Here’s a bit of unwelcome news: Just as I’m enjoying the first trade of It Girl & The Atomics, Jamie S. Rich announces the series is coming to a close with Issue 12, due out in July.
The special issue will feature art by It Girl regular Mike Norton (Battlepug) as well as Chynna Clugston Flores (who drew the stand-alone Issue 6) and Natalie Nourigat (who will also be contributing to Issue 10, out in May).
Here’s how Rich broke the news on his blog:
Yes, you read that right. We’re wrapping up the first It Girl and the Atomics series with #12. There were a number of factors contributing to the decision, but it was the right one to make and the right time to do it. Hopefully the twelve issues we did will stand strong as a complete series whether I ever make it back to do more or not. (I have a few ideas for stories, but it will all be a matter of timing.) I wrote #12 special to cap off everything that had come before, which is why I corralled all the artists from the series to give it one more go.
It Girl was a spinoff of Mike Allred’s Madman Atomic Comics, which Rich edited (and therefore knew intimately). It stood well enough on its own, though, that I, a complete newcomer, was able to pick up the collected edition of It Girl & The Atomics and thoroughly enjoy it. And my colleague Michael May had some nice things to say about that standalone Issue 6 recently.
So what’s next? Rich doesn’t sit still for long, and in addition to his hint of more It Girl in the future, there’s this: “Expect more collaborations between myself and Image in the future. This door is closed, but we’re opening up a couple of windows.” Hmmm.
And with It Girl & The Atomics #9 in stores this week, we still have a bit more Atomic goodness to enjoy.
A few months ago, I wrote about how much I was enjoying Jamie S. Rich and Mike Norton’s It Girl and the Atomics. I dinged it on characterization, but now that I’ve had a couple of more issues with the characters, I need to walk that back a little. I still want to know more about It Girl, but Rich and Norton are working on that each month. I was hasty in wanting to know everything about her in the first four issues. Guess that’s just how much I dig her.
I’m not here to talk about character development, though; I’m here to talk about fill-in issues, specifically It Girl #6. Fill-in issues are a fact of life with monthly comics, especially these days as artists work more meticulously than they used to. But even back in the day you’d run into an issue where the regular story would take a break while the editor ran something out of his rainy-day files. Now, fill-ins are better planned. And if they’re planned well enough, they’re just as enjoyable as the main series.
I admit that I wasn’t looking forward to It Girl #6. My impatience with getting to know the characters was showing and I didn’t want to zoom out into space to see what was up with the drummer of Madman’s space band. I wanted the next It Girl adventure, damn it, and Rich and guest-artist Chynna Clugston Flores were going to have to convince me that they weren’t wasting my time. If you read the title of this post, you know that they weren’t. I loved the issue and here’s why.
Happy Presidents Day weekend, America, and happy Sunday to everyone else. Welcome to a very presidential What Are You Reading?, which really isn’t that different than a regular one, but you can imagine every entry being written by Daniel Day-Lewis if you’d like.
Today our special guest is Chris Smits, publisher of Aw Yeah Comics Publishing! and blogger at Creator-Owned Comics. Aw Yeah Comics, of course, is the all-ages comics series being created by Art Baltazar and Franco, with help from folks like Mark Waid, Brad Meltzer, Jason Aaron and many others … including Chris. If you’d like to get your hands on the adventures of Awesome Bear, Daring Dog, Polar Cycle, Marquaid, Action Cat and more, then let me point you to their Kickstarter campaign, which has hit its goal but you can still get in on the fun (and the comics!)
And to see what Chris and the Robot 6 crew have been reading, click below.
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Today we welcome Jamie S. Rich, writer of You Have Killed Me, Spell Checkers, Bobby Pins and Mary Janes, A Boy And A Girl, and It Girl & the Atomics — for which he has given us an exclusive preview of issue #7, featuring the art of Mike Norton. It arrives in stores this Wednesday.
Now let’s get to it …
Hello and welcome to What Are You Reading?, where we reveal our picks for the best Super Bowl ads … er, where we talk about what we’ve been reading lately. Today our special guest is Sonia Harris, who writes a weekly column – Committed – for Comics Should Be Good, and is a graphic designer on books such as Butcher Baker the Righteous Maker (collected in hardcover now from Image Comics) and upcoming comic books SEX (beginning March) and The Bounce. (beginning May).
To see what Sonia and the Robot 6 crew have been reading, click below.
In November I decided to use myself as a case study for the first issue of one of the series debuting as part of Marvel NOW!, the publisher’s concentrated, unified effort to sell its comics to a wider audience, which presumably meant luring in lapsed and new readers. That first issue I read was Fantastic Four #1 by Matt Fraction and Mark Bagley; I didn’t much care for it.
This week I picked up Young Avengers #1 by Kieron Gillen, Jamie McKelvie and Mike Norton, giving it the same treatment. (Between the two, I also tried Fraction and Mike and Laura Allred’s FF #1 and loved it, but didn’t write about it in this manner because … well, I don’t remember why. Here’s what I said about the first issue the week it was released, though). Ready?
My background: I read the first dozen 2005-2006 Young Avengers comics by creators Allan Heinberg and Jim Cheung, but gradually lost interest in the characters at about the same rate Heinberg did. Over the years I’ve read various Young Avengers-related comics, most of which Marvel seemed to be producing to fill the demand for Young Avengers comics while waiting for Heinberg to write more: Young Avengers Presents, Civil War: Young Avengers and Runaways, Secret Invasion: Runaways/Young Avengers. But when he finally did return, I didn’t.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this week, it’d be all first issues, all the time. Being a Trek fan, I couldn’t resist IDW’s Star Trek: Countdown to Darkness #1 ($3.99), offering some glimpses into the new movie for the first time outside of the trailer, for one thing. Kieron Gillen and Jamie McKelvie’s Young Avengers #1 (Marvel, $2.99) looks to be equally unmissable judging from both the previews and interviews heralding its launch, and also Gillen’s performance on Iron Man and other titles recently, so that’d make it in there, too. Finally, I’d grab The Answer #1 (Dark Horse, $3.99), Dennis Hopeless and Mike Norton’s new superhero/mystery series. I’ve been back and forth about Hopeless in the past (loved his X-Men: Season One; hate his Avengers Arena), but the hook for this one looks pretty solid and Norton’s work is always nice to gaze at.
Should I suddenly find myself with an additional $15, I’d add some current favorites to the pile: Chris Roberson and Dennis Calero’s pulp dystopia Masks #3 (Dynamite, $3.99), Jonathan Hickman and Jerome Opena’s Avengers #3 (Marvel, $3.99, and less a “favorite” than an “undecided about, but was surprised by how much I appreciated that second issue”) and Greg Rucka and Matt Southworth’s Stumptown #5 (Oni, $3.99). After the fourth issue of Stumptown, I’d pick that last one up even if Rucka had accidentally forgotten to write any dialogue in there. Did you see that last issue? Man …
Were I to splurge, it’d almost feel greedy after this week of bounty. Nonetheless, I’d grab The Spider, Vol. 1: Terror of The Zombie Queen (Dynamite, $19.99), the collected edition of the first storyline from David Liss’ revival of the pulp hero that I loved based on the first issue but somehow fell off of before the end of that first arc for reasons that escape me. Definitely curious to revisit it.
To see what James and the Robot 6 crew have been reading, click below …
For ROBOT 6′s fourth-anniversary celebration, I wanted to find some special Shelf Porn, and luckily I remembered that Tim Seeley of Hack/Slash, Revival and ExSanguine (among others) fame had mentioned he might be willing to share some with us a few months ago (around the time I interviewed him for our Robot Roulette feature). So I dropped a note to Tim, who grabbed his camera and started snapping pictures at the studio he shares with several other comic creators. So big thanks to Tim and the rest of the folks at 4-Star Studios!
If you have some shelves of comics, action figures or other related collectibles you’d like to show off, send me a write-up and some jpgs at firstname.lastname@example.org.
And now here’s Tim:
Travis Clevinger, the lead character in Dan Jolley’s Bloodhound, is a convicted murderer with no superpowers who is released from prison at the request of the FBI so he can track down a serial killer. First published in 2004 by DC Comics, the DC Universe series, which featured art by Leonard Kirk and Robin Riggs, received good reviews but never quite found its audience and was never collected. That is, until now.
Bloodhound has found a new home at Dark Horse, which in June will publish issues 1-4 and 6-10 as a collected edition, titled Bloodhound, Vol. 1: Brass Knuckle Psychology, with 198 pages of comics plus an introduction by Kurt Busiek, an afterword by Ivan Cohen, and standalone art by Jamal Igle, Mike Norton, Tim Seeley and others. Where is Issue 5? Read our exclusive interview with Jolley to find out, and to get the backstory on Bloodhound.
Robot 6: Since it’s been a while, can you refresh us about what Bloodhound is about?
Dan Jolley: Bloodhound is about Travis “Clev” Clevenger, a huge, brutal, ex-Atlanta police detective who specializes in tracking down superhuman criminals. Clev had the city’s best record for finding and dealing with superhumans, thanks to a knack for understanding their thought processes. Unfortunately, he had also been having an on-again-off-again affair with his partner Vince’s wife, Trish, for a number of years, and when Vince found out, he attacked Clev with a crowbar. Clev killed Vince and got sentenced to prison.
Comics | The Dundee, Scotland, city council has approved a proposal by publisher DC Thomson to name a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. Dundee already has statues honoring comic characters Desperate Dan and Minnie the Minx. [BBC News]
Comics | Laura Sneddon continues the New Statesmen’s week-long series on comics with a look at children’s comics in the U.K., including the digital relaunch of The Dandy, the continuing popularity of The Beano (which sells a respectable 30,000 copies per week) and the new kid on the block, The Phoenix. [New Statesman]
In the back of It Girl and the Atomics #1, Jamie S. Rich talks about how he went from editing Mike Allred’s Atomics to writing this spin-off; sort of the BPRD to Madman’s Hellboy. He talks about Allred’s adoration of Silver Age superhero comics and reading that, it hit me why Madman has always been so much fun, yet simultaneously so frustrating for me.
I grew up in the ‘70s – the Bronze Age, if you like – so my childhood comics were Savage Sword of Conan, Ghost Rider and Master of Kung Fu. At DC, Batman wasn’t fighting aliens and other-dimensional imps anymore, he was going on globe-trotting adventures against Ra’as al Ghul and spy organizations. Those were fun comics, but Marvel had made its mark even on DC, and there was weight to those stories. The heroes felt like real characters.
Going back and reading DC Silver Age comics as an adult, I have a hard time with them. They’re zany and imaginative, but they were also short on characterization. To be a fan of a DC superhero in the ‘60s was mostly about being fond of his powers or costume or something equally superficial. It was hard to connect to the characters as actual people. That’s my problem with Madman and It Girl, too.
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Doctor Who: Prisoners of Time #1 (of 12): I’m a sucker for Doctor Who, I think I’ve said that before, right …? No surprise, then, that I’m very much looking forward to this year-long celebration of the 50th anniversary of the BBC science-fiction show, with each issue spotlighting a different incarnation of the character. That Simon Fraser is providing art helps a lot, too; I’ve been a big fan of his “Nikolai Dante” work for 2000AD for a while. (IDW Publishing, $3.99)
One Trick Rip-Off/Deep-Cuts hardcover: Speaking of things that I’m a big fan of, Paul Pope easily fits that bill, so this enhanced reprint of his Dark Horse graphic novel — with more than 150 pages of rare and unseen work from the same period, including his Supertrouble manga — is far too tempting to pass up. (Image Comics, $29.99)
Star Trek: Countdown to Darkness #1 (of 4): I was very impressed with Star Trek: Countdown back in 2009, and the way it teased the then-upcoming J.J. Abrams reboot without giving too much away, so I’m looking forward to see if this prologue to this summer’s sequel is just as fun. (IDW, $3.99)
Star Wars #1: Brian Wood and Star Wars feel like an odd pairing in my head, but everything I’ve read about this new ongoing series set after the first movie (which is to say, Episode IV these days) seems completely up my alley, and the 5-year-old within me is completely sold on the chance to see more stories set in the “true” Star Wars era. (Dark Horse, $3.50)
Young Avengers #1: Kieron GIllen and Jamie McKelvie pairing on anything is pretty much a must-read for me, but seeing them let loose on Marvel’s teen characters and seemingly determined to make them actually seem like teenagers. … Yeah, this looks like it may be one of my favorite superhero books in quite some time, I suspect. (Marvel, $2.99)
Welcome once again to Robot Roulette, our interview feature where we throw random questions at comic creators and see how they respond. We’ve come up with 36 possible questions, and each week I will randomly select which of those questions our guest has to answer.
Today Tim Seeley, who you can find on Twitter and DeviantArt, takes my random questions and turns them into gold. Seeley is sometimes an artist, sometimes a writer, and sometimes both — you know him from Hack/Slash, Revival, Bloodstrike, Witchblade, Ex Sanguine and many more. My thanks to Tim for answering my questions.
Legal | The lawyer for Jack Kirby’s heirs asked the 2nd Circuit Court of Appeals on Wednesday to overturn a 2011 ruling that Marvel owns the copyrights to the characters the late artist co-created for the publisher, arguing that a federal judge misinterpreted the law. Attorney Marc Toberoff, who also represents the heirs of Superman creators Jerry Siegel and Joe Shuster in their fight against DC Comics, told a three-judge panel that a freelancer who gets paid only when a publisher likes his work is not, under copyright law, performing work for hire. Marvel countered that Stan Lee’s testimony established Kirby drew the contested works at the publisher’s behest; the Kirby family insists the lower court gave too much credence to Lee’s testimony. Kirby’s children filed 45 notices in 2009 in a bid to terminate their father’s assignment of copyright to characters ranging from the Fantastic Four and the Avengers to Thor and Iron Man under a provision of the 1976 U.S. Copyright Act. However, in July 2011, a judge determined those comics created between 1958 and 1963 were work made for hire and therefore ineligible for copyright termination. [Law360.com]