"Justice League": Exploring How Superman Returns (Again)
Comic Books, Film
Tragic Spider-foe turned flawed hero, Morbius may have starred in his own comic series, but he’s never enjoyed the popularity of, say, Venom. However, the Living Vampire finally gets his moment in the sun in this new fan film by Adam Michaels and Chaz Dray.
The film stars Michaels himself as Michael Morbius and Carley Coakley as Shriek, and even features an appearance by Peter Parker (played by Andrew Mueller).
What is it about the syllable “mor” that denotes villainy?
After all, at Marvel there’s Baron Mordo, the longtime enemy of Doctor Strange; Morg, the remorselss herald of Galactus; and Morbius, who lately is more misunderstood than evil. And DC Comics boasts Mordru the Merciless, the, well, merciless Lord of Chaos; Morgaine le Fey, the diabolical sorceress; Mordecai Smyt and Morax, archfiend and fiend of Hell, respectively. Oh! Plus, Morgan Edge. And those are only a handful of notables from comic books.
Have you ever worked with someone who loves what they do so much that it’s infectious? That’s a solid description of Joe Keatinge, who writes Marvel’s Morbius: The Living Vampire, along with Glory and Hell Yeah at Image. He’s also someone with a restless love for comics in all of its forms.
Keatinge has been involved in the business for going on nine years, breaking in as a colorist before segueing to a staff position at Image. which took him from managing the publisher’s inventory to marketing its books. After overseeing the successful PopGun anthology, he shifted into writing comics himself with the double-barreled successes of Hell Yeah and Glory. It’s his work on the latter series that brought him to the attention of Marvel and DC, who enlisted him for Morbius and issues of DC Universe Presents. Through it all, Keatinge has been an outspoken advocate for the medium.
In our interview, Keatinge talks about his place in the industry as well as his far-ranging interests, delving into his creator-owned work (including collaborations with Frank Cho and James Harvey) and breaking down the perceived walls between different areas of comics.