DC Comics Reveals Full "Rebirth" Cast of Characters
Publishing | Dark Horse founder and CEO Mike Richardson looks back at 30 years in the business in a two-part interview that covers the rise of shoujo manga and the way it changed American comics, the evolution of comics distribution and the direct market, the status quo and future plans for Dark Horse, and how the comics world is changing and continues to change: “The internet, of course, has changed the industry dramatically. The comic book industry was pretty much focused on the East Coast. As the internet rose, it helped companies like Dark Horse build a comics industry here in Portland. Portland right now is probably the epicenter of the comic book industry in the United States — companies, creators, organizations, all related to comics. We have a huge comic book population here from all angles of the business. It’s pretty amazing.” [ICv2]
Awards | Hellboy creator Mike Mignola has been named the Grand Master of the 2016 Spectrum Fantastic Art Awards, which honor fantasy, horror and science fiction art. First presented in 1995, the Spectrum Award for Grand Master goes to an artist who was worked at a consistently high level for at least 20 years, and who has influenced and inspired others. Previous honorees include Frank Frazetta, Jean “Moebius” Gerard, H.R. Giger and Ralph McQuarrie. [Spectrum Fantastic Art]
Manga | Dragon Ball creator Akira Toriyama is writing a new series, to be illustrated by Video Girl Ai artist Masakazu Katsura. The series will run in Young Jump magazine in Japan. [Anime News Network]
Libraries | Jillian and Mariko Tamaki’s YA graphic novel This One Summer was the first graphic novel to be named a Caldecott Honor Book, but being a pioneer isn’t easy: Because the Caldecott Medal honors illustrators, most librarians think of Caldecott honor books as being for younger readers. Answering a complaint from a librarian, Pat Scales, former chair of the American Library Association’s Intellectual Freedom Committee, points out that the Caldecott Medal is awarded to books for readers up to age 14, and that This One Summer is generally regarded as an eighth grade book—so it qualifies, but it is an unusual case. [School Library Journal]
Publishing | Papercutz, which has had an extremely successful program of LEGO graphic novels based on the Bionicle, Ninjago and Legends of Chima properties, is losing that license to Little, Brown Books for Young Readers, which will have its own graphic novels in bookstores by the end of this year. Papercutz reveals it will continue to publish Bionicle and Ninjago through the end of this year, and Legends of Chima through mid-2016. [Publishers Weekly, ICv2]
Passings | Fred Fredericks, who drew the Mandrake the Magician comic strip from 1965 to 2013, has died. In addition to his daily newspaper work, Fredericks drew comics for Western Publishing and Marvel. [ComicMix]
Conventions | Ace Parking, which manages parking at the San Diego Convention Center and six other nearby lots, will move to a lottery system this year to assign permits for Comic-Con International (those lots are Hilton Garage, Petco Lots, Padres Parkade, Diamond View Tower, Horton Plaza and Gaslamp City Square). For a shot at one of those spaces, you have to email Ace Parking by April 12. A drawing will be held on April 15, with the winners receiving information about how to purchase permits for their assigned location. See the full details on the Ace Parking website. [SDCC Unofficial Blog]
Dark Horse Comics is the highest-profile publisher whose digital releases are not available on comiXology, opting instead to use their own platform, Dark Horse Digital. Following Thursday’s news that Amazon has reached an agreement to purchase comiXology for an undisclosed amount, ROBOT 6 reached out to Dark Horse president and founder Mike Richardson for his thoughts on the matter:
“Companies outside our industry have been paying increasing attention to comics in recent years. New technology has offered a variety of new opportunities in both content creation and content delivery. It is not surprising that Amazon and Comixology would come together considering this environment. The comics industry, despite periods of lull, has always been an evolving and changing business, and this move is consistent with that history.”
Emerald City Comicon may not come with the metric ton of announcements that Comic-Con International does, but in a way it’s all the better for it. Comics still feel as if they’re front and center just where I like them, and the announcements have more charm because they aren’t screaming to be heard over the din of film and television rollouts.
One year, I’ll get up to Seattle to experience the event firsthand, but in the meantime, I get to absorb all the news and photos like everyone else, as they’re posted online. ECCC even streamed all of its panels on flipon.tv. Anything that happened in Room 301 is free for anyone to watch. Everything else can be purchased with a full archive pass for $14.95. Or if, you don’t want to sit through hours of panel footage, there’s CBR’s coverage or, heck, try Google or something.
A number of announcements jumped out as particularly noteworthy, so let’s run through The 6 Best Things from ECCC. And from my count, Dark Horse won Emerald City. Your miles may vary though, so post your favorites in the comments.
Conventions | Organizers anticipate as many as 70,000 people will attend MegaCon, held Friday through Sunday at the Orange County Convention Center in Orlando, Florida, up from about 60,000 last year; that could translate to $23 million impact on the local economy, according to the Orlando Business Journal. Guests include Amanda Conner, Darwyn Cooke, Chuck Dixon, Adam Kubert, Greg Land, Stan Lee, Jimmy Palmiotti, George Perez, Herb Trimpe, Mark Waid and Skottie Young. However, the names drawing the most attention may be The Walking Dead stars David Morrissey, Danai Gurira and Steve Yeun. “We are the first convention in the U.S. to have both David Morrissey and Danai Gurira at the same time,” Jason Smith, MegaCon’s director of operations, told Florida Today. “The show is definitely a fan favorite of our attendees.” [MegaCon]
“I know there’s a certain appeal for creators to work on the classic characters like Batman, Superman and Spider-Man, but I’ve said this before: I asked creators who have worked on those books who the people were doing the books ten years ago, and they don’t know! But I can say, ‘Who worked on Sin City?’ and they’ll go ‘Frank Miller.’ Who worked on Hellboy? Mike Mignola. Who worked on The Goon? Eric Powell. They know it instantly. So to me, the lure of creating your own character and owning it — owning your own universe and being associated with that — in the long run for talented writers and artists makes me question why someone would toil away on a company owned character for years and years of their lives.”
– Dark Horse founder Mike Richardson, discussing his company’s commitment to publishing creator-owned work
Dark Horse will celebrate the 30th anniversary of Stan Sakai’s Usagi Yojimbo with the release in July of the oversized hardcover benefit book The Sakai Project: Artists Celebrate Thirty Years of “Usagi Yojimbo.” All proceeds will go to Stan and Sharon Sakai.
Sharon Sakai suffers from a debilitating illness that required an extended hospital stay and convalescence, and while she’s now back home, she requires 24-hour care and medications that exceed their insurance coverage. The Comic Art Professional Society, which spearheaded an earlier fundraiser for the Sakais, is working in conjunction with Dark Horse to produce the book.
“It has been an absolute pleasure publishing Stan’s work over the years, and recently collaborating with him directly on 47 Ronin,” Dark Horse President Mike Richardson said in a statement. “With the thirtieth anniversary of his most beloved creation, Usagi, and in a time of need for Stan and his family, we are honored to publish this tribute to Stan and his work. We are donating all of the proceeds to Stan and his wife, Sharon. We hope you will join us in honoring one of the comics industry’s shining lights.”
The list of contributors to The Sakai Project already includes the likes of Arthur Adams, Brian Michael Bendis, Matt Groening, Mike Mignola, Bill Morrison and Jeff Smith, but Dark Horse is seeking to involve more professionals. The deadline for submissions is Feb. 20; email firstname.lastname@example.org for details.
Comics | Retail news and analysis site ICv2 lists the top 10 comics business events of 2013, from strong sales growth in all three channels (book market, direct market and digital) to issues with sexual content, both Apple’s restrictions on in-app purchases and the sentencing of a Missouri man to three years in prison for possession of obscene comics. [ICv2]
Comics | Here’s a local-news take on Dark Horse’s loss of the Star Wars comics license, in which Publisher Mike Richardson reveals the franchise makes up 4 to 6 percent of the company’s bottom line. [KGW]
Comics | Tom Spurgeon talks to writer-about-comics Zainab Akhtar about her own writing and a good handful of other people’s graphic novels. [The Comics Reporter]
Dark Horse took a rather novel approach with its holiday card this year, turning to Art Baltazar and Franco of Tiny Titans and Itty Bitty Hellboy fame to create not just a card but an unfolding comic, with cameos ranging from Darth Vader and Battlepug to the Mask and Publisher Mike Richardson.
See the rest of the card/comic below.
Dark Horse has been making a concerted effort over the past year to develop its superhero line, with titles like Ghost, X and The Victories. On Wednesday, the lineup expands further with the launch of the Captain Midnight ongoing series, written by Joshua Williamson and illustrated by Fernando Dagnino.
I can’t help but be excited by the potential appeal for this new series, which throws the World War II scientist-hero into the present day — particularly after Williamson praised James Robinson’s Starman: “It’s one of the few books that — it made me cry.” My cautious optimism for the series was cemented in the midst of my interview with the writer, when he said of the Dark Horse superhero approach: “There is a subtle way to handle the superhero universe, and that’s what Dark Horse is doing.”
Once you’ve read the interview, be sure to enjoy the preview the publisher offered for Captain Midnight #1, on sale Wednesday.
Tim O’Shea: You leap right into the action with Issue 0, in which Captain Midnight lands in the present day, after just having been in the midst of World War II. What does it say about the character that he wasn’t thrown by being flung into the future?
Joshua Williamson: We knew that we wanted to separate Captain Midnight from other time-lost characters and set up two aspects: 1) He was disappointed by the future; 2) He was not surprised by time travel. Midnight was a genius first and a superhero second.
Midnight is a very interesting character in that he is no-nonsense and has such a black-and-white outlook on the world — very matter-of-fact. We wanted to get that across to our readers quickly in the zero issue and found that was the best way to do it.
Dark Horse’s Catalyst Comix, a title I’ve been looking forward to since it was announced in October at New York Comic Con, at last debuts today. Joe Casey is a writer who starts every project with a manifesto, and this one is no different: Relaunching a relatively unmourned line of comics in his own image, he’s seeking to create a superhero book that’s an antidote to “the overly conservative nature of Marvel and DC.” I can appreciate that ambition, but what really sold me is the sheer depth of the pool of artistic talent assembled to bring Casey’s scripts to life: Dan McDaid, Ulises Farinas and Paul Maybury drawing the three strips that make up each issue. Rafael Grampa, Paul Pope and Brendan McCarthy are rotating as cover artists.
I spoke to Dan McDaid on the eve of the book’s launch to discuss working within this all-star team of creators, and he shared his process on creating a typically powerful, apocalyptic-looking sequence of his strip, starring Frank Wells, the hero formerly known as Titan, from Will to Power.
With a click of the “Buy Now” button, readers could download 50 first issues through the company’s online storefront. Worth $168.50, the titles ranged from from the first issues of 1994′s Hellboy: Seeds of Destruction and 2002′s B.P.R.D.: Hollow Earth to far more recent series, like The Massive, Mind MGMT and The Black Beetle: No Way Out.
“The success of our digital promotion illustrates the growing reach of digital comics, which we believe are an important element in the recent resurgence of physical comic book and graphic novel sales,” Dark Horse President Mike Richardson said in a statement.