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Charles Addams’ creepy and kooky comic creation the Addams Family is being revived again for the big screen — this time in animated form.
Variety reports that MGM is tying up a deal with media company BermanBraun for the macabre movie, which will be written by Pamela Pettler (Corpse Bride, Monster House). A stop-motion adaptation based on Addams’ original drawings was previously in the works at Illumination Entertainment, with Tim Burton set to co-write and co-produce, but that was revealed in July to be canceled.
Pete Holmes is on a superhero streak this week: After giving Logan his walking papers as Professor X in “Ex-Men: Wolverine,” the comedian returns to his periodic College Humor role as a dimwitted, foul-mouthed, Bale-voiced Badman in “Batman vs. Superman.”
This time, he’s approached by the Man of Steel to put their differences aside and work together, a proposition that perplexes the Dark Knight.
Digital comics company Red Giant Entertainment (Buzzboy, The First Daughter) will launch its true-crime anthology series with a graphic novel based on Blue Caprice, the psychological thriller that depicts the 2002 Beltway sniper attacks from the perspective of the shooters.
Directed by Alex Moors, the independent film stars Isaiah Washington (Grey’s Anatomy), Tequan Richmond (Everybody Hates Chris), Tim Blake Nelson (The Incredible Hulk) and Joey Lauren Adams (Chasing Amy), and is produced by two of Red Giant’s board members. The graphic novel will be penned by the film’s screenwriter R.F.I. Porto and illustrated by “the art team behind Red Giant’s Katrina” (whose names I can’t seem to find anywhere).
The plan, according to Deadline, is for the company to release Blue Caprice as a webcomic “in the next few months” before collecting it for print. It will be the first release in it Public Enemies series, which Red Giant says will explore “the tangled motivations of the killers and the legacy of their violence.”
Characterizing itself as “an innovative intellectual property company,” the Orlando-based Red Giant states that its goal is “to become the largest comic book publisher in the world.”
Writer of the Year
• Brian K. Vaughan
• Dan Slott
• Mark Waid
• Robert Kirkman
• Scott Snyder
Penciler of the Year
• David Aja
• Fiona Staples
• Greg Capullo
• Jim Lee
• Ryan Stegman
Whether you think Warner Bros.’ selection of Ben Affleck as Batman is the worst franchise casting since Arnold Schwarzenegger donned blue paint as Mr. Freeze, or if, like Matt Damon, you think all of the grousing is ridiculous, RedBubble.com has a T-shirt for you!
Designed by robinzson, the shirt comes in two designs, both mimicking the logo of the 1960s TV series: “Batman: The Dark Horse RISES!,” with “Affleck” where “Batman” should be, and “Batman: The Dark Horse!,” features the no symbol. They’re $24.54 each.
Badgers, those humble burrowing mammals, are big news right now here in the United Kingdom, where there’s a controversial cull going on in the southwest of England in an attempt to curb bovine tuberculosis in cattle herds. While other areas like Wales and Northern Ireland trial expensive attempts at vaccinating badgers, England is employing teams of marksmen to shoot the cute little buggers. I’m from a rural area where the local economy depends on dairy and beef production, so I know exactly where I stand on this subject. Not wanting to sound too heartless here, but it costs £600 to vaccinate a badger, while a bullet costs a few pence. And I do like a nice rib-eye steak washed down with a glass of milk.
Oddly enough, badgers seem to be having something of a moment in comics and pop culture these days, too: There’s Brock Blueheart in Fables, and Archie LeBrock in Bryan Talbot’s ongoing Grandville series, for starters. Depending on who you ask, the badger in book two of The League of Extraordinary Gentlemen was either Bill from the (90-plus years old, and still ongoing) newspaper strip Rupert the Bear or Mr. Badger from Kenneth Grahame’s classic children’s novel The Wind in the Willows. Grahame’s Mr. Badger is being reimagined in Dave Elliot and Barnaby Bagenda’s “Weirding Willows” in A1 as Victor Stoker. The gossip service Popbitch has its ongoing Baboon vs Badger debate (and recently posed the question to Bryan Talbot, with obvious results).
Happy Saturday and welcome to Shelf Porn, our showcase for fans and their collections. Today’s shelves belong to Chris in Texas, who goes shirtless to show us his love for Batman — as well as his statues, comics and more.
If you’d like to see your collection featured here on Shelf Porn, check out the submission instructions for complete details.
And now here’s Chris …
Warner Bros.’ announcement of a “Batman vs. Superman” sequel to Man of Steel at Comic-Con International triggered a 161 percent surge in digital sales of Batman: The Dark Knight Returns in July, setting a record for a full-priced DC Entertainment digital title, Variety reports.
The publisher previously mentioned “a huge jump in month-over-month [digital] sales” of Frank Miller’s pioneering 1986 work, but didn’t offer more than that. Like most publishers, DC doesn’t reveal actual sales figures for either print or digital.
The influential four-issue miniseries brings an aging Batman out of retirement a decade after the death of Jason Todd to save Gotham from sinking deeper into decay and lawlessness. With the help of a new, female Robin, Carrie Kelly, the Dark Knight ends the threat of the mutant gangs that have overrun the city and confronts two of his greatest enemies. But then he must face his former ally Superman in a battle that only one will survive.
Although Man of Steel director Zack Snyder was quick to caution at Comic-Con that the sequel wouldn’t be an adaptation of The Dark Knight Returns, actor Harry Lennix read dialogue from the book — “I want you to remember, Clark, in all the years to come, in all your most private moments, I want you to remember my hand at your throat” — and Miller was reportedly set to meet with the filmmaker.
The doors open in just an hour on the D23 Expo, the official Disney fan gathering held through Sunday in Anaheim, California. Tickets for Saturday are sold out.
While much of the event, of course, caters to Disney devotees — theme-park fans, serious collectors and cinephiles alike — we should expect a decent amount of news that reaches beyond the Magic Kingdom. For instance, today there’s a presentation featuring many of the voice actors from Marvel’s animated television series, and a signing with the producer and director of Big Hero 6, Walt Disney Animation’s first adaptation of a Marvel comic. That movie, based on the characters created by Steven T. Seagle and Duncan Rouleau, is getting a promotional push at the event, which features a Big Hero 6 display (above, courtesy of ComingSoon).
Despite competition from cinematic upstarts like Iron Man, Wolverine and Captain America, Batman reigns as the most popular superhero on YouTube, with more than 3 billion views of a staggering 71,000 hours of video. But the character at No. 2 may surprise fans, and undoubtedly please Marvel Studios. Verily.
That’s according to research released today by the video-sharing website as part of its “Geek Week” celebration. The breakdown is based on keyword searches since 2008 for everything from film trailers to fan originals to video-game play.
“I’m doing another one with Boom! right now. I’m probably going to stick with Boom! for the time being. Boom! has been very, very good to me. I’m not going out of my way right now to get a lot of projects off the ground, because then I’d have to do them. But I do have a couple of things that I’ve got going, little things here and there. I kind of like being able to relax. This is the first time in my life I’ve ever had money to speak of. So now I can relax a little bit, and I can just work on things that I want to work on. I don’t have to scramble for work.”
– veteran writer Steven Grant, when asked whether the Universal Pictures adaptation of 2 Guns has paved the way for more comics projects.
As The New York Times recently detailed, BOOM! Studios offers a “creator share” model in which Grant received a cut of what the studio paid for the film rights, said to be “just shy of seven figures.”
The illusion of change is the usual approach to mainstream superhero comics. It offers the excitement of change without losing the successful elements to actual change. It’s cynical but it’s smart from a corporate standpoint. Every once in a while, however, actual change happens. Or maybe change is just talked about. Some like it, some don’t like it. And then there are the people that really, really don’t like it, and head down to their local torch-and-pitchfork store.
Such is where we find ourselves in the ongoing discussion of The Amazing Spider-Man star Andrew Garfield’s hypothetical consideration of making Peter Parker bisexual.
But why did Garfield’s idea trigger such heated responses? I’m not talking about the calm “Oh, I don’t know, I’m not crazy about that idea, but rather the aggressive, threatening and hateful reactions that seem to come from a very dark place.
Spider-Man co-creator Stan Lee has responded to actor Andrew Garfield’s recent what-if scenario in which Peter Parker could be gay or bisexual, joking, “I figure one sex is enough for anybody.”
Appearing over the weekend at Fandomfest in Louisville, Kentucky, the 90-year-old comics legend appeared caught off-guard by a question from the audience about Garfield’s “request to make Spider-Man bisexual and Mary Jane male.” Lee initially offered a glowing assessment of the actor’s performance in The Amazing Spider-Man, before the question was explained to him.
“He’s becoming bisexual?” Lee exclaimed in disbelief, eliciting roars of laughter from the audience. “Who have you been talking to? Seriously, I don’t know anything about that. And if it’s true, I’m going to make a couple of phone calls. I figure one sex is enough for anybody.”
Garfield, who’s filming The Amazing Spider-Man 2, sparked a good deal of discussion among comics fans when he related a conversation with a producer in which he said, “I was kind of joking, but kind of not joking about MJ. And I was like, ‘What if MJ is a dude?’ Why can’t we discover that Peter is exploring his sexuality? It’s hardly even groundbreaking! … So why can’t he be gay? Why can’t he be into boys?”
As if his surprise appearance at Marvel Studios’ Hall H presentation on Saturday — dressed as the god of mischief, no less — weren’t enough to forever endear him to fans, actor Tom Hiddleston also gleefully acted out the plot of the upcoming Thor: The Dark World at Comic-Con International using Loki and Thor action figures.
You can watch the video below. But fair warning: There may be spoilers. The new trailer for director Alan Taylor’s Thor: The Dark World debuts Aug. 7.
News flows out of Comic-Con International like an avalanche: Sometimes the interesting announcements gets buried by the more glamorous and higher-profile projects. One story that caught my eye was that filmmaker Duncan Jones and 2000AD/Preacher artist Glenn Fabry will be collaborating on a graphic-novel adaptation of Jones’ unproduced script Mute for Dark Horse.
Mute was originally planned to be Jones’ second film, after the much-praised Moon. Failing to secure funding for the ambitious, Blade Runner-influenced, project meant Jones was forced to move on. His second film instead was Source Code, a rollicking adventure that showed Jones as a capable director of action, after the more sedentary thrills of Moon. He’s now in the pre-production stages of the World of Warcraft movie, the sort of potential franchise tentpole film that could result in Jones being trusted with a budget large enough to make any feature he wants. Jones debuted a “mood piece” — a teaser trailer — for Warcraft, currently unavailable online (but a few souls in attendance in Hall H have posted their descriptions of it). He’s been talking up turning Mute into a graphic novel since 2011, when he told Gordon and the Whale: