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Following a student’s protest over the contents of the graphic novels required by her English 250 class, Crafton Hills College President Cheryl A. Marshall has issued a statement saying the college will not ban any books or alter the content of the course.
I support the college’s policy on academic freedom which requires an open learning environment at the college. Students have the opportunity to study controversial issues and arrive at their own conclusions and faculty are to support the student’s right to freedom of inquiry. We want students to learn and grow from their college experiences; sometimes this involves reaffirming one’s values while other times beliefs and perspectives change. In this specific case, the syllabus distributed on the first day of class contained the list of required reading materials allowing students the opportunity to research the books and make a choice about the class. The class is one of numerous electives available for completion of the English degree. We are attempting to avoid this situation in the future and Professor Bartlett has agreed to include a disclaimer on the syllabus in the future so students have a better understanding of the course content. I know he appreciated the differing views presented by Ms. Shultz in his class.
College student Tara Shultz is the latest in a long line of people to be shocked to find that Persepolis, Marjane Satrapi’s graphic memoir about growing up during the Iranian revolution, contains violence.
A 20-year-old attending Crafton Hills College in Yucaipa, California, was so dismayed by the graphic content in four of the graphic novels required by her English 250 course — official description: “the study of the graphic novel as a viable medium of literature through readings, in-class discussion and analytical assignments” — that she and her parents are seeking to have them banned by the administration.
In addition to Persepolis, Shultz took exception to Alison Bechdel’s Fun Home, the first volume of Brian K. Vaughan and Pia Guerra’s Y: The Last Man, and Neil Gaiman, Mike Dringenberg & Co.’s The Sandman: The Doll’s House, due to the depictions of sex, violence and “obscenities.”
“I didn’t expect to open the book and see that graphic material within,” she told the Redlands Daily Facts. “I expected Batman and Robin, not pornography.”
Hello and welcome to What Are You Reading? Today our guest is Mark Sable, the writer and co-creator of Image’s Graveyard of Empires with Paul Azaceta and the upcoming Duplicate from Kickstart Comics with Andy MacDonald. You can find his work and thoughts at marksable.com and contact him @marksable on the Twitter.
To see what Mark and the Robot 6 crew have been reading, click below …
Just in time for next month’s San Diego Comic Con, IDW will release Hero Comics 2011, an anthology that benefits the Hero Initiative. The book will feature a new Chew short story by John Layman and Rob Guillory, an Elephantman story by Richard Starkings and Dougie Braithwaite, and a new story called “My Last Landlady” by Neil Gaiman, Sam Kieth and Mike Dringenberg — the creative team on the first five issues of the landmark 1980s/90s DC series The Sandman. The anthology is edited by IDW’s Scott Dunbier.
“When it comes to doing the impossible, there’s a dude who doesn’t really recognize that ‘impossible’ exists. Ladies and gentlemen, there is only one Scott Dunbier. Accept no substitutes,” the Hero Initiative’s Jim McLauchlin said on the HI’s blog. Head over there to check out the first two pages of the story.