Axel-In-Charge: Extending "Secret Wars," Excitement for a "Totally Awesome Hulk"
Right now, you can read two great new comics by respected creators online — provided you can read their languages.
Did you take French in college? Then head to Guy Delisle’s blog, where you can enjoy the goofy humor of Le guide du mauvais père (roughly, “Guide for the bad dad”). You really don’t have to be briefed in the particulars of the perfect tense, or even too well acquainted with Dr. and Mrs. Vandertramp, to enjoy these comics; the language is straightforward and the visuals do a lot of the heavy lifting, at least in the strips I read. (Click each of the cartoons on the linked page to get a short story.)
The finalists have been announced for the 2012 SPACE Prize, selected from among the titles collected at the 2012 Small Press and Alternative Comics Expo in Columbus, Ohio.
The winner in each of the three categories — General, Minicomics/Short Story and Webcomic — will be chosen by two rotating judges and registered 2012 SPACE exhibitors. The winner in the General category receives $300 and a plaque, while the winners in the Minicomics/Short Story and Webcomic category each receive $100 and a plaque.
Winners will be announced in January, and presented with their plaques April 13 during SPACE 2013. The finalists are:
• Binary Gray #1-2, by Chris Charton and Rowel Roque (Assailant Comics)
• Blink: Wonka Wonka Kochalka, by Max Ink (Point Media)
Comics | Ohio drivers moved a little closer to getting their Superman specialty license plate Wednesday as the proposal was outlined for a state Senate committee. The bill, which already passed the state House, is on track to go to the full Senate for a vote before the end of the year. The Siegel & Shuster Society launched the campaign for the plates in July 2011 to honor the 75th anniversary of the Man of Steel in 2013; the character, which debuted in 1938, was created six years earlier in Cleveland by Jerry Siegel and Joe Shuster. The original plan for the plates to include the slogan “Birthplace of Superman,” that met with objections from Warner Bros., which insisted he was born on Krypton. The legend will now read, “Truth, Justice and the American Way.” [Plain Dealer]
Manga | Tony Yao summarizes a recent article from The Nikkei Shimbun that analyzes the readership of Shonen Jump, which is 50 percent female despite the magazine being targeted to boys (“shonen” means “boy” in Japanese). They break down the popularity of series by gender and discuss how the female audience affects editorial decisions. [Manga Therapy]
Fantagraphics has made a number of notable publishing announcements over the past few weeks, but the new release of its spring/fall catalog reveals even more intriguing books coming down the pike next year. I thought I’d take it upon myself to run through what I feel are some of the more interesting titles scheduled for 2013, avoiding some of the more expected titles, like the new Donald Duck or Steve Ditko collections, or paperback editions of previously released material. If all goes well, I hope to do this sort of thing again with other small press publishers as we get closer to the end of the year.
The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley by Kim Deitch. Deitch’s latest graphic novel (his first original one, his previous works having been serialized in anthologies and other series) concerns a young actress in early 20th century America who gets a plum role in a movie serial, only to discover all is not what it seems. Could alleged recordings of Christ made centuries before the invention of recorded sound be somehow involved? Could be! Printed in landscape format to give that “widescreen” feel. April, $29.99.
Bread and Wine by Samuel R. Delaney and Mia Wolff. Apparently this was published back in 1999, although this is the first time I’ve ever heard of it. Famed science-fiction author Delaney chronicles his romance with a young homeless man, with Wolff providing art. April, $14.99
Hello and welcome to What Are You Reading?, where every week we talk about the comics, books and other stuff topping our reading list. Our special guest today is Rafer Roberts, creator of Plastic Farm–“The strange, terrifying, and hilarious story of Chester Carter’s messianic journey through madness and self-loathing.” Roberts is currently raising money for the second volume on Kickstarter.
To see what he’s been reading, along with the Robot 6 crew, click below …
Welcome to What Are You Reading?, our weekly look at what’s been on our nightstands lately. Our guest this week is Jay Faerber, writer of Dynamo 5, Near Death and Noble Causes. The second Near Death trade just came out this week, and his new comic, Point of Impact, comes out Oct. 10.
To see what Jay and the Robot 6 crew have been reading, click below.
Nominees for the awards were chosen by a jury of five creators and voted on by attendees at the show. This year’s jury included Edie Fake, Minty Lewis, Dylan Meconis, Lark Pien and Julia Wertz.
The 2012 Ignatz award winners are:
Outstanding Artist: Jaime Hernandez – Love and Rockets New Stories (Fantagraphics)
Outstanding Anthology or Collection: Hark! A Vagrant – Kate Beaton (Drawn & Quarterly)
Outstanding Graphic Novel: Big Questions by Anders Nilsen (Drawn & Quarterly)
Outstanding Story: “Return to Me,” Love & Rockets New Stories #4, by Jaime Hernandez (Fantagraphics)
Promising New Talent: Lale Westvind – Hot Dog Beach (Self-published)
Outstanding Series: Love and Rockets New Stories by The Hernandez Brothers (Fantagraphics)
Outstanding Comic: Pterodactyl Hunters by Brendan Leach (Top Shelf)
Outstanding Mini-Comic: The Monkey in the Basement and Other Delusions by Corinne Mucha (Retrofit Comics)
Outstanding Online Comic: SuperMutant Magic Academy by Jillian Tamaki
The writer of Captain Marvel and Ghost explains the whole story on her blog — and you should read it because it’s very sweet and she tells it much better than I’m going to — but the digest version is this: This year at Heroes Con, Kelly Sue DeConnick met a young girl named Winter who likes to draw ninjas. When Winter declared that she and DeConnick should make a ninja comic together, the writer agreed, for reasons the writer explains in her post. Seriously, go read it.
It’s a wonderful story, but it doesn’t end there. DeConnick is going to write the story a panel at a time and will tweet the descriptions with the hashtag #winterstale. That’s how Winter will get her instructions, but it’s also how you can get yours, because she and DeConnick are opening the project up to anyone who wants to join in. You, your kids, your parents, whoever. Simply reply to any #winterstale panel description with a twitpic or a link to your drawing and DeConnick will repost them to the Winter’s Tales Tumblr page. If you don’t have a Twitter account and don’t want one, you can play along via Tumblr instead.
DeConnick’s plan is to print her and Winter’s comic as a “punkzine style” minicomic to sell at next year’s HeroesCon, with all proceeds going to Winter’s college fund. If you turn your own pages into a minicomic, she’ll swap with you.
If you’d like to know a bit more about what you’ll be drawing, they’re calling the comic Ninja Princess Zombie Rockstar and, per Winter’s drawing interests, will fill it with the following:
I didn’t get a lot of minicomics at Comic-Con International, but I was lucky enough to get my hands on a copy of The Girl with the Donut Tattoo, by Darlene and Paul Horn
Darlene is a food blogger, and her husband Paul draws the comic Cool Jerk. I’m lucky to even have a copy of this, as according to this article, they printed up 100 copies and they all went fast. (But the good news is they are taking orders for a second printing.)
Hello and welcome to What Are You Reading? Our guest this week is Spanish artist Alberto Jiménez Alburquerque, who drew the comic Elle for Soleil. He’s also working on a story for the upcoming Skullkickers #18 with J. Torres.
To see what Alberto and the Robot 6 crew have been reading, click below.
Conventions | David Glanzer, Comic-Con International’s director of marketing and public relations, looks back on this year’s WonderCon, which was held in Anaheim, California, rather than in San Francisco, touches upon the uncertainty about the location for next year’s show — “we just don’t have dates at the Moscone Center yet” — and discusses changes to pro and press registration for Comic-Con. [ICv2]
Conventions | Grant Morrison talks about MorrisonCon, the Sept. 28-30 convention billed as “a once-in-a-lifetime experience.” “It’s not going to be ‘Come here and buy some comics and listen to a few panels,’ ” he says. “After two days you will be a changed person.” Tickets for the Las Vegas show, which is limited to 1,000 attendees, cost $767, and include a two-night stay at the Hard Rock Hotel, access to the guests and after-hours parties. [The Hollywood Reporter]
Sex in the City meets The Book of Eli? Not quite, but it’s hard to describe cartoonist Angie Wang‘s Girl Apocalypse without pushing you to actually read it. The 24-page comic stars a group of “hungry and inexplicably fashionable young ladies” roaming a post-apocalyptic wasteland en route to the little hamlet of Bridal Veil, Oregon. Why? You’ll have to read it — either online or in a well-crafted print edition Wang just put on her website.
Hailing from the comics mecca of Portland, Wang balances cartooning with illustration work for such magazines as The New Yorker and Wired. In comics, she’s had stories in anthologies like Dark Horse Presents and Popgun, and has released several well-received minicomics prior to this one.
Check out pages from Girl Apocalypse below.
Being a judge in the Eisner Awards meant making hard choices. It’s like being an admissions officer at Harvard: You could make a top-notch set of picks, throw them away, and still have a strong field for the second set. With six judges each having a different voice, sometimes a book that one or two of us think is the greatest thing since sliced bread doesn’t make the final cut.
Here’s my short list of comics that, if it were up to me, would have gotten Eisner nominations.
Best Limited Series
One of my favorite series of 2011 was Spontaneous, by Brett Weldele and Joe Harris. It’s a great crypto-mystery about spontaneous human combustion, with a nerdy know-it-all played off against an aggressive reporter. The story has its flaws, but I couldn’t put it down.
Best Publication for Early Readers (up to age 7)
Nina in That Makes Me Mad: We had an unusually strong field of children’s books, even after we split the category into two age groups, but this book was my first choice for a nomination. The writing is sharp and perceptive, and Hilary Knight’s illustrations are amazing. Even the page layouts are awesome. This is a book that speaks directly to children, in a voice they can understand, yet does it with an elegance that adults can appreciate as well.
Retailing | The retail news and analysis site ICv2 contends sales of graphic novels in the direct market may be better than recent numbers indicate because of the way Diamond Comic Distributors reports those figures. While the distributor’s calculations are based on the wholesale value of shipments, ICv2 based its estimates on the retail value, and found graphic novel sales rose 24.4 percent in March, rather than declined 5.7 percent (versus a year ago), and climbed 27.7 percent in April, rather than just 12.6 percent: “The big differences between the wholesale and retail rates of change in recent months appear to be caused by big increases in the number of graphic novels liquidated through Diamond in March and April. So retail dollars were up, while wholesale dollars lagged. ” [ICv2]
Conventions | Audrey Gillan previews this weekend’s Kapow! in London by casting a spotlight on organizers Lucy and Sarah Unwin — they’re partnered with Mark Millar — and their efforts to create a female-inclusive comic convention. “We ourselves as women organising the show have been accused of misogyny because of the obviously male guest list, but there is just this lack of female creators and it’s the nature of the industry,” Lucy Unwin said. “There’s no point in taking it to heart because I don’t employ the creators. I would love there to be more women at the show in terms of guests.” [The Guardian]