movies Archives - Robot 6 @ Comic Book Resources
By now you’re likely familiar with the “Kids React” series, in which children and teens respond — not always favorably — to seeing a movie trailer for the first time. This week’s episode, featuring Avengers: Age of Ultron, doesn’t disappoint, as the reactions rang from excitement to disinterest to, in at least one case, outright dislike.
However, the most interesting part may be the the question portion, in which some of the participants acknowledge they’re aware the Avengers originated in comics books … something they don’t read. One kid even admits he’s been to a comic store, but only for toys.
Retailing | The Books-A-Million retail chain reported significant growth in the last quarter, due in part to strong sales of manga and strategy games. “Sales in the graphic novel category … grew nicely on the strength of a significant resurgence in the interest in several manga series, particularly Attack on Titan,” CEO Terry Finley said in an earnings call. The chain’s sales increased 1.2 percent, and same-store sales were up 1.8 percent last quarter compared to the same quarter last year; by contrast, fiscal year 2013 sales were down by 9.4 percent from the previous year. [ICv2]
Creators | Jeff Lemire talks about his new graphic novel Teen Titans: Earth One, which reflects his love of Marv Wolfman and George Pérez’s The New Teen Titans: “I wanted a fresh and clean take on a teen super-team without having to rely on other heroes or continuity. So I gravitated to these unique teen characters Marv and George had created, and re-envisioned them through my own sensibilities along with artist Terry Dodson, who really helped them come to life.” [The Kindle Post]
It was exciting Tuesday when Marvel Studios unveiled its Phase Three plans, with nine feature films, including Black Panther, starring Chadwick Boseman, and Captain Marvel, featuring the Carol Danvers version. However, amid the enthusiasm, there was some hand-wringing.
Are we about to be oversaturated with superheroes? Is the movie-going public going to get sick of capes and tights? Are superhero movies a fad that will go the way of the Western?
Between Marvel, Warner Bros., Fox and Sony, there are more than 30 superhero movies planned between next year and 2020. An average of five movies a year will be released, peaking in 2016 and 2016, with eight films each. No doubt more announcements will follow as we make our way through the decade.
This hasn’t gone unnoticed. Immediately after Tuesday’s press event, Marvel Studios President Kevin Feige was asked if he was concerned about the increasing number of superhero films. He pointed out that it’s “a challenge we’ve faced for many, many years.”
Although the upcoming DC Comics film slate was the headline-grabbing news from this morning’s Time Warner investor presentation, Warner Bros. CEO Kevin Tsujihara also announced the studio is seeking to reduce costs by $200 million annually as part of company-wide streamlining effort. That’s about double what some reports indicated ahead of today’s meeting.
How much of that will be a result of layoffs has yet to be revealed, but Variety maintains Warner Bros. is expected to cut between 900 and 1,000 jobs, or about 10 percent of its worldwide workforce.
In 2010, a time when the Star Wars prequels still lingered as a bitter aftertaste, Cliff Chiang created a set of posters that embraced both the franchise’s classic characters and the imagery of World War II-era propaganda campaigns– right down to the Empire’s version of “Loose lips sink ships.”
Now fast-forward four years, to a time when fans eagerly search for even the smallest details about director J.J. Abrams’ Star Wars: Episode VII, which will not only launch a new trilogy, but a new era. The latest scrap of information from the film’s set comes courtesy of veteran producer Frank Marshall — husband of Lucasfilm President Kathleen Kennedy — who tweeted a photo of the warning that greets visitors at Pinewood Studios: Chang’s poster that oh-so-gently reminds us, “Loose Lips Bring Down Starships.”
Confession time: I haven’t seen the Season 2 premiere of Marvel’s Agents of S.H.I.E.L.D. yet. Don’t get me wrong, I want to, but things have been busy here, and when I do tune in (thanks, Hulu Plus!) I want to give it my full attention. TV has become very serious in recent years, and the best stuff tends to require the viewer to invest some brain power into the shows.
It’s a good thing, but it can get a little exhausting. And if you’re a Marvel fan, there’s a lot to keep track of in Agents of S.H.I.E.L.D. Characters, locations, devices and plotlines might trigger some stored bit of trivia in your brain and lead to a different appreciation for the approach.
Here at The Fifth Color, I try to keep abreast of all the Marvel comics news I can, and it’s requiring me to track more and more movie rumors and casting decisions — which is weird because The Fifth Color began as a way to relate to comics and how we readers view the stories. But comics are becoming more than just you and the pages in your hand; there’s a now a strong media influence on how we see comics. Even something as simple as a mobile game can draw you into a comic shop and change how you see the books on the shelves. No joke, I had a customer show me a comic cover he had unlocked on a Marvel mobile game and ask me if we had that book in stock. He wanted to find out what it was about. That’s good marketing.
This week has already seen an incredible ancient Mayan-inspired Batman suit and a somewhat-disturbing supercut of all of Thomas and Martha Wayne’s onscreen deaths, so it’s perhaps only fitting that we close it out with something else Dark Knight-related: “Batman Evolution,” an arrangement of the live-action television and movie themes, performed on piano and cello — actually, 100 tracks of cello — by The Piano Guys.
While the music would be satisfying on its own, as you can see below there’s a beautifully shot video that prominently features the appropriate Batmobile for each of the themes (Neal Hefti’s 1966 “Batman Theme,” Danny Elfman’s 1989 “The Batman Theme,” and Hans Zimmer’s 2008 “Like a Dog Chasing Cars”). You may also notice how the cinematography and screen dimensions shift from theme to theme, reflecting each adaptation.
The inaugural campaign in 2013 helped to drive the film up the Blu-ray and DVD charts, generating publicity in the process, and this year organizers are seeking to do it again: The want fans on Wednesday to buy Dredd again, watch it with friends, talk about it online (using the hagshtag “DayofDredd, of course) — whatever they can to draw attention to the film. That includes signing 2000AD’s official petition.
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If your parents ever complained that all of those Spider-Man and X-Men comics would interfere with your school work, show them this: This spring the University of Baltimore will offer a course examining modern culture through the lens of Marvel’s films, television series and comic books.
Thought to be the first class of its kind in the United States, “Media Genres: Media Marvels” will not only explore the intricate plotlines, characters and backstories that form the Marvel Cinematic Universe but also try to understand our fixation with superheroes and fictional global threats. Students will also study Joseph Campbell’s monomyth of the “hero’s journey.”
Although we can never be assured that a film or television adaptation of Batman will be any good, there is one safe bet: It will likely include a depiction of the murder of Thomas and Martha Wayne in Crime Alley (slow-motion shot of a broken string of pearls tumbling to the pavement optional, but preferred).
Gotham, which premiered Monday on Fox, was of course no exception, spurring Vulture to compile a supercut of the Waynes dying on screen, from Super Friends and Tim Burton’s Batman to Batman Begins and Batman: Arkham Origins. I imagine this is what Bruce Wayne’s nightmares look like.
Director Zack Snyder’s Batman v Superman: Dawn of Justice will arrive in March 2016, and with it an avalanche of merchandise, from lunchboxes and clothing to backpacks and, of course, action figures. However, FigureRealm user STjuggernaut is already making life difficult for official licensees with his impressive custom creations.
Using bits and pieces from other characters — a She-Hulk head here, an Indiana Jones whip there — he’s crafted 4-inch scale figures of Gal Gadot as Wonder Woman and Ben Affleck as Batman (with and without his cowl). The join the Superman, Jor-El and Kryptonian villains he assembled based on Man of Steel.
It won’t be long before the Legion of Super-Heroes reappears in the New 52. This week’s two-page editorial spread (written by editor Brian Cunningham) teases next month’s “The Infinitus Saga,” a Justice League United arc pitting the newest batch of Leaguers against the future’s greatest super-team.
Providentially, rumors have begun circulating about the Legion’s possible jump to the big screen, as Warner Bros.’ answer to Marvel’s Guardians of the Galaxy. Among the reactions to these rumors were Eric Diaz’s suggestions (at Nerdist) and The Beat’s conclusion that “I never got the Legion [but] this could be a charming and exciting film.”
To be sure, it’s way too early to evaluate the merits of a Legion film. Heck, there may not even be a Legion movie, if Batman v Superman underperforms. However, two things jump out at me from this coverage: First, the blockbuster Guardians has opened the door for adapting all sorts of superhero obscurities. Second, any adaptation must deal with — and most likely overcome — the Legion’s history (and history of reboots).
With regard to the latter, The Beat calls the feature “classic DC — a continuity-heavy series that has a smallish but rabid following, and a huge cast of characters who are sometimes oddballs”; and Nerdist notes that “DC has struggled to keep the book relevant” for most of the past 30 years.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Hot on the heels of the high publicized and false rumor that DC movies would be adopting a “no jokes” policy came that shining glimmer of hope, like a Big Red Cheese riding a gigantic ammunition shell through the sky. This week we got more details about the Shazam! movie, most of it serving just to whet my hunger for a major motion picture starring that most stalwart of Fawcett Comics heroes.
Will this be the much feared “grim and gritty” version that many fans had been envisioning since David Goyer and Zach Snyder took the helm of the Justice League, subsequently releasing image after image of scowling, unhappy superheroes? As the news came rolling in, it seemed more and more that it will not. First, it’s going to be produced under New Line, and not the parent Warner Bros. studio that will produce the Justice League movies. New Line president Toby Emmerich, in fact, stated in an interview with Entertainment Weekly that “It’s a DC comic, but it’s not a Justice League character” and that it “will have a sense of fun and a sense of humor.” Oh, Toby… your words are like honey to my ears.
Hello and welcome to Shelf Porn, our weekly look at one fan’s collection. Today’s collection comes from down south, as Scotty in New Orleans shows off his artwork, comics and much more.
If you’d like to see your collection featured here on ROBOT 6, you can find instructions on how to do so at the end of this post.
And now here’s Scotty …
Disney Consumer Products struck deals with more than 50 companies for Guardians of the Galaxy merchandise, ensuring store shelves are stocked with everything from a Big Blastin’ Rocket Raccoon Figure to the LEGO Milano Spaceship Rescue Building Set to the Rocket Raccoon Suit-Up Backpack.
But somehow, nobody thought to license — spoiler alert? — a dancing Baby Groot.