mome Archives - Robot 6 @ Comic Book Resources

SDCC ’13 | Fantagraphics to publish Eleanor Davis collection

eden-4

An excerpt from “In Our Eden,” a comics short published in 2012’s Nobrow #7.

The Comics Reporter has word that comics wunderkind Eleanor Davis will be doing a standalone short-story collection with Fantagraphics, edited by Gary Groth.

This as-yet-untitled book will be Davis’ first major work since 2009’s The Secret Science Alliance and the Copycat Crook from Bloomsbury Children’s. In that time the cartoonist has created extensive shorter works for Fantagraphics’ Mome anthology as well as for Little House Comics, the boutique publishing imprint she co-owns with her husband Drew Weing.

Food or Comics? | Trondheim, Wonder Woman, Game of Thrones and more

Wonder Woman

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Graeme McMillan

If I had $15 this week, I’d continue to support the DC relaunch by picking up Wonder Woman #1, Legion of Super-Heroes #1 and Green Lantern Corps #1 (All DC, $2.99). I’d also grab the first issue of IDW’s new ongoing Star Trek book ($3.99), which adapts episodes of the original TV show into the new movie continuity, because I’m nerdy like that.

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What Are You Reading? with Kevin Colden

Animal Man #1

Welcome to another edition of What Are You Reading? Today our special guest is Kevin Colden, whose comic work includes Fishtown, I Rule the Night, Vertigo’s Strange Adventures and Yours Truly, Jack the Ripper, among others. He’s also the drummer for the band Heads Up Display.

To see what Kevin and the Robot 6 crew have been reading lately, click below …

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Food or Comics? | Casanova, New 52 and more

Casanova: Avaritia

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Chris Mautner

If I had $15:

I’m very excited to read Casanova: Avaritia ($4.99), the first new Casanova storyline in what seems like a dog’s age. There’s something about this series that seems to bring out Fraction’s best, perhaps it’s the mere fact he’s working with Fabio Moon and (this time around) Gabriel Ba allows him to rise to the occasion. That and The Boys #58 ($3.99) will probably round out my initial purchases.

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Comics A.M. | ICv2 conference returns to San Diego; surviving CCI

Comic-Con International

Comic-Con | ICv2 will host a Comics, Media, and Digital Conference on July 20, the afternoon before Comic-Con International kicks off in San Diego. The event will include panels on digital comics, comics in Hollywood and “Comics, Paper and Digital at Comic-Con 2013.” [press release]

Comic-Con | Comic-Con International has released the floor map for this year’s show. Heidi MacDonald helps translate it. [Comic-Con International]

Comic-Con | With just 14 until the big event, Acquanetta Ferguson offers 18 tips to surviving your first Comic-Con, while Liz Ohanesian talks with Doug Kline, author of The Unauthorized San Diego Comic-Con Survival Guide. [Examiner, LA Weekly]

Creators | Sean Witzke talks with King City creator Brandon Graham about world-building, collaborating with other writers or artists, porn and his approach to storytelling: “I’m really into the idea of conveying a story clearly enough for the reader to get all the basics while at the same time having enough information going on where you don’t necessarily get it all or even miss something on the first read through. I think it’s something that came from me reading a lot of European and Japanese comics growing up and just not always getting everything, culturally or just because of weird translations. I like that nice mystery. And there’s the idea that when a story doesn’t give you everything it forces the reader to think a little more. Turns them from being a passive reader to an active one. I think that would be my ideal destination, some kind of clear and simple with a background of complexity.” [supervillain]

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SDCC Wishlist | Pack an extra bag to bring home the goods from Fantagraphics

Love & Rockets New Stories #4

Fantagraphics sent over their list of books debuting at the San Diego Comic-Con later this month, and boy is it packed tighter than my suitcase on vacation day. The publisher will have almost two dozen new books at the show, including the last Mome; new stuff from Michael Kupperman, the Hernandez Bros. and Johnny Ryan; tons of Eurocomics; a Lou Reed/Edgar Allan Poe joint; and more. Check them out:

Love & Rockets New Stories 4 by Los Bros Hernandez: Featuring new stories by Jaime and Gilbert, including new material featuring Maggie set in the present and during her teen years.

Mark Twain’s Autobiography by Michael Kupperman: Probably the one I’ve been looking forward to the most, Kupperman publishes Mark Twain’s “biography” since the day the author/humorist died through last year — including his affair with Marilyn Monroe and his time-traveling adventures with Einstein.

Prison Pit Vol. 3 by Johnny Ryan: More deranged, twisted ultraviolent fun from Ryan.

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Comics A.M. | Court sides with Zohan in comic writer’s lawsuit

Jayms Blonde

Legal | The Second Circuit Court of Appeals backed the 2010 decision by a federal judge to dismiss a comic writer’s claims that Adam Sandler, Judd Apatow, Columbia Pictures and parent company Sony Picture stole his idea for a hairdresser-turned-hero and transformed it into the movie You Don’t Mess With the Zohan. Robert Cabell filed a copyright-infringement lawsuit in February 2009 accusing the moviemakers of ripping off his comic The Hair-Raising Adventures of Jayms Blonde, about a Navy SEAL-turned-hairdresser who fights crime armed with a blow dryer. [The Hollywood Reporter]

Creators | The Hero Initiative reports that comics creator Josh Medors, who has a rare form of cancer, has been released from the hospital after being treated for a lung infection. [Hero Initiative]

Creators | Dave McKean discusses his most recent work, the erotic graphic novel Celluloid. [Suicide Girls]

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Six by 6 | The six best stories in Mome

One of the more notable news stories of the week was the announcement by Mome editor (and Fantagraphics co-publisher) Eric Reynolds that the quarterly anthology would come to an end with the release of the 22nd volume later this year.

The series has had a rather remarkable and distinguished run since its inception in 2005. In addition to featuring work by such notable cartoonists like Jim Woodring and Gilbert Hernandez, it’s served as a publishing venue to highlight the work of up and coming artists like Laura Park, Tom Kaczynski and Sara Edward-Corbett, as well as introduce American readers to work by notable European creators like Emile Bravo and Sergio Ponchione.

As a memorial of sorts for the anthology’s oncoming demise, I thought I’d attempt to put together a quick list of my own favorite stories from Mome. This was a tough list to put together actually, and there are a number of names I feel a bit guilty for leaving off, but I’m sure you all can duly chastise me for my omissions in the comments section.

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Fantagraphics’ Mome anthology ends this summer with Vol. 22

Fantagraphics’ flagship anthology is running up the white flag. Editor Eric Reynolds tells The Comics Reporter’s Tom Spurgeon that this summer’s double-sized 22nd installment of the quarterly alternative-comics anthology Mome will be the series’ final volume. Reynolds says that the decision to end the series has less to do with sales than with his own increasingly demanding duties as Fantagraphics’ Associate Publisher, and as a father. Click the link to read Spurgeon’s comprehensive take on the topic, tracing Mome‘s evolution from a young-cartoonists’ showcase whose young-cartoonist roster quickly decamped for other projects to a wide-ranging collection of comics from not just up-and-comers but also from big names at home (Gilbert Hernandez, Jim Woodring, Gilbert Shelton) and abroad (Louis Trondheim, David B., Killoffer) alike.

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Hornschemeier returns with Life with Mr. Dangerous

Celebrated cartoonist Paul Hornschemeier in May with a graphic novel titled Life with Mr. Dangerous.

Announced this morning on his blog, this hardcover has been serialized for years in the Mome anthology and centers on a young retail worker named Amy who becomes engrossed with a cartoon show called Mr. Dangerous.

In an interview last fall with the website New City Lit, Hornschemeier said he “wanted to write a story about that strange time between your early twenties and whatever adulthood is supposed to be. When you’ve embraced reality by getting a job, renting an apartment, getting a cat or a dog or a car or a fern — but you don’t really know who you are yet.”

In addition to the standard 140-page hardcover Villard also will release two special editions: The Limited Edition ($75) will contain a four-color silkscreened dust jacket, a signed original sketch and be limited to 75 copies. The Ultra Limited Edition ($400) will contain an 14″ x 17″ original page of artwork from the book, a hand-sculpted figure of a character from by the book by the artist, and everything from the Limited Edition package. This latter package is limited to 16. It’s first-come, first-serve, and Hornschemeier is taking advance orders now at his store.

Talking Comics with Tim | Nate Neal

The Sanctuary

Nate Neals first graphic novel, The Sanctuary, is a considerably quirky work on multiple levels. It’s a silent graphic novel, it sports an introduction by Dave Sim, and as I found out in this interview, Neal initially wanted the book to have an wordless title. Publisher Fantagraphics describes the book as exploring “the primal mysteries and sordid inner workings of a Paleolithic cave-dwelling tribe, creating an original ‘silent’ reading experience by using symbols instead of words.” The publisher offers folks a 15-page preview in order for consumers to get a small taste of the story. Neal also offers some unique marketing videos as well as other samples at his blog.

Tim O’Shea: Whether one agrees with him or not, Dave Sim typically elicits a strong reaction whatever he does these days. With that in mind, I am curious what motivated you to have him write the intro to Sanctuary?

Nate Neal: Gary Groth (publisher of Fantagraphics Books) and I were trying to come up with someone to write an introduction to kind of ease people into the comic–to explain to the reader that they were in for something different and to prepare themselves. Gary suggested a journalist who writes for The Comics Journal. I mentioned that I knew Dave Sim and thought he might write an intro for the book. Gary perked up. He seemed interested by this, even though he and Dave are kind of nemeses–he told me to give it a shot. He warned me that Dave was making people sign a “Sim is not a misogynist” petition before he’d talk to anyone. I first met Dave in 2005 at a comic con in Ohio. At that time, a couple other artists and myself had been self-publishing a comic book anthology called Hoax. Dave was a big supporter of Hoax–although I think he kind of disinterestedly loathed most of my artwork in that anthology–the style of the art, the ideology behind it, everything! Although when he thought something had merit, he’d tell you. He would write little reviews of Hoax and send them to us. Very detailed, scathing reviews. He butchered a comic I did for Hoax #4. It just destroyed me. Embarrassed the hell out of me because I knew he was right. Later after I got a Xeric grant and printed the first half of The Sanctuary as pamphlet comic books, Dave wrote me a letter telling me he thought it was great. He basically told me I was going in the right direction. So he kind of broke me down and built me up again. His work had astounded me since I first read Minds. Even though he’s been railroaded out of the alt. comics canon (along with other modern greats like David Lapham), he’s still one of the greatest cartoonists alive–a visionary. Of course I’d want him to write an introduction to my book. I’m not an apologist for Dave, but I’ve read every Cerebus book in detail and I believe that he doesn’t hate women. Sometimes I think what he really is is a Confucianist!

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Happy Fifth Birthday, Mome!: An interview with Eric Reynolds

“5 years, 20 volumes, 72 artists, and 2,352 pages of comics.” Strictly by the numbers — taken from the Editor’s Notes that kick off Mome Vol. 20: Fall 2010, on sale this month — Fantagraphics’ signature anthology is a force to be reckoned with. Launched in 2005 with the intention of providing a regular home for new work by promising young cartoonists like Gabrielle Bell, Jeffrey Brown, Anders Nilsen, Paul Hornschemeier, and Sophie Crumb, it rapidly evolved into something else, something arguably more: a showcase for alternative comics of nearly every style and stripe. During its five-year history, Mome‘s diverse accomplishments have included publishing work from European greats like David B. and Lewis Trondheim, serializing Tim Hensley’s acclaimed graphic novel Wally Gropius, reintroducing Al Columbia to the comics scene prior to the release of his landmark Pim & Francie, giving Dash Shaw yet another forum for his experimental take on science fiction, providing an unlikely venue for underground legend Gilbert Shelton, showcasing up-and-comers like Jon Vermilyea and Nate Neal…and, like all anthologies, starting a good deal of debate over which contributors were any good at all. With its like-clockwork quarterly schedule, Mome is a go-to destination for finding out what’s going on at comics’ cutting edge.

Eric Reynolds by Jaime Hernandez

Eric Reynolds by Jaime Hernandez

Presiding over all this has been editor Eric Reynolds, who inherited full control of the anthology from original co-editor and co-publisher Gary Groth. When last I spoke to Reynolds about Mome in October of 2007, he was prepping Vol. 10, which sported a new look, new work from Columbia, and the second half of a story by altcomix titan Jim Woodring. Three years and ten issues later, the series has gotten a full-on makeover from designer Adam Grano, and is in the midst of some of its most challenging work ever from Shaw, Josh Simmons, Derek Van Gieson and more. What has changed, what has remained constant, and what lies in store? Reynolds spoke with Robot 6 about all this and more in a fifth-anniversary interview.

If I’d ask you five years ago to describe what Mome Vol. 20 would look like, what would you have said?

I would’ve said there’s no way this thing’s going to last 20 issues. Really, I’m sure I would have had no other answer.

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What Are You Reading?

King City #9

King City #9

Happy Comic-Con week, and welcome to What Are You Reading? This week our special guest contributors are Jim Demonakos and Kyle Stevens from the Seattle nerd rock band Kirby Krackle. The band, whose newest video features Wolverine, is currently in Florida for Nerdapalooza, and will be in San Diego later this week at booth #1803. So stop by and say hi if you’re going.

See what the boys from Kirby Krackle, as well as the rest of the Robot 6 crew, have been reading lately after the jump …

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Again with the camel toe: An interview with Tim Hensley

From 'Wally Gropius'

From 'Wally Gropius'

If my review the other week didn’t make it clear, I’m a big fan of Wally Gropius, Tim Hensley’s ingenious, hilarious and occasionally disturbing take on classic teen comics. So when the opportunity to interview Hensely came, I leapt at it. He’s been in the comics press a lot lately (something I reference an embarrassing amount of times during our talk) so I made a bit of an effort to build off of what had been said in past interviews. Whether or not I was successful in my efforts, hopefully you’ll be inspired enough to check out the book, which really deserves as much attention as it can muster.

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Kickstart my art | Help get Edward Bak to Alaska to finish Wild Man

from T. Edward Bak's 'Wild Man'

from T. Edward Bak's 'Wild Man'

Mome contributor tor T. Edward Bak is heading to Alaska this summer to do research on Wild Man – The Strange Journey and Fantastic Account of the Naturalist Georg Wilhelm Steller, From Bavaria to Bolshaya Zemlya (and Beyond), which has been running in Fantagraphics’ Mome anthology. Bak received a residency in Talkeetna, Alaska for part of the summer through Seattle’s La Familia gallery, but he still needs to fund his travel and buy supplies — so he’s selling artwork from the book to raise money

“I’m trying to raise $5000 by July 1, 2010 to help pay for supplies and travel expenses (which aren’t covered through the residency) and to fund a ferry trip out to Dutch Harbor in the Aleutian Islands, where Steller traveled through on his expedition’s return trip to Kamchatka in the late summer of 1741,” Bak wrote. “For $50.00 you will know that you played a part in making this book happen, and you’ll own a 5×8″ original ink/watercolor drawing from the work.”

You can find out more details on how to purchase his artwork in the sidebar on his blog.

Via


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