Mouse Guard Archives - Page 2 of 2 - Robot 6 @ Comic Book Resources
Although the Mouse Guard series is David Petersen’s sandbox, he has been known to let others in to play with his toys. For instance, the first Mouse Guard: Legends of the Guard series featured stories by Ted Naifeh, Gene Ha, Jeremy Bastian and many others.
We know that a second volume of the anthology series is in the works, and it looks like one of the contributors will be Stan Sakai, who shares one of his pages on his LiveJournal. Sakai of course has been doing Usagi Yojimbo for decades now, so it isn’t surprising to see him drawing anthropomorphic characters, but it is a rare treat to see his work in color (beyond the Usagi covers, of course, and the occasional graphic novel or anthology submission).
Although the Muppets and the gang at Sesame Street might be puppets, they’ve made their way into comics on multiple occasions, and with the 10th anniversary of the Jim Henson-centric fansite Tough Pigs coming around this year, a number of artists have chipped in to celebrate the occasion.
For this event, Tough Pigs reached out to a variety of artists, including those from the Muppets and Fraggle Rock comics, the Sesame Street storybook illustrators and even fan artists to celebrate the event and the impact of Henson’s creations. One of the standouts of the bunch is the illustration at right by Mouse Guard creator David Petersen, who also contributed covers to to both BOOM! Studios Muppets titles and Archaia’s Fraggle Rock series.
Head over to the Tough Pigs site to see all of the artwork they’ve assembled, and look into the archives for other original art collected related to Jim Henson.
Barnes & Noble’s unveiled its app store for the Nook Color e-reader, yesterday, edging the $249 device even closer to being an alternative to the iPad. And Graphicly was right there at the launch with three graphic novel apps Mouse Guard: Fall 1152, Wanted, and Irredeemable.
This is not Graphicly’s fault, but the Nook Color app store is not very well organized; they have cute headings like “Explore” and “Organize” but not “Comics” or even “Read.” Plugging the titles in to the search engine gave mixed results: The Mouse Guard app turned up alongside listings for the physical books. Clicking on the title brought me straight back to the generic Nook Apps page. I couldn’t find Wanted or Irredeemable at all. Maybe if I had a Nook it would be easier, but the website should be as well organized as the built-in app store.
The bottom line is this: It’s great that Nook is getting into apps, and it’s great that Graphicly was there on Day One. But if no one can find your books, no one can buy them, and unless Barnes & Noble comes up with a better way to feature content than this—vague categories and no complete listing of all the apps—they aren’t going to move many comics.
Graphic.ly is a late entry to the iPad digital comics race, but they are doing their best to catch up. This week, they are offering the first issue of Mouse Guard: Winter 1152 for free, which is pretty sweet. It’s not a new comic — it came out in 2007 — but the single issues are hard to find now, and it’s a very nice read.
While it works a bit differently than comiXology and Comics+, Graphic.ly is an interesting choice if you’re interested in alternative comics. They carry Marvel and Archie, sure, but their publisher list also includes a lot of little-known indy and self-published comics. This makes for a lot of variation in quality, frankly, but there are also some gems: If you want to read Caryn A. Tate‘s Red Plains: Range War (illustrated by Noel Tuazon, the artist for Tumor and The Broadcast), it’s there for free. And Graphic.ly seems to be the only iPad app that carries comics by Archaia, the publisher of Mouse Guard and the Fraggle Rock comics. If you’re interested in the long tail of comics, Graphic.ly is not a bad place to start.
Like most comics apps, Graphic.ly is not restricted to the iPhone and iPad; they have versions available for Adobe Air and Windows 7. (I talked to CEO Micah Baldwin about the app last September.)
We’ve all seen the limitless press announcements from every comics publisher there is about sold out books. After a while, they lose meaning. Did the publisher not print very many? Did retailers under-order? Do people just really love the book? Seldom do we get answers to those questions.
So when Archaia recently sold out of both Return of the Dapper Men and the Mouse Guard: Legends of the Guard collection at the same time, there seemed to be an opportunity to dig into this phenomenon a bit. At C2E2 last year, I learned that Archaia is remarkably forthcoming about their business strategies, so their double sell out seemed like a great time to find out not only what that event means to a small publisher, but also to learn about the work that went into creating the situation in the first place. I asked Archaia’s Editor-in-Chief Stephen Christy, Mouse Guard’s creator David Petersen, and Return of the Dapper Men’s Jim McCann and Janet Lee to help me understand. They not only did that; they also gave me a unique look at how Archaia perceives itself and what sets the company apart from other publishers.
Michael May: Stephen, can you talk about the print runs of Return of the Dapper Men and Mouse Guard: Legends of the Guard? How do they compare to Archaia’s typical numbers?
Stephen Christy: They were both larger than a standard Archaia print run. Mouse Guard is our bestselling title, so we knew we had to print heavy and Dapper Men had enough preorders to justify a run of 10,000 copies. It wasn’t until preorders jumped on both titles a week or two before release that we started to get a feeling that we could get hit with a sell out.
Welcome once again to Food or Comics?, where every week we talk about what comics we’d buy based on certain spending limits — $15, $30 to spend and if we had extra money to spend on what we call the “Splurge” item. Check out Diamond’s release list for this week if you’d like to play along in our comments section.
If I had $15:
There are a lot of great periodicals coming out this week, so I’d have some hard choices to make. With only $15, I’d concentrate first on those with the cheapest prices: the first issue of Dark Horse’s new Mighty Samson ($3.50), Atomic Robo and the Deadly Art of Science #2 ($3.50), and Mouse Guard: Black Axe #1 ($3.50). I’m already a huge fan of both Atomic Robo and Mouse Guard and – based on its concept and vague memories of stories I read as a kid – hope to become one of Mighty Samson too. I’d spend the last of my money on Northern Guard #1, because I’m a sucker for Canadian superheroes.
If I had $30:
I’d add Doc Macabre #1 ($3.99), John Byrne’s Next Men #1 ($3.99), and Strange Tales 2 #3 ($4.99). “Doc Macabre” is an awesome name and I love Steve Niles’ pulp stuff, I’ve been waiting 16 years for that Next Men issue, and the Strange Tales book has a Kate Beaton story in which the Avengers go to a carnival. I’d pay five bucks just for Beaton’s deal, but it’s also got a Thing tale by Harvey Pekar (and yes, Harvey Pekar is in the story).
Welcome to another installment of “Food or Comics?” Every week we set certain hypothetical spending limits on ourselves and go through the agony of trying to determine what comes home and what stays on the shelves. So join us as we run down what comics we’d buy if we only had $15 and $30 to spend, as well as what we’d get if we had some “mad money” to splurge with.
Check out Diamond’s full release list if you’d like to play along in our comments section.
If I had $15:
As usual, I’d spend it on single issues. Starting with Atomic Robo and the Deadly Art of Science #1 ($3.50), then picking up a couple of Moonstone books: Zeroids #2 ($3.99) and Return of the Originals: From the Vault – The Pulp Files ($1.99). I enjoyed the first issue of the genre-mashing Zeroids and have been looking forward to the next part of the story; From the Vault is sort of Moonstone’s version of The Official Handbook of the Marvel Universe or DC’s Who’s Who. I don’t know nearly as much about the classic pulp characters as I’d like, so I’m looking forward to the education. Next I’d check out IDW’s Dungeons & Dragons #1 ($3.99) to see if they’ve figured out how to do a good D&D comic. That brings me to $13.47.
David Peterson was signing copies of his Mouse Guard hardbacks—and giving away the floppies for free, as promotional attractions. The Mouse Guard anthology series launches in May, with single issues out each month through August, followed by a hardcover colection.
I had a hard time deciding what I wanted to talk about this week. Not that anyone’s called me on it yet, but I usually talk here about stuff that I enjoy and I know that that can give the impression that I like everything, which simply isn’t true. In fact, I just read a book that I didn’t like so much and contemplated talking about it instead, if only for variety’s sake. But is criticizing a mediocre, small-press book really how we want to end the year? As Tim O’Shea reminded me when I expressed my indecision on the subject, there’s a lot of bad material out there. Why spend a whole column focused on that when there’s good stuff that can use a larger audience? Mouse Guard may not exactly be an underground comic, but until it hits #1 on every Best Sellers list in the world, I’m considering it under-read.
The first thing you’re struck with by Mouse Guard is how beautiful it is. I was reading Winter 1152 in public the other day and a woman stopped and asked me what it was. As much as I try not to make assumptions about people from their appearances, I’m guessing that this immaculately-dressed businesswoman doesn’t have a large comics collection at home. But she saw David Petersen’s highly realistic, stunningly detailed, and lushly colored artwork and was attracted by it enough to want to know more.
But Mouse Guard is about more than the pictures and the seasons in the title dictate more than just Petersen’s color palettes. There’s a deep, compelling story at work with human characters – mice though they may be – and powerful themes that reflect the time of year they’re set in.
Like the Sunday newspaper, it’s time once again for another round of What Are You Reading. Our guest this week is Ryan Sands, who can be found over at the Same Hat blog, recommending and even translating (Tokyo Zombie) some great, and occasionally bizarre manga (and I mean that in a good way).
To see what Ryan and the rest of us are reading this week, click on the link below. Then let us know what books you’re enjoying and want to recommend (or not) in the comments section.
Welcome once again to What are you reading?, the weekly column where the Robot 6 team runs through what comics and other stuff they’ve been checking out lately. As Chris is in Bethesda this weekend, I’m filling in for him as your host.
Our special guests this time are Philip Gelatt and Rick Lacy, creators of the Labor Days graphic novels published by Oni Press. Volume two, Just Another Damn Day, is now available in finer retail establishments everywhere. (You can check out a preview here).
See what they’ve been reading, as well as the rest of the Robot 6 crew, after the jump …
Publishing | Marvel Comics and IDW Publishing were named Publishers of the Year in Diamond’s annual Gem Awards, which recognize “outstanding suppliers in the comic book specialty market.” Marvel’s Secret Invasion #1 was dubbed Comic Book of the Year in the over-$3 division; Image’s The Walking Dead #50 for under $3. DC Comics’ Joker was named Original Graphic Novel of the Year. [Diamond Comic Distributors]
Conventions | Blogger Deb Aoki provides a manga-centric guide to this weekend’s New York Comic Con. [About.com]