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Kapow! Comic Convention put ‘on hold’ for 2013

Citing an increased workload at Millarworld and Millarworld Productions, organizers Sarah and Lucy Unwin have announced London’s Kapow! Comic Convention won’t return next year. However, there are hopes for “an even bigger and better show” in 2014.

“Sarah and I have had to make a very tough decision, and after much deliberation and poring over upcoming work schedules, we have decided to put Kapow! 2013 on hold,” Lucy Unwin said in a statement. “The event is a genuine pleasure to work on and everyone has been a total delight, but this year we are unable to dedicate the time necessary to deliver a weekend that once again exceeds the expectations of attendees, guests, exhibitors, publishers and studios.”

Mark Millar, who launched Kapow! in 2010 “to bring “San Diego Comic-Con to these shores,” added on his message board: “4 movies, 4 new comic series, overseeing the Marvel movies at Fox and starting our TV line mean 2013 just too mental for Kapow this year, I’m afraid. we absolutely hope to come back and wow everyone in 2014 tho.”

In addition to signing on in September as a consultant on Fox’s Marvel film properties, Millar has Kick-Ass 2 opening next year, and a handful of adaptations — Nemesis, Supercrooks and The Secret Service among them — moving into production. Add to that such Millarworld comics projects as Jupiter’s Legacy, Nemesis 2 and Kick-Ass 3, and the aforementioned television line, which begins Jan. 3 with the BBC One documentary Pavilion of Dreams.

First look at Frank Quitely’s character designs for Jupiter’s Children

The Hollywood Reporter has debuted a first look at Frank Quitely’s character designs for Jupiter’s Children, a planned trilogy that writer Mark Millar hopes will be as epic as The Lord of the Rings or Star Wars.

Announced in January, the ambitious story centers on the offspring of superheroes who have essentially squandered their inheritance, failing to live of to the example set by their parents, who gained their powers in the 1920s after discovering a mysterious island.

“We have the last remains of these old-school heroes and their mainly vacuous children living in L.A., a massive disappointment to the first generation of super-people and just lost, no real direction in their lives beyond advertising gigs and opening night-clubs,” Millar tells the trade paper. “This is literally where we find everyone and then we go into the future, taking these guys on a journey like we’ve never seen in comics before.”

The writer offers character descriptions to accompany a gallery of Quitely’s designs, but he won’t reveal any of their names or powers. So we get a look at figures like “the lady in red,” “the eagle-crested super-heroine,” “the cool guy,” and “the duo,” whom readers will recognize from Quitely’s cover for the first issue, debuted in January on Comic Book Resources.

Check out Quitely’s designs below, and visit The Hollywood Reporter to read Millar’s comments about each of the characters. Originally planned for a September 2012 debut, Jupiter’s Children is now targeted for spring 2013.

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CLiNT teases prelude to Millar and Yu’s Supercrooks

CLiNT magazine has unveiled a jittery, Se7en-esque trailer teasing a prelude to Supercrooks, the upcoming supervillain-heist project from Mark Millar, Leinil Francis Yu and Nacho Vigalondo. CLiNT #15, which includes the exclusive lead-in story, goes on sale March 28.

Your chance to name villain in Millar & Gibbons’ new series ends today

The auction for the rights to name the supervillain in the new comic from Kick-Ass writer Mark Millar and Watchmen artist Dave Gibbons ends in a matter of hours — at 3:54 p.m. Pacific, to be exact.

Officially unveiled Tuesday on Comic Book Resources, The Secret Service is the duo’s long-simmering first-time collaboration, based on an idea by Millar, Gibbons and Kick-Ass and X-Men: First Class director Matthew Vaughn (who holds the film rights to the project). More details will be revealed next month in CLiNT #12.

As he did with Kick-Ass, Nemesis and Superior, Millar is auctioning off the opportunity to name a character in The Secret Service — specifically, the villain — with the proceeds going to charity. This time the beneficiary is St. Bartholomew’s Primary School Pantomime Fund, established by Millar (a former student there) and Head Teacher Christine Boyle. The current bid on the eBay auction is $3,100, with mere hours to go.

The six-issue miniseries is set to debut in February.

Comic Strips to Comic Flicks: Mark Millar movies they haven’t made (yet)

In recent years, we’ve seen a boatload of comic books and graphic novels make their way to the silver screen, from “big two” stalwarts like Spider-Man and Batman to independent titles like Scott Pilgrim and 30 Days Of Night. Among the various adaptations, though, some creators have emerged as magnets for Hollywood types — one creator who seems to love it more than anyone else is Mark Millar.

After bouncing around the UK comics scene and later DC, Mark Millar made a name for himself for his big-picture epics on The Authority and The Ultimates. Working with artists like Frank Quitely and Bryan Hitch, Millar borrowed some of the wide-screen cinema techniques of film to display comic stories in a new light. From very early on, movie-makers have been cribbing notes from his comics; X-Men: The Last Stand screenwriter Zak Penn said Millar’s work was influencing his own. He was even brought in to act as an informal brain trust to give advice to Jon Favreau during the production of the first Iron Man film.

After seeing glimpses and glimmers of Millar’s influence on company-owned comics-turned-films, it was when Hollywood took notice of his creator-owned work that his bibliography became catnip for movie producers. After back-to-back successes with feature film adaptations of his comics Wanted and Kick-Ass, virtually every creator-owned comic from Mark Millar comes with the question, “How soon will there be a movie announcement?” This attention from movie producers has even led Millar to begin filming his own original movie, which is currently underway.

The question today is this: Of the creator-owned work Mark Millar’s done that haven’t become films yet, which should, and how should they look?

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