Creators | Colorist Jordie Bellaire launches a protest against a convention that refuses to include colorists as guests. “Your one sentence, ‘this is not a colorists thing,’ was surely the most pigheaded and dismissive thing I’ve been told since I began professional coloring,” she writes, and then goes on to point out all the things colorists do to make comics great and make a forceful argument for including them (as many major cons already do). In a later post she explains why she won’t name the convention. [Jordie Colors Things]
Graphic novels | A study soon to be released by a University of Oklahoma researcher shows that students who read a textbook in graphic novel form retained more than those who read a straight prose textbook. [The Oklahoman]
Awards | Dotter of Her Father’s Eyes, by Mary and Bryan Talbot, has won the Costa Book Awards (formerly the Whitbread Awards) in the biography category, marking the first time a graphic novel has received the literary prize. “Just being shortlisted was amazing and hearing we’d won the category was stunning,” Mary Talbot said. “We’re delighted of course, both personally – it’s the first story I’ve had published – but also for the medium, I can’t believe a graphic novel has won.” [The Guardian]
Awards | Jacques Tardi, the acclaimed creator of West Coast Blues, It Was the War of the Trenches and the Adèle Blanc-Sec series, has refused France’s highest honor, the Legion d’Honneur medal: “Being fiercely attached to my freedom of thought and creativity, I do not want to receive anything, neither from this government or from any other political power whatsoever. I am therefore refusing this medal with the greatest determination.” [AFP]
Awards | Following the nomination of two graphic novels for the Costa Prize, the new chairman of the Man Booker Prize said he would welcome submissions of graphic novels as well. [The Telegraph]
Passings | Former Wizard staff member Marc Wilkofsky, whose efforts on behalf of Friends of Lulu earned him their Volunteer of the Year award in 2005, has died at the age of 42. He was also an enthusiastic member of the NYC Comic Jams. [Andrew Kardon, The Beat]
Conventions | Richard Bruton files a comprehensive con report on the recent Thought Bubble festival in Leeds, England. [Forbidden Planet]
Happy Veterans Day and welcome to What Are You Reading?, our weekly look at the comics, books and other things we’ve been perusing of late. Today our special guest is Brady Sullivan, the writer of Death Springs, a free weekly webcomic with artist JC Grande (Image’s Johnny Monster). He also has several print projects currently out or hitting the shelves soon, including the recently released action/satire Revolution Aisle 9.
To see what Brady and the Robot 6 crew have been reading, click below …
Creators | The Hero Initiative offers an update from colorist Tom Ziuko, who was hospitalized earlier this year for acute kidney failure and other health conditions, and then returned to the hospital for emergency surgery about a month ago. “I can’t impress upon you enough how frightening it is to actually come up against a life-threatening medical situation (not to mention two times in less than a year), and not have the financial means to survive if you’re suddenly not able to earn a living. Like so many other freelancers out there, I live paycheck to paycheck, unable to afford health insurance. Without an organization like the Hero Initiative to lend me support in this time of dire need, I truly don’t know where I would be today,” Ziuko said. [The Hero Initiative]
Publishing | CNN asks the question “Are women and comics risky business?” as Christian Sager talks to former DC editor Janelle Asselin, blogger Jill Pantozzi, Womanthology organizer Renae De Liz and others about the number of women who work in comics, the portrayal of female characters and why comic companies don’t actively market books to women. “Think about it from the publisher’s point of view,” Asselin said. “Say you sell 90 percent of your comics to men between 18 and 35, and 10 percent of your comics to women in the same age group. Are you going to a) try to grow that 90 percent of your audience because you feel you already have the hook they want and you just need to get word out about it, or b) are you going to try to figure out what women want in their comics and do that to grow your line?” [CNN]
Crime | Police in Petoskey, Michigan, arrested a 31-year-old man early Wednesday morning after he allegedly climbed to the roof of a downtown hardware store dressed as Batman. Mark Wayne Williams of Harbor Springs — yes, his middle name is Wayne — has been charged with trespassing, disturbing the peace and possession of dangerous weapons, as he reportedly carried a folding steel baton, weighted (sand-filled) gloves, and a can of chemical irritant spray.
Williams said at his arraignment that he didn’t realize the items were illegal, but didn’t offer an explanation as to why he was hanging off the roof of Meyer Ace Hardware dressed as the Dark Knight. The incident apparently isn’t Williams’ first encounter with police: The city’s public safety director said he had previously dressed as the Crow, but didn’t give any further details. [Petoskey News]
Crime | The expired website domain of defunct manga publisher Go! Comi is being used in a scam by an unknown party to solicit donations under the guise of resurrecting the company. “It is not real,” Audry Taylor, Go! Comi’s former creative director, warned last night on Twitter. “Do not donate. Gonna my lawyers on them.” [Anime News Network]
Today Pop Candy’s Whitney Matheson did something that some consider too revealing even in this socially networked, airport x-ray’d age: She posted 20 movies from her Netflix “Watch Instantly” queue. Like anyone else’s, it’s a motley crew of movies made possible by a massive library of films and the power to watch any of them at any time with a few clicks of a mouse — a blend of “comfort food” you want access to at all times, unwatched stuff you’re dying to see at the next available opportunity, major investments of time or energy you haven’t been prepared to make just yet, “eat your vegetables” fare you know you ought to watch eventually, and goofy guilty pleasures you’re simply tickled to be able to watch whenever you feel like it.
This got me thinking. I know there are any number of logistical and financial reasons why such a thing doesn’t exist for comics. But we comics readers are an imaginative bunch, no? And today I choose to imagine a world where I can load up pretty much any book I can think of and read to my heart’s content. So here’s what my imaginary “Read Instantly” queue would look like, circa today. Check it out, then let us know what’s on your queue in the comments!
Publishing | Dark Horse Comics and Vanguard Productions have reached an agreement on who will publish Frank Frazetta’s White Indian comics after each company had reached separate agreements with different members of the Frazetta family. Dark Horse has taken The Classic Comics Archives Vol. 1: White Indian off their schedule. Vanguard will release the Complete Frazetta White Indian Collection, while Dark Horse will collect all the post-Frazetta material that featured the character. [ICv2]
Passings | Mark Evanier reports that Jerry Grandenetti, who began his career as an art assistant to Will Eisner on The Spirit, passed away Feb. 17. Grandenetti’s work appeared in Creepy, Eerie, House of Mystery, Prez and Championship Sports, among many other titles. [News from Me]
Pricing | Douglas Wolk considers the higher price of comics: “Twenty years ago, the price of a new mainstream comic book was 75 cents, about to make the leap to a dollar, the same percentage they’re currently increasing. For a $20 bill, you could get a stack of a couple dozen titles, with some interesting indie experiments thrown in.
“Since then, the price of comics has zoomed far ahead of the cost of living: $20 in 1990 is the equivalent of a bit over $33 now, while new mainstream comic books have more than quadrupled in price. And what happens when comics abruptly increase their cover prices by a third while adding little or no extra content–and the $20 standard gets you all of five 22-page comic books that take a few minutes apiece to read–is that that value proposition gets a lot less enticing.” [Techland]
Hello and welcome once again to What Are You Reading?, where the Robot 6 crew talk about the comics and graphic novels that they’ve been enjoying lately. Our special guest this week is comics journalist and critic Dirk Deppey of Journalista and The Comics Journal fame.
To see what Dirk and the Robot 6 crew have been reading lately, read on …
A Drunken Dream and Other Stories
by Moto Hagio
Fantagraphics Books, 288 pages, $24.99.
It will be interesting to see what sort of response A Drunken Dream has in the alt-comix community. While I’m have no doubt that more traditional manga fans (especially older manga fans with an interest in the medium’s history) will lap it up and ask for more, I’m not as convinced that your average Fantagraphics reader (if there is such a thing, and I acknowledge full well that I might be off the rails here in even thinking such a thing) won’t find this to be a little far afield from their purview.
Publishers Weekly Comics Week has posted a generous preview of Moto Hagio’s A Drunken Dream and Other Stories. The book, which will be released next month, is the first full-length Hagio work to be published in the U.S. since 1981, although a few stories have been published individually, including one in issue 269 of The Comics Journal. (Translator Matt Thorn also interviewed her for that issue.) Hagio is one of the masters of shoujo manga, and A Drunken Dream collects ten of her short pieces ranging from 1970 to 2007, so readers can see both her early and her more mature work.
Publishing | Scott Pilgrim’s Finest Hour, the sixth and final volume of Bryan Lee O’Malley’s award-winning series, sold out of its initial 100,000-copy printing at the distributor level within a few days of its release last week. Oni Press plans a quick 50,000-copy second printing, with the possibility of additional copies if they’re needed. Edgar Wright’s film adaptation of the series, Scott Pilgrim Vs. The World, opens on Aug. 13. [ICv2.com]
Publishing | At Comic-Con International, IDW Publishing announced plans for the Ultimate Alex Raymond Collection: The Definitive Flash Gordon and Jungle Jim, which includes every Sunday installment from both classic comic strips collected in an oversized edition. [press release]
I’m going to lead with a new license announcement from the Tokyopop panel at Comic-Con International: Koge-Donbo’s Naki Shōjo no Tame no Pavane (Pavane for a Dead Girl), a story about a musical prodigy who makes a deal with the angel of death. Tokyopop’s Marco Pavia told me they have another new title as well, Ghost Face, by Min-Woo Hyung, the creator of Priest.
The other big manga news is that Drawn & Quarterly has the license for two Shigeru Mizuki manga, Onward Towards Our Noble Deaths and NonNonBā. (If you’re wondering why that sounds vaguely familiar, it’s because NonNonBā won the Best Album Award at the Angoulême International Comics Festival a couple of years back. This is very good news for those who like their manga on the literary side. And the D&Q folks had to be smiling pretty broadly after Yoshihiro Tatsumi’s autobiographical tome A Drifting Life took two Eisner awards.
Meanwhile, Yen Press announced a number of new titles, including Otoyome-Gatari (The Bride’s Stories) by Emma creator Kaoru Mori, as well as Highschool of the Dead, Aron’s Absurd Armada, Betrayal Knows My Name, and yet another arc of Higurashi When They Cry. They also revealed that Yen Plus magazine, which stopped print publication this month, will continue as an online anthology that will be free the first month and cost the reader $2.99 per month after that.
There was one bit of sobering news, a reminder that things are still not all they should be in the manga industry: Del Rey’s indefatigable marketing manager Ali T. Kokmen is no longer with the company. Ali is well-liked in the industry, and hopefully some smart manga company will snap him up soon.
Welcome once again to What Are You Reading? Today’s special guest is writer and artist Dean Trippe, creator of Butterfly and co-founder of the Project: Rooftop blog, among other credits. He posts regularly on his Tumblr site Bearsharktopus-Man, where he is currently selling this nifty Doctor Who/Batman crossover print. He also has some art in the Webcomics Auction for the Gulf.
To see what Dean and the rest of the Robot 6 crew have been reading, click below …