ms. marvel Archives - Robot 6 @ Comic Book Resources
Comics | Tammy Oler considers the roles of Captain Marvel and Ms. Marvel within a growing movement to make superhero comics more diverse: “The devoted fans in the Carol Corps and Kamala Korps view themselves as part of a movement for a bigger and more diverse comic book universe, and it seems like publishers might finally be starting to pay attention. Both Ms. Marvel and the rebooted Captain Marvel are part of Marvel NOW!, an effort by the publisher to attract new readers by providing a lot of accessible places for new readers to jump on board with ongoing series. (DC Comics has done something similar with its New 52 initiative.) Marvel and DC have also taken some steps to address their lack of superhero diversity, in part by launching some new female solo titles, including Black Widow, She-Hulk, and Elektra. Of course, there’s a whole world of mainstream and indie publishers beyond Marvel and DC, but the big two still matter the most because they create the pantheon of superheroes that make it into movie theatres and onto the racks of Halloween costumes at Target.” [Slate.com]
Legal | Algerian cartoonist Djamel Ghanem is seeking asylum in France as the prosecution and plaintiff appeal his acquittal on charges that he insulted Algeria’s president in an unpublished cartoon drawn for the newspaper Voix d’Oranie. The newspaper brought the criminal charges against Ghanem; in possibly related news, Ghanem is suing his employer for seven years’ unpaid wages. Ghanem now claims Algeria wants to make an example of him. [Radio France International, Ennahar Online]
Conventions | Mark Rahner, who has been going to Emerald City Comicon since the first one in 2003, initially as a reporter and then as a creator, talks about why the event has grown so big (75,000 attendees are expected this weekend) and why it’s still awesome anyway. [Seattle Weekly]
Academia | The Center for Cartoon Studies in White River Junction, Vermont, is adding a masters of fine arts degree in applied cartooning that will allow students to focus on using the comics medium for journalism, medicine, business and other fields. [Valley News, press release]
Creators | With the arrival of the second issue of The Sandman: Overture, Neil Gaiman talks about the joy of writing the first series and returning for this one, why he chooses to pen a story as a comic rather than a novel, and how his process differs as well: “When I’m outlining a comic, I write down the numbers 1 to 24, and I jot down what’s happening on each page, because I have to think of things in terms of pages, and double-page spreads. In a novel, if I want to move a scene, I just cut and paste. In a novel, it’s a completely different conversation.” [CNN]
Passings | Award-winning science fiction and fantasy author Lucius Shepard, whose work included Life During Wartime and The Jaguar Hunter, passed away March 18. He was 66. Shepard ventured into comics writing on a few occasions, with the series Vermillion, part of DC Comics’ short-lived Helix imprint, and with contributions to Vertigo anthologies Gangland and Flinch. [Tor.com, BoingBoing]
Creators | American Vampire artist Rafael Albuquerque talks about the upcoming “Second Cycle” of the Vertigo series, which returns after a hiatus of more than a year. [Hero Complex]
Conventions | Rob Salkowitz, author of Comic-Con and the Business of Pop Culture, looks at the uptick in comics conventions — he pegs ticket sales at $600 million, which is 80 percent of the dollar value of the whole comics market — and discusses some recent events and trends, including the new cons that are popping up all over and the increased international interest in connvetions outside the United States. [ICv2]
Publishing | Marvel CEO Isaac Perlmutter makes the list of “10 Inspirational Leaders Who Turned Around Their Companies.” [Entrepreneur]
Creators | Colleen Coover posts the full transcript of her recent interview with Paste magazine about sexism in the comics industry. [Colleen Coover]
It looks like Marvel’s emphasis on reaching a female audience may be paying off for Ms. Marvel.
The first issue of the teenaged superhero’s series debuted last Wednesday to a chorus of critical acclaim, just one day after Marvel editor-in-Chief Axel Alonso spoke with The Washington Post about the publisher’s enhanced focus on female characters and creators — along with Ms. Marvel, new series have been launched (or will be launched) featuring female heroes Black Widow, She-Hulk, Captain Marvel and Elektra; under the “All-New Marvel NOW!” initiative. “While we don’t have any market research, the eyes don’t lie,” Alonso said in his interview. “If you go to conventions and comic book stores, more and more female readers are emerging. They are starved for content and looking for content they can relate to.”
Welcome to Best of 7, where we talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. Looks like I’m flying solo this week, so without further ado, let’s get to it …
The “Guy Card” doesn’t exist. No one can take away your masculinity however you choose to define that. So get out there and take dancing lessons or moisturize your face (note: I have no idea what would constitute the removal of a Guy Card because it doesn’t exist). In fact, there’s no such thing as a “Girl Card” either, so fail at wearing heels and makeup with impunity because no one other than yourself should have the power to call you on it. Be you, because that’s all we can be; pleasing everyone else is just way too hard.
What we do or don’t do shouldn’t be an indicator of gender, or race or sexual identity. I mean, we can make guesses, but that doesn’t tell you who you are inside, and it’s the inside that really counts, or so years of cartoon morality lessons have taught me. There’s no such thing as “not black enough” or “you act too gay to be straight,” because that says more about the person making those statements than the person they’re defining. The United States started out as just some humble little colonies trying to forge their own identity, coming to America to be themselves.
And some people want to be Carol Danvers.
WARNING: A spoiler-free review of Ms. Marvel #1 lies ahead, and I promise this is about as preachy as I’m going to get.
Legal | Daniel Curry, the actor who was seriously injured in August during a performance of the Broadway musical Spider-Man: Turn Off the Dark, has filed a lawsuit seeking unspecified damages, claiming the producers and other defendants knew a mechanical lift could be dangerous. Curry was hurt when an automated door pinned his leg; he suffered fractured legs and a fractured foot, and had to undergo surgeries and unspecified amputations. The producers have insisted the accident was caused by human error and not malfunctioning equipment. [The New York Times]
Events | Japan’s ambassador to France has expressed his country’s displeasure with a South Korean exhibit at the Angouleme International Comics Festival devoted to “comfort women” who were forced into sex slavery during World War II by the Japanese military. Ambassador Yoichi Suzuki said the exhibit, which attracted about 17,000 visitors, promotes “a mistaken point of view that further complicates relations between South Korea and Japan.” [GMA News, Yonhap News Agency]
Creators | A memorial service for Morrie Turner, pioneering creator of the Wee Pals comic strip, will be held Sunday at the Grand Ballroom at the Claremont Hotel Club and Spa in Berkeley, California. It’s open to the public. The family plans to hold a private service in February in Sacramento. [Contra Costa Times]
Since the new Ms. Marvel was announced in November as Kamala Khan, the 16-year-old daughter of Pakistani immigrants, there’s been a lot of discussion about the significance of the character, both to Muslim readers and to comics. But journalist Shehryar Warraich takes the conversation a step further, by soliciting the opinions of Pakistanis.
The United Press International article is an interesting read, as Warraich, who’s based in Lahore, Pakistan, found reactions to be largely positive, although at least one woman expressed concerns that the Marvel comic might be part of “a conspiracy to discredit Pakistani society.”
However, the vast majority of the others quoted in the piece seemed quite hopeful about the potential effect of Kamala, both on Pakistani girls and on the country’s image.
“Pakistanis will feel proud to see their girl helping people and playing a positive role,” author Mobarak Haider told UPI. “Kamala Khan is not only representing her compatriots in this role, but Muslims as a whole. Her character could have a great impact on Muslim families living in the U.S. The concept will make parents understand that by giving girls confidence, they can build a fabulous future.”
The article also provides a good opportunity to link to the Ms. Marvel production blog, which features exactly what you would expect: character designs, process pieces and the like.
Ms. Marvel #1, by G. Willow Wilson and Adrian Alphona, arrives Feb. 4.
Legal | As the dust begins to settle on the ruling last month by a federal judge that Arthur Conan Doyle’s first 50 Sherlock Holmes stories have lapsed into the public domain in the United States, out march the analyses pointing out the buts. Chief among them, of course, is the possibility of appeal by the Conan Doyle estate, which contends the characters were effectively incomplete until the author’s final story was published in the United States (the 10 stories published after Jan. 1, 1923, remain under copyright in this country until 2022).
However, Publishers Weekly notes that because U.S. District Judge Ruben Castillo didn’t rule directly on that “novel” argument, the estate may be satisfied with the ambiguity of the decision, given that uncertain creators still may seek to license the characters to steer clear of any trouble. Estate lawyer Benjamin Allison also insists that the Sherlock Holmes trademarks remain unaffected, an assertion that puzzles author and scholar Leslie Klinger, who brought the lawsuit. “There is a very good reason why the Estate did not assert trademark protection: The Estate does not own any trademarks,” he told PW. “They have applied for them, and there will be substantial opposition.” There’s more at NPR, The Independent and The Atlantic. [Publishers Weekly]
Captain Marvel and Pretty Deadly writer Kelly Sue DeConnick has been “curating” T-shirts for the site WeLoveFine.com for awhile now, donating her commissions from each sale to the Girls Leadership Institute. This week she added two new shirts, which are most likely the first licensed merchandise for Kamala Khan, a.k.a. the new Ms. Marvel who will appear in her own book in February.
“We definitely wanted to get more Kamala Khan stuff up before her first issue hits,” said WeLoveFine’s Nicole Campos. “Excitement about her has been huge, and we think fans will be really stoked to represent!”
There just has to be a better way to do this every month. Not only is seeing previews for comics three months ahead of time a little tricky to keep up with and stay hyped for (kind of like finding out your Christmas presents on Halloween and remembering to act surprised on Dec. 25), but it’s also weird in a numbering sense. I know I’ve talked about this before, but Marvel’s Tom Brevoort has been handling some questions on how new NOW! is when there’s a bunch of No. 1 issues on the horizon. Some, like the new Wolverine #1 debuting in February, aren’t even new; the title will continue with its current writer and follow up on the current storyline. When you remember that comics are internally dated months ahead of the date they actually hit the stands, it’s amazing we ever know what is going on in comics.
But back to the numbering issue: Brevoort has talked about this on his Formspring-turned Tumblr account thusly:
Marvel’s announcement last week that a Muslim teenager living in New Jersey will star in the new Ms. Marvel series is an exciting step forward in diversifying superhero comics. And even better is the involvement of writer G. Willow Wilson and editor Sana Amanat, both Muslims, which should bring an authentic voice to the title.
The move is already garnering a lot of media attention, and I expect it will pique the curiosity of a number of people who never really expected a mainstream comic book to tell a story so closely connected to their own. This isn’t the first comic book to do something like this, but it’s remarkably significant.
I’m looking forward to Ms. Marvel, and I really hope the comic finds an audience (I’m also thrilled to see artist Adrian Alphona back on an ongoing series). But there’s no doubting this title is an underdog. Marvel often struggles with keeping solo series starring women; just ask fans of She-Hulk, or Rogue, or Carol Danvers. Poor Storm can’t even get more than a miniseries every 10 years or so. DC may be able to boast Wonder Woman and a number of female-starring Batman spinoffs, but both publishers have had limited success sustaining books that star minority characters. From Black Panther to War Machine to Steel to the current Batwing, there have been valiant efforts that ultimately get canceled. And I’m hard-pressed to think of a significant Marvel or DC book starring a character whose religion was such a strong crux of the premise.