EXCL. PREVIEW: "All-New X-Men" #41 Takes the Fight to the Utopians
Billed as “a line that puts together fashion and cosplay passion,” Sì: Sartoria Creativa draws inspiration from manga and anime for its OTAKool clothes. As the Etsy page suggests, they’re essentially everyday wear for otaku.
While the Totoro hoodie is undoubtedly the crowd-pleaser, there’s something to be said for the understated Naruto Shippuden zip-up sweatshirt, and the four detailed Evangelion pieces.
Naruto creator Masashi Kishimoto will make his first-ever appearance outside of Japan in October at New York Comic Con and New York Super Week.
Kishimoto, who concluded the bestselling manga in November after 15 years, will participate in two convention panels (on Thursday, Oct. 28, and Saturday, Oct. 10), and multiple autograph sessions at Kinokuniya Bookstore and Barnes & Noble as part of New York Super Week.
That means English-language readers will get the story the same day as those in Japan, although in a different format, as Viz’s Shonen Jump is digital-only.
One of the top-selling manga in the United States for many years, the original series ended in November. However, Kishimoto said he had more Naruto stories to tell before moving on to a different series.
Outside of, say, Fun Home, Annie, Lil Abner and You’re a Good Man, Charlie Brown, American comics don’t have a great history of stage adaptations (let’s not even mention Spider-Man: Turn Off the Dark). However, it’s another matter entirely in Japan, where plays based on popular manga are fairly common.
It should come as no surprise then that Naruto, one of the bestselling series in history, has debuted as a musical. Appropriately titled Live Spectacle Naruto, the production has released a new 30-second promo spot, featuring the song “Hikari Oikakete” (“Chasing the Light”) by Flow. It certainly appears faithful to Masashi Kishimoto’s manga and the subsequent anime; it actually looks fun.
The first illustrations have surfaced for Naruto Spinoff: The Seventh Hokage and the Scarlet Spring Month, the miniseries by Masashi Kishimoto debuting in the April 27 issue of Weekly Shonen Jump.
Posted on Comic Natalie, the character designs depict Naruto’s son and Sasuke’s daughter Boruto (Bolt) and Sarada (Salad), who appeared in the final chapter of Naruto, as well as Naruto himself. Kishimoto concluded his fantasy-adventure epic in November after 15 years.
Retailing | The driver died early Sunday after crashing a car into Mile High Comics’ Jason Street “mega store” in Denver. There were no passengers, and no one was in the store at the time of the accident. [CBS Denver]
Manga | Masashi Kishimoto’s Naruto ended its weekly serialization in Shonen Jump magazine in November, but a spinoff miniseries, Naruto Gaiden: Nanadaime Hokage to Akairo no Hanatsuzuki (Naruto Spinoff: The Seventh Hokage and the Scarlet Spring Month), will launch in the April 27 issue of Japanese Shonen Jump. The magazine teases, “”Urgent News: The story enters a new generation …” [Anime News Network]
Publishing | The French satire magazine Charlie Hebdo was teetering on the edge of bankruptcy before armed gunmen attacked its offices last month, but the outpouring of support that followed has changed the financial picture: The first issue after the attack sold millions of copies, 250,000 new subscribers signed up, and the paper even received more than $4.5 million in donations. The flush of wealth is causing dissension among the staff, Sam Schechner reports, with some arguing that the publication should become a cooperative. At the same time, they’re discussing how Charlie Hebdo will keep its edge under the new circumstances. A new issue, the second since the attacks, is out on newsstands today. [The Wall Street Journal]
Christopher C. Cowan and Haile Lee, aka Epic Rival, have debuted a live-action Naruto Shippuden short film called “Dance of War” that sees Tenten and Neji put their skills to the test.
While the cinematography (by Cowan) and choreography (by Brendon Huor) are pretty impressive, it’s the special effects — high quality for a fan project — that really deliver in this nearly eight-minute short.
Japanese publisher Shueisha has debuted the first two television spots for “Naruto Ten,” the upcoming exhibition celebrating the conclusion of conclusion of Masashi Kishimoto’s hit manga series.
The commercials, featuring images from the long-running fantasy adventure and original music by the Yoshida Brothers, advertise that tickets are available for preorder for the exhibition, which includes more than 150 pages of original art.
Manga | The 72nd and final volume of Masashi Kishimoto’s Naruto, released in Japan on Feb. 4, topped the weekly sales charts, with 874,120 volumes sold in its first week. [Crunchyroll]
Conventions | With 10 fan conventions coming to Indianapolis this year, David Lindquist takes a look at the business of comics-themed entertainment, with interviews with Wizard World CEO John Macaluso and Comic-Con and the Business of Pop Culture author Rob Salkowitz. [Indianapolis Star]
Conventions | It looks as if Wizard World’s convention won’t be returning to San Antonio, Texas, in 2015. A Wizard World spokesman said the company couldn’t come up with a date that fit the schedule of the city’s Henry B. Gomez Convention Center, adding, “We hope to revisit the possibility for 2016.” However, reporter Rene Guzman notes that San Antonio’s Alamo City Comic Con was a much bigger deal this year, in terms of the exhibit floor (it took up three exhibit halls of the convention center, compared to Wizards’ one) and probably attendance as well: Wizard World said its inaugural event in August drew “thousands,” and Alamo City had 73,000 attendees, almost twice as many as last year. There will be a Wizard World Austin conventionn in 2015, so anyone wanting a taste of that Wizard magic can find it a short road trip away. [San Antonio Express News]
Creators | In an interview to be published in Japan next Friday, Naruto creator Masashi Kishimoto says he plans to spend some time with his wife and child, and take a long-delayed honeymoon, before starting his next series. And as he is about to turn 40, he hints that he may not be up for another weekly series. [Anime News Network]
Comic strips | The first color Sunday funnies appeared on Nov. 18, 1894, in Joseph Pulitzer’s New York World. David Shedden observes the 120th anniversary of this innovation with a look back at some popular comic strips and footage of New York Mayor Fiorello LaGuardia reading the funnies over the radio during the newspaper strike of 1945. [Poynter]
Manga | There are 200 million volumes of Naruto in print worldwide as of September, according to a press release from Japan’s Fuji TV, which on Dec. 13 will feature an interview with creator Masashi Kishimoto. The two-part conclusion of the hit manga will appear today in Weekly Shonen Jump magazine; the 71st volume of the series was published last week in Japan. [Anime News Network]
Digital comics | Manga publisher Vertical Inc. announced this weekend that it has acquired the digital rights to all the manga it has published by Osamu Tezuka, including Buddha and Black Jack. [Anime News Network]
Creators | Michael Cavna talks with Calvin and Hobbes creator Bill Watterson about his just-released poster for the Angoulême International Comics Festival and his other recent public projects. [Comic Riffs]
Manga | Masashi Kishimoto’s Naruto comes to an end in next week’s issue of Shonen Jump, but it’s not going away. Already side projects are popping up, including a miniseries that will launch in the spring, marking the 15th anniversary of the manga, and a series of novels about the different characters in the franchise. It all seems to be part of something bigger, the “Naruto Shin Jidai Kaimaku Project” (Naruto‘s New Era Opening Project), and the official Naruto website has a countdown to an announcement on Monday. [Anime News Network]
Digital comics | Tom Spurgeon talks to comiXology’s Chip Mosher about the comiXology Submit program, which is tailored for small publishers and self-published work. To prepare for the interview, Spurgeon gathered questions from creators at the Small Press Expo (which comiXology co-sponsored), and he talks to Mosher about the nuts and bolts of the Submit program, including payments, processing and the willingness to handle unusual formats. “We’ve had people sell thousands of copies and we’ve had people sell one or two copies,” Mosher says. “People have told me they’ve paid their rent with money from Submit. Or they were able to work on more comics with the money they made from Submit. It’s great to offer our customers such diverse comics from the program and at the same time be able to support the creation of more diverse work.” [The Comics Reporter]