Welcome to another edition of What Are You Reading?, where today we welcome special guest Ron Marz. Marz has written everything from Green Lantern to Witchblade, and you can currently find him working on comics like Artifacts, Prophecy, Blackburn Burrow and The Ride: Southern Gothic. He also writes the column Shelf Life for Comic Book Resources and can be found on Twitter.
To see what Ron and the Robot 6 crew have been reading, click below.
Next month will see the release of the final installment in Van Jensen‘s and Dusty Higgins‘ Pinocchio, Vampire Slayer series of books, Of Wood and Blood, Part Two. To mark this milestone as well as find out what creative projects he intends to pursue in the future, I cajoled longtime friend of the blog Jensen to do an interview. I was pleased to learn that while Pinocchio, Vampire Slayer is coming to a close, Joe Pimienta is illustrating Jensen’s upcoming graphic novel, The Leg. More immediately, Jensen will be busy this upcoming weekend in Atlanta–as he will be at Dragon*Con, so be sure to visit him if you are there.
Tim O’Shea: You’re ending Pinocchio on a high note, while the project seems to still be doing well. Why step away — and how hard was it to do?
Van Jensen: When Dusty and I were working on the first volume, I came up with this notion of how to explain where Pinocchio came from (the original story has him as a sentient piece of wood that is carved into a puppet, not a puppet that’s magically brought to life) and tie that into the origin of the vampires. We realized it would make a perfect contained storyline; the question was always whether the book would sell enough for us to explore the whole story.
There’s little I enjoy more than an animated adaptation of a comic that’s done in the exact style of that comic. I understand and appreciate Mike Mignola’s opinion (especially because he’s uniquely qualified to judge how well the copy imitates the original) that he’d rather see a different version animated. As a fan, though, I tend to imagine motion when I read comics anyway, so to see that brought to life is pretty thrilling. Especially when the comic being adapted is one by Richard Sala.
The Peculia short is on Sala’s website, so if he didn’t do it himself, it’s certainly got his blessing. I hope there’s more coming, because I keep re-watching it and can’t seem to get enough.
To see what Alex and the Robot 6 crew have been reading lately, click below.
Aurora Rise, the Aug. 25-26 benefit organized by All C’s Collectibles in Aurora, Colo., to raise money for the victims of the July 20 theater shootings, announced this week that Hellboy creator Mike Mignola will join Matt Fraction, Steve Niles and Tim Daniel at the event.
Hello and welcome to What Are You Reading? Today our guest is Mark Sable, the writer and co-creator of Image’s Graveyard of Empires with Paul Azaceta and the upcoming Duplicate from Kickstart Comics with Andy MacDonald. You can find his work and thoughts at marksable.com and contact him @marksable on the Twitter.
To see what Mark and the Robot 6 crew have been reading, click below …
• Of course you can’t have Comic-Con without news about Comic-Con itself. CBR’s Kiel Phegley spoke with CCI’s David Glanzer about the show, while Ryan Ingram spoke with Scott Morse about the Tr!ckster satellite event. And it seems like every non-comics media outlet reports on the show in some form or fashion; here’s an article by The Christian Post about religion and the show, for example. And finally, Tuesday brought the tragic news that a con attendee camping out for today’s Twilight panel was killed in front of the convention center after being struck by a car.
• I’m not 100 percent sure if it qualifies as Comic-Con news, but since it was officially announced in the Entertainment Weekly Comic-Con issue, let’s just go with it. Marvel’s big news going into the Con is that they plan to relaunch several titles later this year as part of “Marvel NOW!” Their recently released solicitations reveal they plan to cancel nine titles in October, but of course you can expect many if not all of them to come back in some form or fashion as Marvel NOW! rolls out.
• Mike Mignola and Hellboy return this December in Hellboy in Hell, the first four-issue miniseries in a series of miniseries about the title character’s post-demise adventures.
Conventions | Three-day tickets went on sale this week for New York Comic Con. Confirmed guests so far include Geoff Johns, Jim Lee, Mike Mignola and Josh Gates. [Collider.com]
Publishing | The revelation that DC’s newly reintroduced Green Lantern Alan Scott is gay has moved Christian comic publisher Art Ayris, who is also the executive pastor of a Baptist church, to announce that his company Kingstone Media won’t be including gay characters in its lineup: “If Kingstone is the only comic book company in America doing it, we will stand for the things God says are godly and stand against things that clearly fall under the category of sin.” [Baptist Press]
Retailing | The Avengers movie seems to be bringing new customers into comics stores looking for Marvel titles, at least in Maryland. Pullbox requests for Marvel comics are also up, suggesting some of the uptick is from existing customers. [The Star Democrat]
Happy Memorial Day, Americans, and welcome to another edition of What Are You Reading? Our special guest today is Mark Andrew Smith, writer of Gladstone’s School for World Conquerors, Amazing Joy Buzzards, The New Brighton Archeological Society and Sullivan’s Sluggers, which is currently available to order via Kickstarter.
To see what Mark and the Robot 6 crew have been reading lately, click below.
Passings | The Comics Journal collects tributes to Maurice Sendak, the legendary children’s book author and illustrator who passed away Tuesday at age 83. Philip Nel, director of Kansas State University’s Program in Children’s Literature, also writes an obituary for the influential creator of Where the Wild Things Are. [TCJ.com]
Publishing | In an interview with the retail news and analysis site ICv2, IDW Publishing President and CEO Ted Adams says that while digital sales are at 10 percent of print sales, both are going up: “There’s just no question at this point that selling comics digitally is definitively not impacting [print] comic book sales. If anything you could make the argument that the success of digital is driving more print comic book sales. The correlation at this point is that increased digital has resulted in increased print. Whether or not that is a direct correlation, I don’t know how you would figure that out. I can say with no uncertainty that our increased digital revenue has come at a time when we’ve had increased comic book sales.” [ICv2]
Hello and welcome to What Are You Reading? Today our special guest is Tim Seeley, whose work you may know from Hack/Slash, Bloodstrike, Witchblade, Colt Noble, the upcoming Ex Sanguine and Revival, and much more.
To see what Tim has been reading lately, click below.
Here’s an even more eclectic list than the Los Angeles Times Book Prize nominees: The graphic novel contenders for the Horror Writers Association’s Bram Stoker Award:
Anya’s Ghost, by Vera Brosgol (First Second)
Locke & Key, Volume 4, by Joe Hill (artist: Gabriel Rodriguez) (IDW)
Green River Killer, by Jeff Jensen (artist: Jonathan Case) (Dark Horse)
Marvel Universe vs. Wolverine, by Jonathan Maberry (penciler: Laurence Campbell) (Marvel)
Baltimore: The Plague Ships, by Mike Mignola and Christopher Golden (artist: Ben Stenbeck; colorist: Dave Stewart) (Dark Horse)
Neonomicon, by Alan Moore (artist: Jacen Burrows) (Avatar Press)
I added in the artists because apparently the Stoker folks were only thinking about writers. I’m impressed with how broad the selection of books is, given that they all qualify as “horror” to someone: Anya’s Ghost, while genuinely scary, is a teenage ghost story, Green River Killer is true crime, Marvel Universe vs. Wolverine is a superhero story, admittedly with something that sounds a lot like a zombie twist. The other three are closer to what I think of when I think of “horror,” but they are all still quite different from one another.
“Hellboy” page from Dark Horse Presents #151 (2000). Mike Mignola.
Mike Mignola’s Hellboy universe might be the most common place for readers to notice something different is being done with the sequencing of the imagery that makes up the comics they’re reading. A large part of what makes Mignola’s stories so wonderful is the way they behave like typical examples of action-adventure comics until they suddenly refuse to do so any longer, and parachute off into far weirder and more interesting realms. The same thing can be said for the way Mignola (and the numerous notable artists who’ve followed in his stylistic wake on the property) puts his pages together. If any post-Jack Kirby artist can be said to have created a truly unique and formally innovative style of constructing action comics, Mignola’s undoubtedly a strong candidate for the top of the list. And as far as the influence that style has had on the form, he’s peerless.
Hello and welcome to What Are You Reading? This week’s special guest is Simon Monk, an artist whose “Secret Identity” paintings we featured here on Robot 6 not too long ago. Monk is actually selling limited edition prints of his paintings on his website now, so go check them out.
To see what Simon and the Robot 6 crew have been reading, click below.
Hello and welcome to a special birthday bash edition of our weekly “What Are You Reading” feature. Typically the Robot 6 crew talks about what books we’ve read recently, but since it’s our anniversary, we thought we’d invite all our friends and colleagues from Comic Book Resources and Comics Should Be Good! to join in the fun.
To see what everyone has been reading, click below …