ms. marvel Archives - Robot 6 @ Comic Book Resources
Jamie McKelvie may be spending his days working on his new creator-owned series The Wicked + The Divine, but that doesn’t mean he’s not still thinking about superheroes from time to time. The artist, who had a successful run at Marvel on Young Avengers, The Defenders and X-Men: Season One, has unveiled an Iron Man redesign he came up with the other night, just for fun.
Ms. Marvel #5 is the most important comic of the current era. Wait, I got ahead of myself.
Comics have distinct eras that you can recognize simply by flipping through an issue. Whether it’s the artwork, subject matter, costume design or the overall presentation, fans can get an idea of when the book came out, and who its intended audience is. It’s one of the reasons I have a hard time recommending older first issues to new readers; X-Men #1 is going to seem weird to someone who has never read any X-Men, whether it’s due to the silted language and design of the original or the ’90s posing and over-lettered pages of the Claremont/Lee version. It can seem really dated for new readers, and can completely color a generation of fans’ expectations of what comics should “really be like.” This is my only explanation for the extreme Jim Lee-ness of the New 52 costume designs.
With this is mind, trying to peg the overall theme of the current era of comics is still a little tricky. Do we use the movies as an example of how future generations will view the medium? Will Civil War and Identity Crisis, with their adult themes, be how the early 2000s are remembered? Do we have Brian Michael Bendis to thank for the voice of this modern era?
This brings me back to my cause this week: I would like Ms. Marvel #5 to be the bar by which the current era is measured. This comic does so much right, and is so absolutely inspiring, that I want to see followers, imitators and an entire generation of fans who will expect this level of quality in their comics in the days to come. Did I get ahead of myself again? Let me catch you up.
WARNING: I’ll be discussing Ms. Marvel #5, so grab your copy (buy three more!) and read along!
Manga | The 13 volumes to date of Hajime Isayama’s dystopian fantasy Attack on Titan have sold a combined 30.37 million copies in Japan, making the manga only the third series to do so since market research firm Oricon began tracking the numbers in 2009 (the first two were, of course, mega-hits One Piece and Naruto). [Anime News Network]
Digital comics | John Casteele considers the acquisition of comiXology from Amazon’s point of view: “It’s easy to see how the ComiXology purchase is going to benefit Amazon. Access to the ComiXology platform not only provides the company with additional revenues from the growing digital comics market and to the comic series that had the highest-selling single issue in 2013 (The Walking Dead, which also had five of the top 10 best-selling graphic novels for the year). It could also provide synergy with Jet City Comics and the Kindle, giving both access to the ComiXology publishing platform. Amazon could also use its Kindle platform to further refine the ComiXology’s ‘Comics’ app, which is already available for the Kindle Fire but might enjoy more direct integration in the future.” [Business Insider]
Comics | Tammy Oler considers the roles of Captain Marvel and Ms. Marvel within a growing movement to make superhero comics more diverse: “The devoted fans in the Carol Corps and Kamala Korps view themselves as part of a movement for a bigger and more diverse comic book universe, and it seems like publishers might finally be starting to pay attention. Both Ms. Marvel and the rebooted Captain Marvel are part of Marvel NOW!, an effort by the publisher to attract new readers by providing a lot of accessible places for new readers to jump on board with ongoing series. (DC Comics has done something similar with its New 52 initiative.) Marvel and DC have also taken some steps to address their lack of superhero diversity, in part by launching some new female solo titles, including Black Widow, She-Hulk, and Elektra. Of course, there’s a whole world of mainstream and indie publishers beyond Marvel and DC, but the big two still matter the most because they create the pantheon of superheroes that make it into movie theatres and onto the racks of Halloween costumes at Target.” [Slate.com]
Legal | Algerian cartoonist Djamel Ghanem is seeking asylum in France as the prosecution and plaintiff appeal his acquittal on charges that he insulted Algeria’s president in an unpublished cartoon drawn for the newspaper Voix d’Oranie. The newspaper brought the criminal charges against Ghanem; in possibly related news, Ghanem is suing his employer for seven years’ unpaid wages. Ghanem now claims Algeria wants to make an example of him. [Radio France International, Ennahar Online]
Conventions | Mark Rahner, who has been going to Emerald City Comicon since the first one in 2003, initially as a reporter and then as a creator, talks about why the event has grown so big (75,000 attendees are expected this weekend) and why it’s still awesome anyway. [Seattle Weekly]
Academia | The Center for Cartoon Studies in White River Junction, Vermont, is adding a masters of fine arts degree in applied cartooning that will allow students to focus on using the comics medium for journalism, medicine, business and other fields. [Valley News, press release]
Creators | With the arrival of the second issue of The Sandman: Overture, Neil Gaiman talks about the joy of writing the first series and returning for this one, why he chooses to pen a story as a comic rather than a novel, and how his process differs as well: “When I’m outlining a comic, I write down the numbers 1 to 24, and I jot down what’s happening on each page, because I have to think of things in terms of pages, and double-page spreads. In a novel, if I want to move a scene, I just cut and paste. In a novel, it’s a completely different conversation.” [CNN]
Passings | Award-winning science fiction and fantasy author Lucius Shepard, whose work included Life During Wartime and The Jaguar Hunter, passed away March 18. He was 66. Shepard ventured into comics writing on a few occasions, with the series Vermillion, part of DC Comics’ short-lived Helix imprint, and with contributions to Vertigo anthologies Gangland and Flinch. [Tor.com, BoingBoing]
Creators | American Vampire artist Rafael Albuquerque talks about the upcoming “Second Cycle” of the Vertigo series, which returns after a hiatus of more than a year. [Hero Complex]
Conventions | Rob Salkowitz, author of Comic-Con and the Business of Pop Culture, looks at the uptick in comics conventions — he pegs ticket sales at $600 million, which is 80 percent of the dollar value of the whole comics market — and discusses some recent events and trends, including the new cons that are popping up all over and the increased international interest in connvetions outside the United States. [ICv2]
Publishing | Marvel CEO Isaac Perlmutter makes the list of “10 Inspirational Leaders Who Turned Around Their Companies.” [Entrepreneur]
Creators | Colleen Coover posts the full transcript of her recent interview with Paste magazine about sexism in the comics industry. [Colleen Coover]
It looks like Marvel’s emphasis on reaching a female audience may be paying off for Ms. Marvel.
The first issue of the teenaged superhero’s series debuted last Wednesday to a chorus of critical acclaim, just one day after Marvel editor-in-Chief Axel Alonso spoke with The Washington Post about the publisher’s enhanced focus on female characters and creators — along with Ms. Marvel, new series have been launched (or will be launched) featuring female heroes Black Widow, She-Hulk, Captain Marvel and Elektra; under the “All-New Marvel NOW!” initiative. “While we don’t have any market research, the eyes don’t lie,” Alonso said in his interview. “If you go to conventions and comic book stores, more and more female readers are emerging. They are starved for content and looking for content they can relate to.”
Welcome to Best of 7, where we talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. Looks like I’m flying solo this week, so without further ado, let’s get to it …
The “Guy Card” doesn’t exist. No one can take away your masculinity however you choose to define that. So get out there and take dancing lessons or moisturize your face (note: I have no idea what would constitute the removal of a Guy Card because it doesn’t exist). In fact, there’s no such thing as a “Girl Card” either, so fail at wearing heels and makeup with impunity because no one other than yourself should have the power to call you on it. Be you, because that’s all we can be; pleasing everyone else is just way too hard.
What we do or don’t do shouldn’t be an indicator of gender, or race or sexual identity. I mean, we can make guesses, but that doesn’t tell you who you are inside, and it’s the inside that really counts, or so years of cartoon morality lessons have taught me. There’s no such thing as “not black enough” or “you act too gay to be straight,” because that says more about the person making those statements than the person they’re defining. The United States started out as just some humble little colonies trying to forge their own identity, coming to America to be themselves.
And some people want to be Carol Danvers.
WARNING: A spoiler-free review of Ms. Marvel #1 lies ahead, and I promise this is about as preachy as I’m going to get.
Legal | Daniel Curry, the actor who was seriously injured in August during a performance of the Broadway musical Spider-Man: Turn Off the Dark, has filed a lawsuit seeking unspecified damages, claiming the producers and other defendants knew a mechanical lift could be dangerous. Curry was hurt when an automated door pinned his leg; he suffered fractured legs and a fractured foot, and had to undergo surgeries and unspecified amputations. The producers have insisted the accident was caused by human error and not malfunctioning equipment. [The New York Times]
Events | Japan’s ambassador to France has expressed his country’s displeasure with a South Korean exhibit at the Angouleme International Comics Festival devoted to “comfort women” who were forced into sex slavery during World War II by the Japanese military. Ambassador Yoichi Suzuki said the exhibit, which attracted about 17,000 visitors, promotes “a mistaken point of view that further complicates relations between South Korea and Japan.” [GMA News, Yonhap News Agency]
Creators | A memorial service for Morrie Turner, pioneering creator of the Wee Pals comic strip, will be held Sunday at the Grand Ballroom at the Claremont Hotel Club and Spa in Berkeley, California. It’s open to the public. The family plans to hold a private service in February in Sacramento. [Contra Costa Times]
Since the new Ms. Marvel was announced in November as Kamala Khan, the 16-year-old daughter of Pakistani immigrants, there’s been a lot of discussion about the significance of the character, both to Muslim readers and to comics. But journalist Shehryar Warraich takes the conversation a step further, by soliciting the opinions of Pakistanis.
The United Press International article is an interesting read, as Warraich, who’s based in Lahore, Pakistan, found reactions to be largely positive, although at least one woman expressed concerns that the Marvel comic might be part of “a conspiracy to discredit Pakistani society.”
However, the vast majority of the others quoted in the piece seemed quite hopeful about the potential effect of Kamala, both on Pakistani girls and on the country’s image.
“Pakistanis will feel proud to see their girl helping people and playing a positive role,” author Mobarak Haider told UPI. “Kamala Khan is not only representing her compatriots in this role, but Muslims as a whole. Her character could have a great impact on Muslim families living in the U.S. The concept will make parents understand that by giving girls confidence, they can build a fabulous future.”
The article also provides a good opportunity to link to the Ms. Marvel production blog, which features exactly what you would expect: character designs, process pieces and the like.
Ms. Marvel #1, by G. Willow Wilson and Adrian Alphona, arrives Feb. 4.
Legal | As the dust begins to settle on the ruling last month by a federal judge that Arthur Conan Doyle’s first 50 Sherlock Holmes stories have lapsed into the public domain in the United States, out march the analyses pointing out the buts. Chief among them, of course, is the possibility of appeal by the Conan Doyle estate, which contends the characters were effectively incomplete until the author’s final story was published in the United States (the 10 stories published after Jan. 1, 1923, remain under copyright in this country until 2022).
However, Publishers Weekly notes that because U.S. District Judge Ruben Castillo didn’t rule directly on that “novel” argument, the estate may be satisfied with the ambiguity of the decision, given that uncertain creators still may seek to license the characters to steer clear of any trouble. Estate lawyer Benjamin Allison also insists that the Sherlock Holmes trademarks remain unaffected, an assertion that puzzles author and scholar Leslie Klinger, who brought the lawsuit. “There is a very good reason why the Estate did not assert trademark protection: The Estate does not own any trademarks,” he told PW. “They have applied for them, and there will be substantial opposition.” There’s more at NPR, The Independent and The Atlantic. [Publishers Weekly]