Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Welcome once again to What Are You Reading?, where we share what comics, books and other good stuff we’ve been checking out lately. This week our special guest is Thomas Hall, writer of the science fiction/fantasy comic Robot 13.
To see what Thomas and the Robot 6 crew have been reading, click below.
Yesterday we kicked off our holiday gift-giving guide, where we asked creators like Jim McCann, Matt Kindt and more for gift suggestion and what they’d want to receive this year. Today we’re back with six more creators, and we asked them the same questions:
1. What comic-related gift or gifts would you recommend giving this year, and why?
2. What gift (comic or otherwise) is at the top of your personal wish list, and why?
So without further ado, let the joy continue …
1. If you have young children, you can give them hours of quality time with any of Dark Horse’s Harvey Comics collections. My kids have been poring through them repeatedly. I’ll be following up with old back issues of Casper, Dot, Richie Rich and Hot Stuff from the local comics shops; they’re always very cheap.
2. I would not sneeze at getting that Donald Duck: Lost in the Andes volume from Fantagraphics.
1. I’m a firm believer in buying comics for everyone on your list, even if they aren’t an avid fan. Make ‘em a fan! All-Star Superman for the superhero fan, Dungeons & Dragons from IDW for the gamer, Habibi for the sophisticated reader, and, of course, my Hack/Slash Omnibi for the horror fan. Or, if you’re planning on dropping a bit more, might I suggest an iPad, loaded with comics apps?
2. I want the collected version of the web strip OGLAF, which I thoroughly enjoy. I wouldn’t mind a CS Moore Witchblade statue to inspire me while I write.
Tim Seeley seems to be all over the place lately, whether it’s writing the new Bloodstrike series from Extreme or Witchblade for Top Cow, drawing issues of Marvel’s Generation Hope, or working on his own creations like Hack/Slash and Jack Kraken. There’s a good chance I forgot something, but you can follow him on Twitter to learn more.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d get one from almost every box–Image’s Invincible #85 ($2.99), DC’s DMZ #71 ($2.99), Marvel’s Wolverine and The X-Men #2 ($3.99) and independent title RASL #12 ($3.50). Not much to say about any of these I haven’t already said, except anytime Cory Walker draws a book I’d pay twice cover price.
If I had $30, I’d sneak out of Thanksgiving preparations to first get a book I was surprised I liked as much as I did, despite the last issue’s ending: Shade #2 (DC, $2.99). One thing I wasn’t amped to see was Deathstroke, but given James Robinson and Cully Hammer’s track record I’ll give them the benefit of the doubt. Next up would be the epic (in my mind, at least) team-up of Warren Ellis and Michael Lark on Secret Avengers #19 (Marvel, $3.99). Seeing Ellis boil down the concept into “Run the mission. Don’t get seen. Save the world.” Hits me right between the eyes, and this new issue’s preview has be salivating over it. Last up, I’d pay the giant size price tag for Fantastic Four #600 (Marvel, $7.99) although my patience has worn a little thin with ending the series then bringing it back for #600.
The release of Dark Horse’s latest round of solicitations last week revealed that Evan Dorkin’s humor comic Milk and Cheese will get the deluxe hardcover treatment, collecting “every single stupid Milk and Cheese comic ever made from 1989 to 2010, along with a sh*t-ton of supplemental awesomeness.”
On his LiveJournal, Dorkin revealed details on what the “supplemental awesomeness” will entail:
- The book will feature over 80 pages of comics that have not been collected before.
– There will be a 24-pg color section featuring all the color M&C strips, a cover gallery, pin-ups, merchandise art, trading cards, etc.
– There will also be a 24-pg B&W supplemental section featuring pin-ups, t-shirt designs, and other art, etc.
– The book will include the rare 1997 M&C Special Edition 16-pg mini-comic featuring the expanded “Darth Vader Overdrive” strip and extras.
– The only M&C-related comic that will not be in the collection is the M&C/Pirate Corp$! strip from Munden’s Bar Annual #2.
– Some very swell folks gave us some very nice back cover quotes.
– The book should be hefty enough to hurt anyone hit over the head with it.
– The book should be pretty freaking awesome.
The hardcover is due Dec. 21, just in time for Christmas.
When an interview goes well, it has very little to do with me. The value of the interview, not surprisingly, is rooted in the answers. Evan Dorkin is proof of this. At one point in this email interview, the man justifiably ridicules my use of the term “sequential art narrative” in a question–and being Evan Dorkin, it’s damn funny when he does it. The interview covers a great deal of ground, given the diversity and richness of his career to date. First up, though, is Dark Horse’s Beasts of Burden, his upcoming collaboration with Jill Thompson, which is featured on the cover of this month’s PREVIEWS. (Beasts of Burden #1’s item code is JUL09 0015 [and goes on sale September 16]). Aweek or so ago my associate Mr. Melrose linked to the original Beasts of Burden short story, Stray, that Dark Horse posted to its site (and that Dorkin also mentions at the start of this interview). My thanks to Dorkin for what I hope you agree is a great interview.
Tim O’Shea: You are working on Beasts of Burden, for Dark Horse, what can you tell folks about the project?
Evan Dorkin: Beasts of Burden is a four-issue series debuting this September from Dark Horse, I’m writing it and Jill Thompson is illustrating it, and it’s about a group of neighborhood dogs and a stray cat that band together to fight the supernatural. It takes place in a town called Burden Hill, which has become increasingly plagued by monsters and the paranormal. The human inhabitants are largely oblivious to what’s happening, so it’s up to these “ordinary” animals to defend the area from these occult incursions. It’s a horror comic with adventure and fantasy elements, and hopefully a sense of humor. Each issue is a self-contained story, with some narrative undercurrents running through them.