Mike Mignola

Comics A.M. | Man charged with insider trading in Disney-Marvel deal

Disney & Marvel

Legal | The Los Angeles Times reports that the Securities and Exchange Commission has charged Toby G. Scammell with insider trading. Scammell has been accused of using confidential information “surreptitiously gleaned” from his girlfriend to make $192,000 off of Disney’s 2009 acquisition of Marvel Entertainment. Scammell’s girlfriend was an intern working in the corporate strategy department at Disney. [Los Angeles Times]

Comics | Heidi MacDonald rounds up questions creators have raised about the Womanthology project, which raised $109,000 on Kickstarter, specifically about how the extra money will be used and whether the creators who are involved will be paid. Organizer Renae De Liz has posted additional details on the Womanthology site. [The Beat]

Conventions | Wizard World Chicago Comic Con gets into full swing today in Rosemont, Illinois. Comics guests include Brian Azzarello, Jim Cheung, Mike Deodato Jr., Gary Friedrich, Patrick Gleason, Mike Grell, Dave Johnson, Ariel Olivetti, Eduardo Risso, Bill Sienkiewicz and Ethan Van Sciver. The Chicago Sun-Times briefly spotlights attending artists Ivan Brunetti and Don Kramer, while the Daily Herald interviews Brunetti and Nate Powell. [Wizard World]

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Talking Comics with Tim | Tyler Crook

Petrograd

Next month (August 3 to be exact) marks the release of writer Philip Gelatt and artist Tyler Crook‘s original graphic novel (published by Oni Press), Petrograd. To mark the upcoming release, Crook was kind enough to do an email interview with me. You might also recognize Crook’s name and work, given the fact he started his high profile role as Dark Horse’s B.P.R.D. artist this month. We discuss both projects. But before the interview begins, here’s Oni’s description of Petrograd: “During the height of the first World War, a reluctant British spy stationed in the heart of the Russian empire is handed the most difficult assignment of his career: orchestrate the death of the mad monk, the Tsarina’s most trusted adviser and the surrogate ruler of the nation. From the slums of the working class into the opulent houses of the super rich, he’ll have to negotiate dangerous ties with the secret police, navigate the halls of power, and come to terms with own revolutionary leanings, all while simply trying to survive.” Once you’ve read the interview, be sure to also visit CBR’s Petrograd preview.

Tim O’Shea: Were you interested in Russian history at all before tackling Petrograd? Once you got involved with the project, how much research did you have to do, on a variety of subjects, including the British Secret Service?

Tyler Crook: I was only interested in Russian history a little bit before this project. But mostly I’ve been interested in Russian Literature. Mostly Gogol and Dostoyevsky. Reading that stuff requires a little bit of history knowledge but I only ever figured out enough to get by. Phil Gelatt, the writer, did most of the heavy lifting when it came to doing the research. I read a couple books about the Soviet Revolution and scoured my local libraries for book with photos of Russia during the time period. I tried to use Google sparingly. The hardest part was finding photos of regular people doing regular things.

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Tr!ckster to hold creator-focused event across the street from San Diego Comic Con

Tr!ckster

Last July, right before the San Diego Comic Con kicked off, a group of creators started planning an alternative to Comic Con International via Facebook and other channels.

“It appeared to us that a dramatic shift was taking place, a move away from individual artists, creators, and comics… There are a number of folks that have decided to bow out this year,” creator Ted Mathot, who creators comics like Rose & Isabel when he isn’t making movies for Pixar, told Brand X last year. He said they hoped to have an alternative to San Diego in 2011.

And now we know exactly what that is — Tr!ckster, a free event that will take place July 19-24 at the San Diego Wine and Culinary Center, which is across Harbor Drive from the San Diego Convention Center. The event will include retail space for creators to sell “creator-owned wares” like “small run and limited edition books, fine art prints, toys, clothing, and more;” a fine art gallery space; and a series of “focused, creator-driven demonstrations and discussions of method, process, and theory concerning the act of creating new, uniquely-voiced works of art.” Each Symposia will be a ticketed event and will feature creators like Mike Mignola, Mike Allred, Steve Niles, Bernie Wrightson, Skottie Young, Jim Mahfood, Scott Morse, Mathot, Derek Thompson, Greg Rucka, Craig Yoe and more. They plan to run two per day.

The group also plans to offer a $20, 48-page hardcover art book at the event, with illustrations by Mathot, Young, Doug TenNapel, Andy Kuhn, David Mack, Mike and Laura Allred, Mike Huddleston and many more, plus an eight-page story by Morse.

For more information on the event, visit their home page or Facebook page.

Food or Comics? | This week’s comics on a budget

Flashpoint #1

Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList if you’d like to play along in our comments section.

Graeme McMillan

If I had $15 this week, I’d immediately go for Flashpoint #1 (DC Comics, $3.99) – I am very, very unsure about the number of tie-ins DC are pushing out for the new crossover event, but with Geoff Johns in charge, I’m suspecting that the main book will be worth a look at least. I’d also grab the relaunched GI Joe #1 (IDW, $3.99), if only to follow up on the “Cobra Civil War” storyline that I admit has completely caught my attention unexpectedly. Curiosity would also get me to pick up both Moriarty #1 (Image, $2.99) and Total Recall #1 (Dynamite, $1.99), two new launches that will hopefully take familiar ideas and characters in directions I wouldn’t expect…

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Comics A.M. | WonderCon attendance likely surpasses 39,000

WonderCon

Conventions | Although final figures aren’t yet available, WonderCon organizers confirm attendance likely surpassed the 39,000 fans who came to last year’s convention. [Publishers Weekly]

Publishing | On his always-interesting new blog, Jim Shooter reminisces about the genesis of Marvel Super Heroes Secret Wars: “We went through a number of ideas for names for the toy line and series. Mattel’s focus group tests indicated that kids reacted positively to the words ‘wars’ and ‘secret.’ Okay.” [Jim Shooter]

Publishing | Longtime print broker Chikara Entertainment, which also offered book packaging and consulting services, has closed. [ICv2.com]

Retailing | Sarah Cohen provides a snapshot of South Florida comic stores struggling amid a weak economy and a changing marketplace. Some retailers have changed their strategies by diversifying their merchandise, holding events and reaching out to customers via the Internet. Others, however, prefer to do business the way they always have. “Making events and using social networking is pushy,” says Jorge Perez, owner of A&M Comics and Books in Miami. “It might help business, but then you would be on the computer all day doing stuff like that.” A&M, the oldest comic store in Florida one of the oldest in the nation, has seen business drop by about 40 percent since 2008. [Miami Herald]

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There’s always room for … Hellboy?

Jell-Oboy, by D4N13L

For fans of Mike Mignola, and of gelatin desserts, RIPT Apparel has premiered this “Jell-Oboy” shirt design by Bolivian artist Daniel, aka D4N13L, the guy behind “Undefined Age Martial Artist Tortoises,” “The Scarlet Caped Super Green Aquarrow Man’s Emblem,” “LadyPool” and other comic book-themed tees. The design’s available as adult and kids T-shirts, hoodies and onesies.


Six Seven by 6 | Seven great moments from Guy Davis’ B.P.R.D. run

It’s the end of an era. B.P.R.D.: Hell on Earth: Gods #3 hits stores today, the final issue of the long-running Hellboy spinoff’s latest miniseries — and with it, the tenure of Guy Davis as the series’ regular artist draws to a close. Davis will be returning for the occasional project in Mike Mignola’s unique horror-adventure universe, and everyone involved gives his replacement, near-overnight success story Tyler Crook, their vote of confidence; given Mignola and company’s track record in selecting artists, from Davis to Duncan Fegredo to Richard Corben, I’m inclined to take them at their word. Even so, as I wrote at length the other day, Davis’ work on B.P.R.D with Mignola, lead writer John Arcudi, and colorist Dave Stewart (not to mention letterer Clem Robins and editor Scott Allie) has been one of the past decade’s absolute high-water marks for superhero (or supernatural action, if you prefer) comics. From sadness to spectacle, horror to humor, stunning creature designs to quiet character moments, there was pretty much nothing the guy couldn’t do.

In honor of Davis, Arcudi, Mignola, and Stewart’s remarkable achievement, I’ve selected a suite of my favorite moments from the Guy Davis era of B.P.R.D.. And in honor of the Ogdru Jahad, the Seven-Who-Are-One dark gods whose rise the Bureau of Paranormal Research and Defense is battling (perhaps in vain) to stop, I’ve expanded the list past our usual “Six by 6″ format to include seven stunning scenes. My hope is that they showcase the range, subtlety, sophistication, and power of one of the best artists working in genre comics — arguably in all of comics — today, and highlight just how well he and his collaborators worked together. Just be warned: SPOILERS AHEAD.

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Hell on Earth: Guy Davis leaves B.P.R.D.

On any other day this would have been the very first thing I wrote about, but I figured you may have already been aware, thanks to the high-pitched wails of “NOOOOOOOOOO” that echoed throughout Twitterdom when the news broke Saturday at Emerald City Comicon: Artist Guy Davis is leaving B.P.R.D. The current B.P.R.D: Hell on Earth: Gods miniseries will mark the end of Davis’s run as the regular artist for the core Hellboy spinoff, which along with its parent title formed the heart of the “Mignolaverse.” Newcomer Tyler Crook will take over as the book’s artist with the subsequent arc, Monsters — his second-ever comic from a major publisher. Davis himself will focus on his creator-owned title The Marquis and other projects. Click the links for CBR’s interviews with both artists on the changeover.

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Comics A.M. | Archie #1 sets auction record; more bookstore layoffs

Archie Comics #1

Comics | A copy of Archie Comics #1, published in winter 1942, sold at auction last week for $167,300, setting a world record for an Archie title and a non-superhero comic. “Archie may have a ways to go to catch the likes of Superman and Batman, his Golden Age counterparts,” said Lon Allen, managing director of comics for Heritage Auctions, “but you can bet that collectors sat up and took notice when this comic brought that price. This amount exceeds the priciest of Spidey and Hulk comic books we’ve sold, which brought in excess of $125,000 each.” [Luxist]

Retailing | REDgroup Retail, which owns the Australian booksellers Borders and Angus & Robertson, has laid off 321 employees at the two chains following the closing of 38 stores. The company entered into administration last month. [ABC News]

Retailing | Borders Group has asked a bankruptcy judge for more time to decide whether to assume or reject its 681 leases, including those for 674 stores. If granted, the extension would give the company until Jan. 12, 2012, to deal with its leases. [Detroit Free Press]

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Comics A.M. | Joanne Siegel’s passing, Archie’s ‘quiet revolution’

An early drawing of Lois Lane by Joe Shuster, who used Joanne Siegel as a model

Passings | As Comic Book Resources reported, Joanne Siegel, wife of Superman co-creator Jerry Siegel and the model for Lois Lane, passed away Monday in California. She was 93. Although news of her death first circulated online via Brad Meltzer’s Twitter account, the Cleveland Plain Dealer’s Michael Sangiacomo had the first official report, only hours after he wrote about the installation of signs bearing the honorary street names “Joe Shuster Lane” and “Lois Lane” in the Cleveland neighborhood where Siegel and Shuster created the Man of Steel. CBR’s Kiel Phegley spoke with Meltzer, who met Joanne Siegel while researching his novel The Book of Lies. Heidi MacDonald, meanwhile, has reaction from Bradley Ricca, who’s working on a documentary about the Siegel family. The Hollywood Reporter and The Superman Super Site also have obituaries. More will certainly appear throughout the day. [Comic Book Resources]

Publishing | Acclaimed cartoonist Alison Bechdel (Fun Home, Dykes to Watch Out For) has been named the guest editor of the 2011 edition of The Best American Comics, published by Houghton Mifflin Harcourt. [Shelf Life]

Publishing | Robot 6 contributor Brigid Alverson spotlights the “quiet revolution” at Archie Comics that finds the publisher expanding into graphic novels and digital delivery, further diversifying its characters and tackling more topical issues. [Publishers Weekly]

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Creator-Owned Spotlight #1 by Steve Niles

Editor’s Note: With the recent discussions going on around the comics community about creator-owned comics, we’re pleased to welcome one of the voices in those discussions, 30 Days of Night and Mystery Society creator Steve Niles, to Robot 6 for a series of columns on creator-owned comics. A big thanks to Steve for agreeing to do the column, as well as to artist Stephanie Buscema for creating a killer image for it.

by Steve Niles

Creator-Owned Spotlight

Hello everybody!

Welcome to the first installment of my new column, Creator-Owned Spotlight. I tried to think up an amusing title, but then decided to just settle on what it was: a spotlight on creator-owned comics, publishers and retailers who support the need for more creator-owned books.

I guess the first order of business is to define what I mean when I say “creator-owned comics.” I’m talking about ANY book where the creator has ANY ownership in their book. So basically, if you sign a work-for-hire agreement, you don’t generally have ownership. It doesn’t make those books bad, or the enemy, or anything like that. We’re just not talking about them here.

Why am I doing this? I’ve been called insane for wanting to promote my competitors’ work. All I have to say to that is: it isn’t a competition. And yes, I am crazy. I’ve drawn a line in the sand for myself to be positive. I hope you’ll try, too.

First up is such an obvious choice; I really don’t need to write much at all. His name is synonymous with creator-owned books, because he’s one of creator-owned comics’ greatest success stories. He’s also a friend and hero of mine.

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Comics A.M. | Spiegelman talks Grand Prix, Stephenson talks industry

Art Spiegelman

Creators | Michael Cavna talks with cartoonist Art Spiegelman about being only the third American to receive the Grand Prix from the Angoulême International Comics Festival. As recipient of the honor, the 62-year-old artist will help plan next year’s festival. “I don’t know whether you should say ‘congratulations’ or ‘condolences,’ ” he says. [The Washington Post]

Legal | A Michigan judge on Monday ordered the DNA of former retailer Michael George to be compared with a hair found on the body of his wife when she was shot to death in 1990 in their comic book store. George, 50, was found guilty in March 2008 of first-degree murder, but that conviction was set aside because of prosecutorial misconduct and the possibility of new evidence. [The Detroit News]

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Comics A.M. | Diamond plans digital service? Eisner judges named

Diamond Comic Distributors

Retailing | Rich Johnston confirms that Diamond Comic Distributors is developing a digital comics service that, in the words of a company representative, “will be entirely focused on driving sales of digital comic-related content through brick and mortar comic book specialty retailers.” No details were made available, but an official announcement is expected “in the near future.” In the meantime, Johnston gathers initial reactions from several retailers. [Bleeding Cool]

Publishing | Amit Desai, who has worked at Warner Bros. since 2004, has been named as DC Entertainment’s senior vice president, franchise management: “In his new role, Desai will develop and implement the individual franchise plans for Batman, Superman, Green Lantern, Wonder Woman, The Flash, MAD Magazine, Vertigo titles, and other DC properties. This will include driving wider cross-promotional support across all Time Warner divisions.” [press release]

Publishing | Alex Segura, former publicity manager at DC Comics, has been hired by Archie Comics as executive director of publicity and marketing. [press release]

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Robot 666 | What comic scared the $#!@% out of you?

from "The Roaches"

Last year for Robot 666 Week we had a lot of fun putting together our list of six comics that scared the $#!@% out of us. So this year, we thought we’d broaden our scope and ask a few comic creators what comics scared them. Here’s the first batch; check back tomorrow and on Halloween for more!

Jimmy Palmiotti

That’s an easy one.

In 1973, I read a short story in the black and white Monsters Unleashed magazine by Thomas Disch, adapted and illustrated by Ralph Reese called “The Roaches,” about a bug-infested apartment and the woman in it…all I remember was it was illustrated in such a creepy style and all those bugs…

At the time I was living in a basement of a house that had some of the little critters from time to time, and the story freaked me out to the point I couldn’t sleep, knowing the bugs were out there ready for me to fall asleep and crawl into my ears, mouth and nose. Now that I’m talking about it, it’s creeping me out all over again.

Jimmy Palmiotti is the co-writer, with Justin Gray, of a ton of comics — Jonah Hex, Uncle Sam and the Freedom Fighters, Time Bomb and many more. If you’re looking for a comic to read this Halloween, The Last Resort is a fun, over-the-top zombie comic.

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