Happy Mother’s Day and welcome to What Are You Reading?, our weekly look at the comics, books and what have you we’ve been checking out lately. Joining us today is Allison Baker, co-publisher of Bandette, Edison Rex and all the other Monkeybrain Comics you can find on comiXology.
To see what Allison and the Robot 6 crew have been reading, click below.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been checking out lately. Today our special guest is Chris Sims, senior writer for ComicsAlliance, blogger at Chris’s Invincible Super Blog and writer of comics like Dracula the Unconquered and Awesome Hospital.
To see what Chris and the Robot 6 crew have been reading, click below.
When you stop and think who are Marvel’s top creators working today, your mind is invariably drawn to Brian Michael Bendis, as he’s become the chief writer for the company’s top titles over the past decade. But there’s someone else who’s played a big role, working side-by-side with Bendis and others to help create what Marvel is in the 21st century: artist Mike Deodato Jr.
The Brazilian-born artist came into modern memory as one of the primary artists on J. Michael Straczynski’s Amazing Spider-Man run, then jumped to revitalize Thunderbolts before teaming with Bendis on New Avengers. Over the years Deodato has worked with Bendis on some of the biggest books Marvel’s had to offer, be it New Avengers or Dark Avengers. And while writers seem to get the lion’s share of attention in the press, the story of Deodato’s career is something most people don’t know about.
Deodato first onto the comics scene in the mid-’90s with an Image-inspired style on DC’s Wonder Woman, and quickly became one of the workhorse artists of the era. But after being stretched to his limits both personally and professionally, Deodato withdrew from comics for a time to refocus himself and find a style better suited to how he saw comics. Drawing on inspirations from icons like Neal Adams and his own father, an accomplished cartoonist in Brazil, Deodato re-emerged in 2001 at Marvel and steadily rose up the ranks to become one of the company’s most trusted artists with a style far removed from everyone else working today.
I talked with Deodato from his home in Brazil about his career, his personal life, and his real real name.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15 this week, I’d immediately go for Flashpoint #1 (DC Comics, $3.99) – I am very, very unsure about the number of tie-ins DC are pushing out for the new crossover event, but with Geoff Johns in charge, I’m suspecting that the main book will be worth a look at least. I’d also grab the relaunched GI Joe #1 (IDW, $3.99), if only to follow up on the “Cobra Civil War” storyline that I admit has completely caught my attention unexpectedly. Curiosity would also get me to pick up both Moriarty #1 (Image, $2.99) and Total Recall #1 (Dynamite, $1.99), two new launches that will hopefully take familiar ideas and characters in directions I wouldn’t expect…
Red Giant Entertainment has recruited several top names in the comics industry to contribute to Japan Needs Heroes, a graphic novel that aims to raise money for the Japan Society, a non-profit organization that has created a special disaster relief fund to aid victims of the Tohoku earthquake in Japan.
A press release that went out today from comiXology, which will distribute the book digitally when it is released, listed Stan Lee (who will provide the forward), Peter David, Ron Marz, Mike Deodato, Larry Hama, Jimmy Palmiotti, Elaine Lee, Amanda Conner, Howard Mackie and Brandon Peterson as contributors. You can find a list of additional creators on the book’s Kickstarter page, which Red Giant is using to fund the printing.
“My wife is from Japan,” said Benny R. Powell, CEO of Red Giant, “and her family still lives there. We hear daily reports of the fear and uncertainty they face. I realized we had to do something. Comics have a power to reach massive audiences and that’s a powerful thing. As more and more creators join our cause I believe we can raise a lot of money to help. This transcends any genre, medium, or publisher. This need is bigger than anything our world has ever faced, and we truly believe that together we can make a difference.”
Sometimes covering comics-related news gets Harry Dean Stanton’s gut-wrenching cry from Red Dawn — “AVENGE MEEEEE!” — stuck in my head. Today’s one of those days.
First up: First Avenger: Captain America director Joe Johnston has been making the rounds in support of his new horror remake The Wolfman, and that means the nerd press has been wringing info out of him about his upcoming take on Marvel’s most patriotic hero. So far, we’ve learned that the film’s villain will be the Red Skull, that the previously promised World War II-era superteam the Invaders will in fact play a major role throughout the film’s entire second half (via), and that Cap will, uh, perform for the USO (via). Here’s hoping Bob Hope brings him out in a bathing suit and tells the troops “I just wanted you boys to see what we’re fighting for.”
Second, as you’ve seen on CBR, today Marvel announced the May launch of Secret Avengers, a new series written by Ed Brubaker and illustrated by Mike Deodato. Unlike the promo images unleashed by the company for Brian Michael Bendis & John Romita Jr.’s adjectiveless Avengers last week, this one is just a silhouette of a crouchy superhero — leading candidates around the Internerd appear to be Spider-Man, the Beast, Black Panther and Gorilla Man after a few months on Jenny Craig.