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Vertigo has produced a number of one-shots that harken back to various DC anthologies of yesterday, dusting off titles like Strange Adventures and The Unexpected and giving them a modern Vertigo flavor. The latest is Mystery in Space, which includes sci-fi stories by creators like Mike Allred, Kyle Baker, Ann Nocenti, Ming Doyle, Andy Diggle, Michael Wm. Kaluta, Ramón F. Bachs and many more.
Like most anthologies, there are hits and misses. Here are some overall opinions on the collection; if you’re curious what people thought about each individual story, I recommend heading over to the reviews by Multiversity Comics, Martin Gray or Comics Bulletin.
Martin Gray, Too Dangerous for a Girl: “Mystery in Space #1 has a beautiful cover by Ryan Sook, evoking celestial wonder. As for the rest of the book, the only wonder is that someone thought it was fit to publish as a $7.99, 80pp giant. For while the revived Silver Age one-off hosts a few decently written and drawn stories with an intriguing idea or two, much of the material proved a slog to get through.”
Jason Clyna, Broken Frontier: “Vertigo’s new Mystery in Space anthology is so much more than a loose collection of stories. Several of these unconnected tales boggle the mind, break the laws of physics, and challenge humanity’s concept of reality. Over the course of more than 70 consistently gorgeous pages, Duane Swierczynski, Michael Allred, Andy Diggle, and many more tell their own short stories that will satisfy fans of both science fiction and quality storytelling.”
It must be close to the time of the month that DC Comics releases their solicitations, as yesterday the company revealed a bunch of artistic changes to their May titles and today Vertigo posted several covers for their “new” May books. (Does this new wave of Vertigo books have a name, BTW? “The New 4″ doesn’t have the same ring to it that the “New 52″ has, but it does feel like they’re trying to push it as its own “thing.”)
Kevin posted previously about the Fairest #3 cover by Adam Hughes, and you can find the full covers for Saucer Country #3, Dominique Laveau: Voodoo Child #3 and The New Deadwardians #3 after the jump.
But wait–there’s more!
DC Comics gave Blastr details and a Mike Allred variant cover for an anthology book coming in May, Mystery in Space. You might remember their previous anthologies, The Unexpected and Strange Adventures, which respectively contained previews of Dominique Laveau and Spaceman in addition to other short stories by a variety of creators. No word yet if this one will provide a first look at a new series, but the creative line-up is impressive. It will contain stories written and drawn by Paul Pope and Mike Allred, as well as new stuff from science fiction writer Nnedi Okorafor and Michael Wm. Kaluta, Robert Rodi and Sebastian Fiumara, Ann Nocenti, Fred Harper, Andy Diggle, Davide Gianfelice, Steve Orlando, Francesco Trifogli, Ming Doyle and more. The regular cover will be drawn by Ryan Sook.
Mystery In Space #71 (1961), page 6. Carmine Infantino.
Carmine Infantino holds a rather odd position in the comic book medium’s critical consciousness. Basically, he gets talked about for all the wrong reasons. I can’t really argue that he’s under-recognized; among a readership who know the guy that first drew the yellow circle around Batman’s chest-bat but haven’t heard of Herriman he’s probably over-recognized. The reason Infantino’s legacy has lived on is that he more than perhaps any other artist in comics history was in the right place at the right time. Any one of the consummately professional journeyman cartoonists DC employed in 1956 could have been tapped to give reviving the superhero idiom a shot, but it was Infantino who stepped into that void, and it was his art that superheroes made their first steps toward industry domination on the back of.
But while that’s a nice story, and while Infantino’s art was certainly a wonderful match for the high-speed pastorals DC churned out in the early Silver Age, it’s not what makes him special. If Jack Kirby was the superhero era’s great storyteller, Infantino was its great formalist, batting out page after page of pabulum stories that nonetheless managed to make a stunningly thorough exploration of layout, space, shape, and pacing. Infantino never worked on stories that transcend their time in the same way that Kirby and Ditko’s comics of the same time do; his transcendence isn’t in the reading of his work but the studying of it, the lessons about pure craft they hold.