles and so on.
Not all of the NOW! titles are making the transition into the All-New NOW!, of course, and many of those that aren’t are instead concluding (rather than being canceled), apparently having been designed from the start to only last a certain length of time, and these conclusions are taking big, pulpy chunks out of my pull-list.
This week Marvel shipped the last issue of my favorite NOW book: FF. Originally written by Matt Fraction, drawn by Mike Allred, colored by Laura Allred and, toward the end of its 15-issue run, scripted by Lee Allred from Fraction’s plotting, it might not have been the best title Marvel is publishing (that’s probably still Hawkeye), but it was certainly the most fun for the entire length of its short, bright life.
Fraction followed Jonathan Hickman on Fantastic Four, and thus inherited the new, Hickman-created two-book status quo: Fantastic Four, featuring the adventures of the original Marvel superhero team, and FF, devoted to the Future Foundation school for young geniuses that Reed Richards established. Under Fraction, Richards took his team and his two biological children on a trip through time and space, seeking a cure for what appeared to be a chronic condition that baffled even him, in the pages of Fantastic Four, drawn in a more modern Marvel style by Mark Bagley.
And in FF, the Four recruited their own replacements for a temporary, stand-in superhero team/faculty — Ant-Man Scott Lang, She-Hulk, Medusa and Johnny Storm’s pop -star girlfriend Darla Deering — to run the school and care for the kids in their stead. (And it was awesome.)
Although Image Comics has staked out territory as both the premier publisher for creator-owned work and a proving ground for fledgling writers and artists, it was another 1990s company that served as an entry point for many of today’s top talent: Caliber Comics.
Launched in 1989 by retailer Gary Reed, Caliber Comics was a harbinger of the coming wave of creator-owned titles. Launching with two flagship books — Deadworld and The Realm — Reed quickly expanded the line with his in-house anthology book Caliber Presents and a entire sub-line of illustrated books similar to Classics Illustrated. But perhaps its enduring contribution was as a doorway into the comics industry for writers and artists who are today marquee names
The list of A-list creators whose comics debuts were made possibly by Caliber is mind-boggling: Brian Michael Bendis, Stuart Immonen, Michael Lark, James O’Barr, Brandon Peterson, Dean Haspiel, Georges Jeanty and Jason Lutes all made their comics debuts here. In addition, Caliber also was where many budding creators made their first recognizable work; it was at there that Mike Allred created Madman, and Guy Davis blossomed with Baker Street.
Here’s a bit of unwelcome news: Just as I’m enjoying the first trade of It Girl & The Atomics, Jamie S. Rich announces the series is coming to a close with Issue 12, due out in July.
The special issue will feature art by It Girl regular Mike Norton (Battlepug) as well as Chynna Clugston Flores (who drew the stand-alone Issue 6) and Natalie Nourigat (who will also be contributing to Issue 10, out in May).
Here’s how Rich broke the news on his blog:
Yes, you read that right. We’re wrapping up the first It Girl and the Atomics series with #12. There were a number of factors contributing to the decision, but it was the right one to make and the right time to do it. Hopefully the twelve issues we did will stand strong as a complete series whether I ever make it back to do more or not. (I have a few ideas for stories, but it will all be a matter of timing.) I wrote #12 special to cap off everything that had come before, which is why I corralled all the artists from the series to give it one more go.
It Girl was a spinoff of Mike Allred’s Madman Atomic Comics, which Rich edited (and therefore knew intimately). It stood well enough on its own, though, that I, a complete newcomer, was able to pick up the collected edition of It Girl & The Atomics and thoroughly enjoy it. And my colleague Michael May had some nice things to say about that standalone Issue 6 recently.
So what’s next? Rich doesn’t sit still for long, and in addition to his hint of more It Girl in the future, there’s this: “Expect more collaborations between myself and Image in the future. This door is closed, but we’re opening up a couple of windows.” Hmmm.
And with It Girl & The Atomics #9 in stores this week, we still have a bit more Atomic goodness to enjoy.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
It’s rare that a completely new character is my main reason for reading a comic, but here we are. I was hooked from the moment Matt Fraction and Mike Allred’s FF team was announced. I haven’t traditionally cared so much about Ant-Man, but She-Hulk has always been one of my favorite characters, and Medusa’s powers are so kooky I can’t help but dig her. What pushed the comic into my pre-order list, though, was the idea of a woman wearing a Thing costume and calling herself “Miss Thing.” And now that I know something about her, I love her even more.
Darla Deering is a pop superstar and Johnny Storm’s latest girlfriend. All you really have to know is the last half of that description, because that’s how she accidentally ends up a member of the Fantastic Four. In FF #1, the real team is headed out on a journey beyond time and space. and needs stand-ins to oversee the Future Foundation for the four minutes of Earth time they’ll be gone. Or longer, if something goes wrong. Reed picks Ant-Man, Sue picks Medusa, and Ben picks She-Hulk. Johnny, of course, completely forgets about the whole thing.
Hello and welcome to What Are You Reading?, where the Robot 6 crew talks about the death of … oh, wait, we already did that. In fact, nobody brought up [REDACTED] in their write-up this week. But they did talk about a bunch of other comics.
Our guest this week is cartoonist and teacher Ben Towle, creator of Oyster War, Midnight Sun, Amelia Earhart: This Broad Ocean and much more. Check out his website for all kinds of fun art and pin-ups (Alien Legion!).
To see what Ben and the Robot 6 crew have been reading, click below.
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Today we welcome Jamie S. Rich, writer of You Have Killed Me, Spell Checkers, Bobby Pins and Mary Janes, A Boy And A Girl, and It Girl & the Atomics — for which he has given us an exclusive preview of issue #7, featuring the art of Mike Norton. It arrives in stores this Wednesday.
Now let’s get to it …
Hello and welcome to What Are You Reading?, where the Robot 6 crew shares their picks for the Royal Rumble … I mean, talks about what comics we’ve read recently. Today our special guest is Landry Walker, writer of Danger Club, Supergirl: Cosmic Adventures in the Eighth Grade, Batman: The Brave and the Bold, Little Gloomy, Tron and more.
To smell what Landry and the Robot 6 crew are cookin’, click below.
It’s become an annual tradition here during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we’ve done in past years, we asked a cross-section of comics folks what they liked in 2012 and what they’re excited about for 2013. We received so many this year that we’ve broken it down into two posts; watch for another one Tuesday.
But for now, check out all the great stuff people shared with us, including hints at new projects and even some outright announcements. Our thanks to everyone this year who responded. Also, thanks to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
JIMMIE ROBINSON (Bomb Queen, Five Weapons)
What was your favorite comic of 2012?
Image’s Saga, Fatale, Hawkeye‘s reinvention is fresh and exciting, Peter Panzerfaust, Enormous by Tim Daniel. It’s hard to pin down just one because there is SO much good work coming out nowadays — from many publishers across the board.