8 Marvel Movie Fights That Kicked All the Ass
Comic Books, Film
Winter may soon be a distant memory, but there are few things better than cranking up the air conditioning, curling up with a blanket and reading a book or soaking up some television. And who better to watch over you while you binge on episodes of Daredevil and Jessica Jones than the Mighty Heroines of Marvel?
This fleece blanket measures 62 inches by 44 inches, and features an impressive lineup: Silk, Thor, Ms. Marvel, Captain Marvel, Sif and Spider-Gwen, who’ll keep vigilante and keep you toasty.
Awards | Ms. Marvel, by G. Willow Wilson and Adrian Alphona, won the second annual Dwayne McDuffie Award for Diversity in Comics, presented over the weekend at Long Beach Expo in Long Beach, California. The other nominees were Andre the Giant: Closer to Heaven, by Brandon Easton and Denis Medri; Fresh Romance, edited by Janelle Asselin; Moon Girl and Devil Dinosaur, by Amy Reeder, Brandon Montclare and Natacha Bustos; and Zana, by Jean Barker and Joey Granger. The Beat has Wilson’s acceptance video. [Long Beach Comic Expo]
Passings | Longtime Mark Trail artist Jack Elrod Jr. died Wednesday at age 91. Mark Trail was created in 1946 by Ed Dodd, who brought on Elrod four years later as a background artist. When Dodd retired in 1978, Elrod took over the comic strip, and earned many awards from environmental organizations. He also made a significant change due to reader feedback, removing the title character’s pipe after a 6-year-old fan wrote to him saying, “It is bad for his health, pollutes the air, and it is dangerous to the birds.” Elrod retired in 2014, handing over Mark Trail to current artist and writer James Allen. [Gainesville Times]
The winners of the major awards (called “fauves”) at the Angouleme International Comics Festival were announced Saturday evening in a ceremony that has turned out to be quite controversial: The emcee came on and announced the nine winners, only to be followed by two actresses who revealed it was all a joke, after which the real awards were presented.
We’ll have more on that shortly, but first of all, here’s the list of the actual winners:
Considering that Kamala Khan, the Pakistani-American teen better known as Ms. Marvel, lives just over the river from Donald Trump, there’s a chance the two could someday cross paths, at least in the Marvel Universe. If that happened, what might the young superhero say to the Republican presidential frontrunner, who’s made so many controversial statements about Muslims and immigrants.
That’s what Seth Meyers asked Sana Amanat during her appearance this week on “Late Night,” and Kamala’s co-creator had an answer at the ready.
Retailing | The Philadelphia comics and art shop Locust Moon is closing its doors as a retailer so that co-owner Joshua O’Neill can focus on a different area of the business: publishing. “[A]s publishers, we’re just getting started,” O’Neill posted on his Facebook page. “[W]e’ll now be able to focus our attentions on making books full time. we’re incredibly excited about that. locust moon is not dying — it’s still just being born.” Locust Moon has already published an Eisner Award-winning anthology of Little Nemo comics, and is running a Kickstarter campaign to fund the publication of some very early “lost” Will Eisner comics. [PhillyVoice]
The winners of the 2015 Joe Shuster Awards, which honor Canadian comics creators, were announced Sunday in London Ontario, at the Forest City Comic Con. The awards are named after Superman co-creator Joe Shuster.
The winners are:
I got this shirt for my son, who’s now 2 years old (can you believe it?): It has a picture of Batman on the front and says in big, bold letters, “Legend in the Making.” It’s a nice sentiment … until you realize how Batman became a legend, and what that means for my husband and me. (Note to self: Don’t wear a fancy necklace to the movies).
But most legends don’t leave a lot of room for parents.
Sometimes, heroes set off on grand adventures to escape their parents, but more often than not, the mother or father dies. It’s how Cinderella and Snow White became saddled with wicked stepmothers, how Tony Stark ended up with a sizable fortune, and why Peter Parker went to live with his aunt and uncle.
Amid heated controversy, the Hugo Awards ceremony went down on Saturday evening. The year has garnered a lot of press attention due to the Sad Puppy/Rabid Puppy campaigns launched by some who thought certain creators and works were being overlooked in favor of “liberal bias.” As the Hugos have an open nomination process, the result was that several categories were completely dominated by works put forth in the Sad Puppy’s slate. (Read some great in depth analysis of the who, what, how, and why of all this over at Wired and ICv2.)
However, voters appeared to reject the Puppies’ plan, as five categories that were identical to the group’s nominations slate –Best Novella, Short Story, Related Work, Editor Short Form, and Editor Long Form — ended up being given “No Award.” According to their official website, that number matches the amount of No Awards given out in the entire history of the Hugo Awards, and the first time any have been given since 1977. According to i09.com’s full live blog of the event, the applause at each No Award announcement was uproarious.
When his comics-loving daughter was invited to a superhero-themed birthday party, one geek dad set out to buy the 6-year-old a Ms. Marvel costume, only to be disappointed when he couldn’t find one. None of the alternatives — Spider-Girl, Captain America, pink Spider-Girl — would do, so he broke out the sewing machine and made a Kamala Khan outfit himself. The result, as you can see, is just about perfect.
In an open letter to Marvel, Captain Milkshake lists all of the materials and their prices (the dress was marked down, so all told the project cost about $49), but also makes an appeal for more girl-inclusive merchandise.
[The following post appeared in its original form on the Facebook page of comic book writer B. Clay Moore, who provided CBR with a slightly expanded version of his text.]
Female superheroes and their costumes?
A lot of people arguing about this don’t seem to have a real understanding of the history of costume design in comics.
There’s this conventional wisdom in place that female superheroes were always designed with titillation in mind. Forget the strange psychosexual implications inherent in that idea, the fact is that most female superheroes up through the ’70s (maybe into the ’80s) were created to attract female readers, not to pander to boys. (Just as kid sidekicks were designed to appeal to kids… Robin didn’t wear short pants for kinky thrills.)
Sure, there were always notable exceptions (it’s hard to look at covers featuring Phantom Lady straining against ropes with “headlights” protruding and imagine them as an appeal to young girls), but the industry was trying to find something for everyone.
On Thursday’s episode of The Nightly Show, host Larry Wilmore turned his attention to “dork diversity,” and fan resistance to such changes as the possibility of a black Spider-Man in the rebooted movie franchise, or the female-led Ghostbusters. To explore the subject, he turned to a panel that included Sana Amanat, Marvel’s director of content and character development, and artist Phil Jimenez.
“Let me see if I can explain it to you,” Wilmore said in his introduction. “Nerds don’t have a problem with women; they have a problem with change. I’ll give you an example: Nerds are upset at black stormtroopers in the new Star Wars movie. Do they have a problem with stormtroopers being black? No. They have a problem with you changing their definition of a stormtrooper. I’ll be a little clearer: If the first time you introduce oatmeal to a nerd it has maple syrup in it, it better have maple syrup every fucking time, or it’s not oatmeal.”
Legal | In their largest raid ever, police departments across Japan arrested 40 people between Feb. 17 and Feb. 19 on suspicion of copyright infringement for illegally sharing anime, manga, music and live-action film and television dramas online. The suspects, all men ranging in age from 21 to 65, are accused of uploading such materials as Detective Conan, XXX Holic, The Wind Rises and the Mobile Suit Gundam UC soundtrack. In Japan, such unauthorized uploads are criminal acts punishable by up to 10 years in jail or fines of about $84,000. [Crunchyroll]
The finalists have been announced for the inaugural Dwayne McDuffie Award for Diversity, named in honor of the influential comics and animation writer who passed away in 2011. The winner will be announced Feb. 28 at Long Beach Comic Expo.
“I am so proud that my husband’s personal mission to include a more diverse array of voices — both in content and creators — is able to continue now through this award in his name, by encouraging others who share his vision of comics, characters and the industry itself better mirroring society,” Charlotte McDuffie said in a statement.
The finalists are:
For the past week, Kamala Khan fans have been gathering at Kamalacon, a Tumblr celebrating the one-year anniversary of the first issue of Ms. Marvel. I have no idea whether this is a grass-roots thing or some clever guerrilla marketing by Marvel, but it’s fascinating to see the range of fans who have contributed cosplay photos, selfies with their collections, Kamala-themed playlists, and fanart that ranged from sketchbook drawings to animated GIFs to cookies and Funko sculptures. There was even a virtual gift exchange.
Kamalacon kicked off with a series of essays by readers about what Kamala Khan means to them. The first thing that struck me on glancing at them was the diversity of the writers. There’s something universal about Kamala’s story that appeals to many readers, from a Muslim woman who sees parallels to her own life to the white guy who compares it to Quasar to explain what makes Ms. Marvel good and Kamala bad—and makes a good point:
People talk about why they need diversity in comics, and usually it boils down to the importance of representation. But it also just makes better comics. Kamala Khan can tell stories and do things and go place that Wendell Vaughn simply can’t. When a publisher only stocks Wendell Vaughns in their creative toolbox, they’re putting artificial limits on the kinds of stories they can make. They cheat themselves and their audience. As long as Kamala’s on the beat, the industry’s headed in the right direction, however slowly.