Waid Assembles Big Stories for "All-New All-Different Avengers"
Retailing | An American collector donated about 800 comics to the Books For Amnesty charity store in Bristol, England, just ahead of a planned sale of comics and graphic novels. Volunteer Richard Wallet said the collection, which goes back to the 1960s, is probably worth tens of thousands of pounds. The store, which benefits Amnesty International, recently had another windfall when someone donated a copy of the Beatles album Revolver signed by the designer, Klaus Voormann, and valued at £1,000 (about $1,716 U.S.). [Bristol Post]
Comics | Jim Rugg interviews retailer Andrew Neal about the Ghost Variant cover program, which was created by a group of store owners. The idea was to commission a prominent artist to do a special variant cover for a particular comic and release it, through the stores in the group only, with very little promotion. It turns out that some comics buyers like a little mystery! [BoingBoing]
It’s shaping up to be a red-letter day for fans of free quality comics: As if that digital edition of Warren Ellis and Jason Howard’s Trees #1 weren’t proof enough, this morning also saw the debut of Moose Kid Comics, an impressive children’s anthology featuring the work of more than 40 creators.
Created and edited by Jamie Smart, the 36-page digital comic boasts such talents as Roger Langridge, Tom Plant, Neill Cameron and Abby Ryder, Mark Stafford, Aaron Alexovich, Sarah McIntyre, James Downing, and Samantha Davies. And did we mention the “Young Tank Girl” strip by Alan Martin and Warwick Johnson-Cadwell?
“Here in the U.K, mainstream children’s comics have been dying out, especially ones featuring original content,” reads the comic’s mission statement. “The Phoenix and The Beano are the only commercially available weekly titles still producing entirely original characters, but they are competing against big-name licensed titles based on TV shows or merchandising. We want to help change things. We want to be creating the next generation of loveable characters for the world to embrace, all created by artists who retain their copyrights and put all their heart into their creations. We want to remind both children and adults alike how fantastical and imaginative comics can be, and to help bring children’s comics back into the public consciousness.”