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Larime Taylor on ‘A Voice in the Dark': ‘This is my ticket out’

A Shot in the Dark

A Voice in the Dark

As someone who has covered the comic book industry to some degree since 1999 and been reading comics since 1977, I’ve been audience to a plethora of appeals by creators to support their projects. But none has caught my attention quite like that of A Voice in the Dark creator Larime Taylor, who draws with his mouth.

Earlier this month, in a Tumblr post, Taylor recounted how in 2012 he embarked on a pilot project through Kickstarter for A Voice in the Dark in the hopes he could ultimately connect the project to a publisher. In 2013 he succeeded, with it landing at Top Cow’s Minotaur Press imprint. But unfortunately, sales are lagging. He logically assumes part of the sales struggle is that he is an unknown name and that some potential consumers are less inclined to read a black-and-white comic.

Both factors are true. I’m ashamed to admit there are multiple independent comics that are released on a monthly basis that never catch my attention. I was surprised that this one in particular hadn’t, given Taylor’s unique talents — as well as the fact he was interviewed in late August by Comic Book Resources.

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Comics A.M. | ‘Digital doesn’t cannibalize the industry'; geezer noir

Comic-Con and the Business of Pop Culture

Digital comics | Rob Salkowitz, who’s making the rounds to promote his new book Comic-Con and the Business of Pop Culture, has the best summary yet of the digital comics phenomenon: “Digital doesn’t cannibalize the industry; it grows it by encouraging fandom.” (Robot 6 contributor J. Caleb Mozzocco reviewed Salkowitz’s book this week.) [Flip the Media]

Creators | Christos Gage may have created a new genre, “geezer noir,” with his graphic novel Sunset, the tale of an old soldier and former hitman who sets off after his old boss when he fears his ex-wife and child are in peril: “‘He’s got this craggy face and you see his life written in the lines of his face, and black and white makes that so much more powerful,’ the writer says. He credits artist Jorge Lucas for giving him all the facial expressions that stand in for a lot of talking: ‘He was never going to have interior monologues. I don’t think he overanalyzes what he does all that much.'” [USA Today]

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ECCC | A round-up of announcements from the convention


The Emerald City Comicon wrapped up yesterday in Seattle, with plenty of announcements from attending publishers. Here’s a round-up of news from the show:

• Image Comics officially announced Revival by Tim Seeley ad Mike Norton, the title we teased all last week. Seeley described the book as “rural noir,” and it is set in his home state of Wisconsin: “Both Mike and I grew up in small towns, he in Tennessee, me in Wisconsin. We both hated the towns we were from as teenagers and young adults and got the hell out,” Seeley told CBR. “But, now that we’re both older, we can look on those towns with more understanding and affection. Central Wisconsin is a really interesting place. It’s like concentrated America. It has all of the strengths and all of the weaknesses. All of the good stuff, and all of the conflicts on a more intimate scale. We thought it’d be the perfect setting for our story of a cop charged with policing the dead.”

• James Stokoe will write and draw Godzilla: Half Century War, which arrives from IDW in August. The miniseries is set in a different continuity than the Godzilla ongoing series by Duane Swierczyski and Simon Gane.

• Writer Christos Gage will team with artist Jorge Lucas for Sunset, an original graphic novel from Top Cow’s Minotaur Press. The story revolves around a retired Vegas mob enforcer.

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Talking Comics with Tim | Joshua Hale Fialkov


Echoes co-creators Joshua Hale Fialkov and Rahsan Ekedal‘s first printing of the opening issue for the five-issue Minotaur Press/Top Cow miniseries sold out. So when I found out that Robot 6 was fortunate enough to get to re-run the first issue in one-page installments starting today, I wasted no time in contacting Fialkov for an email interview. Here’s the basic premise of the miniseries: “Brian Cohn was learning to deal with the Schizophrenia inherited from his father. Supportive wife, new baby on the way, drugs to control the voices. But when on his father’s deathbed, he learns that he also inherited the trophies of his father’s career as a serial killer. Will his madness send him further down into the crawlspace of his father’s mind?” My thanks to Fialkov for the interview–and be sure to read Echoes right here at Robot 6.

Tim O’Shea: Minotaur Press was revived partially to publish this series, how flattering is it to be part of the imprint’s return?

Joshua Hale Fialkov: It’s pretty cool. I’ve been looking for places to do what I do for a long time, and I’ve always gotten the impression that there weren’t a lot of options. For Top Cow to more or less reopen a place that’s focused very specifically on the type of books that I do, that virtually no other publisher does, is just an amazing opportunity.

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Get a daily dose of Top Cow’s Echoes right here on Robot 6

Echoes #1

If you’re a fan of horror comics or just good comics in general, then you’ll like this. Courtesy of our friends at Top Cow, starting today we will serialize the first issue of Echoes by writer Joshua Hale Fialkov and artist Rahsan Ekedal. In addition, each page will include creator commentary from Fialkov.

You can check it out at http://robot6.comicbookresources.com/echoescomic. The cover and first page with commentary on both are up now, with new pages arriving every day.

And of course, if you decide you’d prefer to read it in print, a second printing of Echoes #1, as well as Echoes #2, can be found in stores now. The third issue arrives Feb. 23. For more information, visit http://www.echoesthecomic.com or follow on Twitter @echoescomic. We’ll have an interview with Fialkov a little later this afternoon, and you can check out the official press release after the jump.

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