C2E2: Marvel Ventures Into "Secret Wars'" "Warzones"
More than 500 volumes of such top-selling manga as One Piece, Naruto and Death Note debuted today on comiXology as part of a new North American distribution agreement with Viz Media.
The publisher, which already had its own self-contained app for multiple platforms, brought its digital catalog to the Amazon Kindle in October; just days later, comiXology announced a deal to distribute titles from Viz Media Europe and its subsidiary Kazé to French-speaking European countries. Amazon purchased comiXology in April.
Retailing | While Captain America: The Winter Soldier Ultimate Collection cracked Nielsen BookScan’s Top 20 graphic novels sold in bookstores, making it the first Marvel or DC Comics release since January to do so, the April chart was again dominated by three familiar titles: The Walking Dead, Attack on Titan and Saga, which claimed a combined 13 spots. The horror series by Robert Kirkman, Tony Moore and Charlie Adlard led the trio with six volumes, followed by Hajime Isayama’s dystopian fantasy with four, and Brian K. Vaughan and Fiona Staples’ space opera with three. The 36th volume of Masashi Kishimoto’s hit manga Naruto was No. 1 in April. [ICv2.com]
Events | On the eve of the 11th Toronto Comic Arts Festival, The Japan Times looks at both the growing presence of manga, and Dork Shelf talks with festival director Christopher Butcher about its Comics vs. Games 3 showcase. Meanwhile, the National Post is running a series of conversations between artists attending TCAF, beginning with Georgia Webber and Seo Kim, and Réal Godbout and Nick Abadzis. You can read more of its festival coverage here. [Toronto Comic Arts Festival]
Viz Media has partnered with Japanese manufacturer Gecco to release a limited-edition Naruto Shippuden figure at Comic-Con International. The exclusive 1/6-scale PVC statute will be available July 23-27 exclusively at the publisher’s booth (#2813).
Priced at $150, the 27-centimeter-tall figure is crafted by acclaimed Gecco sculptor/painter Shin Tanabe.
Created by Masashi Kishimoto, Naruto debuted in 1999 in Weekly Shonen Jump, and quickly became a global sensation, appearing in anime, light novels, video games and across a host of merchandising tie-ins.
Viz Media has posted a video from December’s Jump Festa expo of Masashi Kishimoto knocking out a sketch of his world-famous creation Naruto Uzumaki with a big Sharpee.
The 39-year-old artist recently announced that Naruto, which has sold more than 126.5 million volumes in Japan alone since its debut in 1999, is “in its final phase.”
I’ve always disliked fireworks, an aversion I blame on a crippling childhood fear that they would rain down on me like the white-hot fire of a sparkler. That said, I might be convinced to change my mind about them if there were more manga-themed pyrotechnic displays like the one held Thursday in Japan’s Kanagawa Prefecture.
At Kotaku, Brian Ashcroft writes that Shonen Jump held its own fireworks celebration at a summer festival, with the focus on many of its own hit properties, like One Piece, Naruto, Dragon Ball and Gintama. Judging from the photos, and the video below, Luffy’s hat was definitely my favorite. You can see many more images at Kotaku.
Retailing | Naruto topped the May BookScan chart of graphic novels sold in bookstores, followed by two volumes of The Walking Dead, the latest volume of Sailor Moon, and Yen Press’ latest Twilight adaptation New Moon. Just three volumes total of The Walking Dead made the Top 20 (down from eight last month), and as usual, DC and Marvel got clobbered: DC had three titles on the list (two volumes of Court of Owls and Watchmen) while Marvel had one (Hawkeye), and none was above No. 15. Or to put it another way: Vol. 14 of Dance in the Vampire Bund, a high-numbered volume in a fairly niche manga series, placed higher than every Big Two book on BookScan last month. [ICv2]
Creators | With the second issue of their digital-only comic The Private Eye recently released, writer Brian K. Vaughan and artist Marcos Martin talk about their story, why they decided to do it digitally, and what the response has been so far. [The Verge]
Graphic novels | Two volumes of The Walking Dead Compendium topped BookScan’s list of the Top 20 graphic novels sold in bookstores in March, and Vol. 60 of Naruto was No. 3, but ICv2 thinks the new Avatar: The Next Airbender graphic novel premiering at No. 4 is headline-worthy. [ICv2]
Awards | With his duties complete, Charles Hatfield describes what it was like to be an Eisner judge. [See Hatfield]
Creators | Gilbert Hernandez talks about his childhood and that influences, from Dennis the Menace to Steve Ditko, that shaped his latest graphic novel, Marble Season. [The Chicago Tribune]
According to Anime News Network, the park will cover 1.52 acres on the third floor of the Sunshine City World Import Mart Building in Tokyo’s Ikebukuro commercial and entertainment district. The building already houses Namco’s Namja Town indoor park, which features themed dining, carnival-style games and a haunted house.
Although the new park’s name hasn’t been revealed, a floor plan (below) offers a preview of its features: separate areas devoted to Dragon Ball Z, Naruto and One Piece, a “Heroes’ Arena” with a rotating theme and roster of properties, food sections, and licensed merchandise shops.
Namco, best known as a video-game developer and publisher, will be the main operator of the theme park, which will be developed with the help of Weekly Shonen Jump editors. Anime studios Toei Animation and Pierrot also will be involved.
Several Japanese resorts and amusement parks already have attractions devoted to Naruto and One Piece, and an unlicensed One Piece theme park reportedly is being built on 329 acres in China.
Publishing | DC Comics’ Batman: Earth One, by Geoff Johns and Gary Frank, topped the Nielsen BookScan list of graphic novels sold in bookstores in July, one of five Batman books to populate the Top 20. The remainder of the chart was dominated by manga — five spots, with the newest volumes of Sailor Moon and Naruto claiming Nos. 2 and 3 — The Walking Dead — three volumes, with the latest slipping from No. 1 to No. 4 — and Dark Horse’s two Avatar: The Last Airbender books, by Gene Luen Yang, both of which remain in the Top 10. [ICv2]
Publishing | Archaia CEO PJ Bickett talks about some new planned digital products and the current Archaia strategy for its books: “As of right now for 2012 we’ve really focused on some key titles and in building those out as real brands. In the past we’ve taken more of a throwing it out there and hoping for the best [approach] and now we’re taking a more strategic, targeted and strategic approach. We’re seeing a lot of great efforts as a result of it.” [ICv2]
Creators | Longtime Uncanny X-Men writer Chris Claremont is donating his archives to Columbia University’s Rare Book and Manuscript Library. The collection includes materials for all of his major writing projects over the past 40 years, notebooks with story ideas, drafts of short stories, plays, novels and comic books, and materials from his early training in the theater and his career as an actor. “We hope this is the first of more comics papers to come to the University,” said Karen Green, Columbia University’s ancient/medieval studies librarian and graphic novel librarian. “We want it to be a magnet for these kinds of archives in New York City, where the comics medium was born.” [Publishers Weekly]
Creators | Michael Cavna talks to two comics creators with very different takes on Occupy Wall Street, sequential journalist Susie Cagle, who was arrested as part of the Occupy Oakland protests, and conservative editorial cartoonist Nate Beeler, who walks past the Occupy D.C. site every day and regards it as “quaint,” smelly, and out of step with the rest of the country.” [Comic Riffs]
Retailing | Although the 14th volume of The Walking Dead wasn’t released until June 21, it still managed to secure the No. 2 spot on BookScan’s list of graphic novels sold in bookstores that month, behind the 51st volume of Naruto. It’s the ninth consecutive month that at least one volume of the horror series has appeared in the BookScan Top 20, a run that began as marketing geared up for the AMC television adaptation. [ICv2.com]
Publishing | Darwyn Cooke has announced that the release of Parker: The Martini Edition will be postponed for a few months, and takes full responsibility for the delay. The book is now scheduled to debut at the Long Beach Comic Con in October [Almost Darwyn Cooke’s Blog]
Publishing | John Jackson Miller looks at the history of comics numbering, which he traces back to dime novels of the 19th and early 20th centuries: “Comics are anomalous in American magazine publishing because most comics don’t use volume numbers and issue numbers that roll over ever year; rather, the numbers keep on going. In that, our numbering is much like that used for the cheap, disposable fiction of the earlier days.” [The Comichron]
Broadway | Michael Cohl and Jeremiah Harris, producers of the troubled Spider-Man: Turn Off the Dark, talk candidly about the $70-million musical — or “$65 plus plus,” as Cohl says — as it shuts down for more than three weeks for a sweeping overhaul. Will the production, plagued by delays, technical mishaps, injuries and negative reviews, hurt their reputation? “It might,” Cohl concedes. “It’s a matter of the respect of those whose opinions I care about. Most will recognize that Jere and I stepped in dog poo and are trying to clean it up and pull off a miracle. We might not.”
In related news, Christopher Tierney, the actor who was seriously injured on Dec. 20 after plummeting 30 feet during a performance, will rejoin rehearsals on Monday. [Bloomberg, The Hollywood Reporter]
Publishing | With the release today in Japan of the 60th volume of One Piece, 200 million copies of Eiichiro Oda’s hit comedy-adventure will have been published. What’s more, this volume’s 3.4 million copies will break the record set by the previous volume. As of late August, One Piece had sold 20 million copies in 2010 alone — four times that of Naruto, the second-highest selling manga. On a related note, a 35-year-old Japanese man was arrested for copyright violation for allegedly distributing four manga, including the 59th volume of One Piece, online. [Japanator, The Mainichi Daily News]
Crime | Six people accused in the July robbery of a 77-year-old New York comics collector who died of a heart attack hours later could be charged with murder if police can link the crime to his death. [Democrat and Chronicle]
Conventions | Wizard Entertainment CEO Gareb Shamus announced he has acquired the two-year-old NOLA Comic-Con, which will become part of the Jan. 29-30 Wizard World New Orleans Comic Con. [press release]
Manga publishers have been late to the digital media party, but that’s changing fast: Today Viz Media announced its own iPad app, making it the second publisher, after Yen Press, to go digital.
Viz is basically the American arm of a Japanese company — it is co-owned by the Japanese publishers Shueisha and Shogakukan and their licensing unit Shogakukan Productions — and publishes some of the best-selling manga in the U.S., including the monster seller Naruto, so this is a significant move.
The Viz app is proprietary, as opposed to the Marvel and DC apps, which are adaptations of Comics by comiXology, and it’s iPad-only — there is no iPhone version. The app is free, and Viz is offering a free download of the first volume of Death Note for a limited time.
After that, you’ll pay. The initial lineup for the app is the first two volumes of Bleach, Death Note, Dragon Ball, Naruto and One Piece, priced at $4.99 each. That’s a good deal compared to single-issue comics, but not so far off the original prices of the manga; list price at the Viz store is $7.95 for the first 45 volumes of Naruto (and $9.99 after that), so for early volumes you’re only getting a $3 discount for buying digital. And let’s face it, Viz has already covered its costs on volumes 1 and 2 of Naruto. However, the iPad app solves a significant problem for a series that runs over 45 volumes: shelf space. It’s not so easy to find a random volume of One Piece in the bookstore, but it’s always retrievable electronically.
The French writer Xavier Guilbert has written an interesting editorial on scanlations at the zine du9, in which he questions the now-conventional wisdom that because the rise of scan sites corresponded with the fall of the manga market, the two are interrelated. He makes some good arguments, and I strongly recommend that you go read his piece.
It’s easy to draw a line from bootleggers making a product easily available for free to the sales of that product declining, but that was always an oversimplification. There are plenty of other reasons why manga sales are down, a weak economy being chief among them. It’s also worth noting that a lot of manga publishers were small outfits operating in a new environment, and several have failed despite, not because of, strong consumer demand for their product (ADV, DramaQueen, Go!Comi, I’m looking at you).
So the key question is, will shutting down the scan sites increase the sales of manga? Looking at the content of the scan sites and the comments in their forums, I am seeing four types of readers: