Naoki Urasawa Archives - Robot 6 @ Comic Book Resources

Best of 7 | Stan Sakai auctions, ‘Master Keaton’ and more

bestof7-march8

Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.

This week we focus in on some great new comics, including Veil and Afterlife with Archie, as well as the benefit auctions for Stan Sakai and his wife. Plus free comics! What’s better than that? So without further ado, let’s get to it …

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Viz Media to publish Naoki Urasawa’s ‘Master Keaton’

master keaton1

Viz Media, which has already released Naoki Urasawa’s Monster, 20th Century Boys and Pluto is North America, is adding another work to the list: the post-Cold War thriller Master Keaton.

Produced with Hokusei Katsushika and Urasawa’s frequent collaborator Takashi Nagasaki, the detective drama centers on Taichi Hiraga-Keaton, an archeology professor and former member of the British Special Air Service whose skills serve him well as a rather unorthodox insurance investigator for Lloyd’s of London.

Master Keaton was originally serialized from 1988 to 1994 in Big Comic Original magazine, and inspired a 39-episode anime.

The 12-volume manga will debut in December as part of the Viz’s deluxe Signature imprint, with each $19.99 book featuring 18 pages of full-color art. Read the full announcement below.

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Talking Comics with Tim | Nick Dragotta on ‘East of West’

Panels from "East of West" #4

Panels from “East of West” #4

There are certain artists who prove that their work only gets better with each new project and new issue. Such is the case with Nick Dragotta on East of West, his new creator-owned ongoing series with Jonathan Hickman.

I relish any opportunity to interview Dragotta, particularly in the same week that East of West 5#. His ability to lay out some spectacular action scenes continues to be a given in this Image Comics series, but I have also grown to appreciate his ability to develop distinctive architecture as well as engaging, yet more sedate, scenes.

In addition to discussing East of West, Dragotta also brought me up to date on Howtoons, which we talked about in our first interview in 2011. As the father of a kid who loves do-it-yourself activities, I appreciate the involvement of the artist and his wife Ingrid in a project that fosters fun, educational activities for children. To learn he has gotten creator favorites of mine, such as Fred Van Lente (no stranger to educational entertainment), Jeff Parker and Sandy Jarrell involved is just icing on the DIY cake.

Back to East of West, the artist and I also got a chance to (hopefully) satiate Comics Should Be Good’s Greg Burgas’ curiosity regarding the East of West creative process that he broached in a recent essay on reviewing the art in comics. In addition, Dragotta was kind enough to share an unlettered page from East of West #5 as well as unlettered pages from issues 2 and 4. With the first trade (collecting issues 1-5) set for release on Sept. 11, we also discuss its potential impact on audience growth. Full candor: Dragotta blindsided me with his Rob Liefeld fan club confession. Seriously, though, it is refreshing to see a talent such as Dragotta reveling in the opportunity to do creator-owned work.

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Viz bringing back Urasawa’s ‘Monster’ with omnibus editions

monster-v1Viz Media announced over the weekend at Otakon in Baltimore that it will bring Naoki Urasawa’s acclaimed psychological thriller Monster back into print next year a two-in-one format. Anime News Network reports the new oversized omnibus series, called Monster: The Perfect Edition, will debut in July, with a new volume released every three months.

Originally released in North America from 2006 to 2008, the 18-volume manga, Monster tells the story of a young brain surgeon who ruins his own reputation by saving the life of a boy, only for the child to grow up to become a sociopath.

The series was adapted in 2004 as an anime; HBO and Guillermo del Toro are collaborating on a live-action version.

The new omnibus treatment will cut the number of volumes in half, which each retailing for $19.99. Viz will take the same approach with Rumiko Takahashi’s martial arts/romantic comedy Ranma ½, which will go back into print beginning in March.


Comics A.M. | Digital’s role in ‘resuscitating’ comics industry

comiXology

comiXology

Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]

Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]

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Vertical asks the fans: What manga would you like to see?

Vertical Inc. is a small publisher with an eclectic line. If someone says “I don’t read manga, except for X,” X will more often than not turn out to be a Vertical book (and over half the time, it’s Osamu Tezuka’s Buddha). In addition to a long list of Tezuka titles (Ode to Kirihito, Dororo, A Message to Adolf), the company has also published some classic and modern sci-fi (To Terra, 7 Billion Needles), the wine-tasting manga Drops of God, Moyoco Anno’s geisha story Sakuran, and the cute cat manga Chi’s Sweet Home, which is probably its bestseller.

So what’s next? Vertical marketing director Ed Chavez, a former blogger himself, often teases new licenses on Twitter, but earlier this month he went further and posted a survey asking fans what titles they would like to see licensed for summer 2013 release. It’s an impressive list that includes Billy Bat, the new manga by Naoki Urasawa (Monster, Pluto, 20th Century Boys), Coppers by Natsume Ono (not simple, House of Five Leaves) and March Comes in Like a Lion by Chika Umino (Honey and Clover), as well as Usamaru Furuya’s Our Light Club, which I assume is a followup to his Lychee Light Club, previously published by Vertical.

Equally interesting is the list of the types of titles Vertical won’t consider, which gives an idea of the publisher’s editorial direction as well as the constraints under which it operates: no adult manga, doujinshi (fan comics) or webcomics; no titles released before 2000; and no manga from the publishers Shueisha or Shogakukan (the parent companies of Viz Media, which gets the lion’s share of their output) or Akita Shoten.

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Food or Comics? | Wonton soup or Womanthology

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

20th Century Boys, Volume 22

Chris Arrant

If I only had $15, I’d walk out a happy camper despite only having one book, because that book is 20th Century Boys, Vol. 22 (Viz, $12.99). While your typical American comics fan may have no idea who Naoki Urasawa is, he is in my mind undoubtedly the best cartoonist working today. Twenty-two books in and he hasn’t let up, delivering comics’ example of long-run storytelling perfection a la Sopranos. Friend is one of the most terrifying villains I’ve seen in comics in some time, and the mad assemblage of childhood pals out to stop him are some of my most treasured fictional friends.

If I had $30, I’d come back to comic stores on an American tip, starting off with Godzilla: Half Century War #2 (IDW Publishing, $3.99) by James Stokoe. I missed this when the first issue came out, but since then I’ve found it and relished its pure cartooning chaos. The first issue was an ideal debut, and I’m interested to see Stokoe take Lt. Murakami to Vietman in the ’60s for the ongoing war on Godzilla. After that I’d get the satisfying chunk, Dark Horse Presents #16 (Dark Horse, $7.99). I’ve been repeating the same praises every month, so let me try to spin it differently. This new issue, I have little idea what’s in it besides the return of Crime Doesn’t Pay; there’s a new series by Jimmy Palmiotti and Justin Gray in it I have heard nothing about, but DHP has re-built its track record of excellence and I’m fine spending $7.99 sight unseen. My final pick would be Daredevil #18 (Marvel, 2.99). Chris Samnee is quite different than the original artists on the book, but is excelling with Mark Waid in a new way — and that’s good. Instead of aping what had gone before, Samnee assuredly gives us his own style that would make any true fan of art in comics smile.

Oh ,wait, I found some money. I know, I’ll buy Memorial, Vol. 1 (IDW, $24.99). I missed this in singles, and this hardcover looks like the perfect chance to me to make up for past mistakes. These covers by Michael WM Kaluta really get my heart beating, and I’ve been wanting to read more of Chris Roberson on his own. The preview on IDW’s website gives me the impression it’s got down-to-earth personality amidst a fantasy world, and reminds me of classic supernatural fiction like A Wrinkle in Time or The Lion, the Witch and the Wardrobe.

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Comics A.M. | Sergio Toppi dies; what makes Spider-Man special

Sergio Toppi self-portrait

Passings | Italian comics artist Sergio Toppi has died at the age of 79. Most of his work seems to have been in Italian and French, but Archaia has plans to publish an English-language edition of his version of the Arabian Nights, Sharaz-De. [The Beat, Archaia]

Comics | Brian Truitt marks Spider-Man’s 50th anniversary by talking to creators from Stan Lee to Brian Michael Bendis about the 10 traits that make the web-slinger special. On a related note, Complex runs down the 50 most iconic Spider-Man images. [USA Today]

Publishing | If you’re interested in self-publishing, Todd Allen’s latest article about Ingram’s new, lower-cost color print-on-demand service is a must-read. Allen does the math for several different scenarios, in terms of format and distribution method, and boils it down into several handy charts. [Publishers Weekly]

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What Are You Reading? with Alex Zalben

Hello and welcome to What Are You Reading? Our special guest this week is Alex Zalben, who blogs about comics for MTV Geek and has written a few himself–including the webcomic Detective Honeybear.

To see what Alex and the Robot 6 crew have been reading lately, click below.

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Previews: What Looks Good for October

It’s time once again for our monthly trip through Previews looking for cool, new comics. Michael, Graeme, and Chris Arrant have each picked the five new comics we’re most anticipating in order to create a Top 15 of the best new comics coming out two months from now.

As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.

The Golden Age of DC Comics: 1935-1956

Graeme McMillan

The Golden Age of DC Comics: 1935-1956 HC (Taschen, $59.95): If you were as jealous of everyone who could afford the mammoth 75 Years of DC Comics: The Art of Modern Myth-Making from a couple of years ago as I was, here’s some great news; Taschen is reissuing the material in a series of different (cheaper) volumes, reworked and expanded with new art and commentary by Paul Levitz. The next in the series, covering the Silver Age, is the one I’ll really covet, but you know that this will be awesome.

Julio’s Day HC (Fantagraphics Books, $19.99): Continuing my education in all things Love and Rockets, this never-collected Gilbert Hernandez strip from the second series of L&R is one of those things that goes on my “Want” list almost as soon as I discovered it existed.

Multiple Warheads: Alphabet to Infinity #1 (of 4) (Image Comics, $3.99): I’ve been waiting for more Multiple Warheads since Oni Press put out the first issue a few years back. Now that I know it’s 48 pages for just $3.99 and in color, it seems worth the wait. Brandon Graham is an amazing talent.

Sailor Twain HC (First Second, $24.99): I dropped off Mark Siegel’s amazing webcomic online fairly early, promising myself that I’d get the inevitable collected edition when it was all done and read it in one sitting. I’m glad it’s finally here.

The Zaucer of Zilk #1 (of 2) (IDW Publishing, $3.99): Without doubt, my favorite superhero comic in years – I read it in its 2000AD incarnation – I am overjoyed to see this get a US release like this. Hopefully, everyone will read it and realize just how great Brendan McCarthy and Al Ewing are, leading to all manner of zequels (sorry, I couldn’t resist).

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Food or Comics | 20th Century Boysenberries

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Sakuran, Volume 1

Chris Mautner

If I had $15, the third issue of Batman Inc. would be a must for me this week [after Chris turned in his picks, DC announced that the issue will be delayed until next month], especially since it features the return of Matches Malone, a character I wasn’t even aware I missed until now. I might also spring for the first issue of Axe Cop: President of the World, a new limited series featuring the hatchet-swinging lawman.

I read very little manga by Moyoco Anno, but what I have read has impressed me and what I’ve read about her has made me want to seek more of her work out. So with $30, I’d almost certainly nab Sakuran, Vol. 1, about a high-priced courtesan/geisha looking to escape her gilded cage.

If I really, really wanted to splurge, I’d plunk $125 down for the second printing of the Wally Wood EC Stories Artist Edition from IDW, of which I’ve only heard wonderful things. If my splurging had to be a little budget-friendly, and I was in a more academic mood, I’d at least flip through Cerebus: The Barbarian Messiah, a collection of critical essays on Dave Sim’s controversial opus.

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20th Century Boys creator Naoki Urasawa to rock Japan Expo

Kenji Endo

Naoki Urasawa’s 20th Century Boys is soaked in rock music, so it’s no surprise that Urasawa himself is not only a fan but a musician; he talks a bit about his music in this interview, saying modestly, “I didn’t notice this myself, but Koji Wakui says that I have sound that’s a little like Neil Young.”

You can judge for yourself from this obviously bootleg video (see below) of Urasawa performing in concert. In fact, the creator of Monster, 20th Century Boys and the greatest manga of all time, Pluto, is a pretty serious rocker in his spare time, and he released an album, Half Century Man, a couple of years ago. His best-known song is “Bob Lennon,” which was written by his fictional character Kenji Endo in 20th Century Boys.

And now Urasawa is taking his act on the road: The French site Japan Journal reports that Urasawa will be a featured guest at the French anime and manga event Japan Expo, and not only will he speak to fans and sign autographs, he will also perform a concert, backed by J-Rock band Hemenway. Urasawa has performed in clubs in Japan, but this looks like his first gig outside the country.

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Food or Comics? | Pete and mirliton

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

The Amazing Spider-Man: Hooky

Chris Arrant

If I had $15, I’d first snap up a book I’ve been trying to track down for years: Amazing Spider-Man: Hooky (Marvel, $4.99). This 1986 lost classic features Bernie Wrightson drawing a webhead story featuring monsters and alternate worlds – looks like a real gem. Now to convince Marvel to republish John Paul Leon’s Logan: Path of the Warlord… Next up would be Secret Service #1 (Marvel/Icon, $2.99). I’ll buy pretty much anything Dave Gibbons puts out these days, and seeing him with Mark Millar is bound to be a unique experience. Next up is Saga #2 (Image, $2.99); Brian K. Vaughn is really setting up a world – like a sci-fi sitcom here, with loads of direction to go in. Lastly I’d get Conan the Barbarian #3 (Dark Horse, $3.50). Can I admit I might like this more than Northlanders? Brian Wood’s definitely expanding how people think of him with this story, and Becky Cloonan is making a lot of editors look foolish for not putting her on these kinds of books sooner.

If I had $30, I’d start out with Secret #1 (Image, $3.50). Manhattan Projects seems more up my alley than this story, but Jonathan Hickman’s built up some credit in me to try anything new he puts out even if I’m not too interested. Next up would be Northlanders #50 (DC/Vertigo, $2.99), which I’m sad to see go. I think this will be one of those series that achieves more popularity after it’s over, and it’s a shame DC can’t find a way to continue it. After that it would be Glory #25 (Image, $2.99). I was a bit shaky on the story after Joe Keatinge’s first issue, but everything after has really put the pieces into place and Ross Campbell seems to be finding his footing to really land the superheroics of this story. Last up would be Secret Avengers #25 (Marvel, $3.99); Rick Remender’s clearly put his own spin to this series, so much I’m surprised Marvel didn’t use this as a chance to renumber the series… but I’m glad they didn’t.

If I could splurge, I’d throw money at my comic retailer for Pete and Miriam (Boom!, $14.99). Big fan of Rich Tommaso, and he seems to be honing his craft like a knife, creating more pointed and poignant stories here. And Miriam, she’s a real gem.

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Comics A.M. | Viz names new CEO; what happened to comic ads?

Ken Sasaki

Publishing | Viz Media announced that Ken Sasaki, formerly the senior vice president and general manager of the manga and anime publisher, will take over from Hidemi Fukuhara as president and CEO. Fukuhara is being promoted to vice chairman, which apparently involves little of the day-to-day management of the company. [Crunchyroll]

Publishing | Johanna Draper Carlson counts the pages in some recent DC and Marvel comics and finds lots of house ads — and very few paying ones. This raises the chicken-and-egg question of whether the comics publishers are losing interest in selling ads or the advertisers are losing interest in buying them. [Comics Worth Reading]

Digital | Nerdist Industries’ CEO Peter Levin has joined comiXology’s advisory board. [comiXology]

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Food or Comics? | Arroz con Archaia

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

20th Century Boys, Volume 18

Chris Arrant

If I only had $15, I would only be buying one title this week: 20th Century Boys, Vol. 18 (Viz, $12.99). Sorry Americanos, but Naoki Urasawa is delivering a gripping, sprawling drama that most other books can’t live up to. Wait, I’m wrong – I’d buy two comics with a $15 budget this week; I’d snag the $1 The Strain #1 (Dark Horse, $1) for the price point and Mike Huddleston. I’ve read the novels, but for $1 I can’t miss sampling at least the first issue.

If I had $30, I’d be thankful to double-back and first get Uncanny X-Force #18 (Marvel, $3.99). This issue, the finale of the “Dark Angel Saga,” has been a long time coming and I’m excited for the writing, the art and the story itself; and I can’t forget colorist Dean White, sheesh he’s good. After that I’d pick up my usual Walking Dead #92 (Image, $2.99) and then try Ed McGuinness’ new work in Avengers: X-Sanction #1 (Marvel, $3.99). I’m a big fan of McG’s work, but also realize just how different he is than the standard Marvel (or mainstream super-hero) artist in general. I’ve loved his storytelling sense since Mr. Majestic, and will pick up most any of his work without knowing much about the book itself. Next up would be James Robinson & Cully Hamner’s The Shade #3 (DC, $2.99). I’m surprised DC hasn’t done more marketing for this book, especially considering it’s a character who’s never held a series before; they’ve done little-to-any marketing to define just who the character is, relying on his ties to a lesser-selling series that ended ten years ago (no matter how good it was). Getting off my soapbox: those that have been reading The Shade know it’s good. After that I’d round it off with the best looking comic on shelves, Batwoman #4 (DC, $2.99).

If I was to splurge, I’d double-up my J.H Williams 3 fix with the final volume of Absolute Promethea (DC/ABC, $99.99). Although I already own these issues in singles, getting it over-sized and in hardcover is a treat. I’m hoping it also includes some production art or process sketches – I’m a nut for that.

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