Marvel's "Luke Cage" Casts Its Misty Knight
Digital Comics, TV
Right now, you can read two great new comics by respected creators online — provided you can read their languages.
Did you take French in college? Then head to Guy Delisle’s blog, where you can enjoy the goofy humor of Le guide du mauvais père (roughly, “Guide for the bad dad”). You really don’t have to be briefed in the particulars of the perfect tense, or even too well acquainted with Dr. and Mrs. Vandertramp, to enjoy these comics; the language is straightforward and the visuals do a lot of the heavy lifting, at least in the strips I read. (Click each of the cartoons on the linked page to get a short story.)
Hello and welcome to What Are You Reading?, where we regularly talk about the comics we’ve been reading lately. Our special guest today is homebrewing enthusiast and first-time publisher Joshua Henaman. He’s the creator of Bigfoot – Sword of the Earthman, a sword, sorcery and Sasquatch epic self-published under the Brewhouse Comics banner with art duties by Andy Taylor. It’s available in select stores and via online ordering at www.bigfootcomic.com.
To see what Joshua and the Robot 6 crew have been reading, click below.
Happy Veterans Day and welcome to What Are You Reading?, our weekly look at the comics, books and other things we’ve been perusing of late. Today our special guest is Brady Sullivan, the writer of Death Springs, a free weekly webcomic with artist JC Grande (Image’s Johnny Monster). He also has several print projects currently out or hitting the shelves soon, including the recently released action/satire Revolution Aisle 9.
To see what Brady and the Robot 6 crew have been reading, click below …
Vertical Inc. is a small publisher with an eclectic line. If someone says “I don’t read manga, except for X,” X will more often than not turn out to be a Vertical book (and over half the time, it’s Osamu Tezuka’s Buddha). In addition to a long list of Tezuka titles (Ode to Kirihito, Dororo, A Message to Adolf), the company has also published some classic and modern sci-fi (To Terra, 7 Billion Needles), the wine-tasting manga Drops of God, Moyoco Anno’s geisha story Sakuran, and the cute cat manga Chi’s Sweet Home, which is probably its bestseller.
So what’s next? Vertical marketing director Ed Chavez, a former blogger himself, often teases new licenses on Twitter, but earlier this month he went further and posted a survey asking fans what titles they would like to see licensed for summer 2013 release. It’s an impressive list that includes Billy Bat, the new manga by Naoki Urasawa (Monster, Pluto, 20th Century Boys), Coppers by Natsume Ono (not simple, House of Five Leaves) and March Comes in Like a Lion by Chika Umino (Honey and Clover), as well as Usamaru Furuya’s Our Light Club, which I assume is a followup to his Lychee Light Club, previously published by Vertical.
Equally interesting is the list of the types of titles Vertical won’t consider, which gives an idea of the publisher’s editorial direction as well as the constraints under which it operates: no adult manga, doujinshi (fan comics) or webcomics; no titles released before 2000; and no manga from the publishers Shueisha or Shogakukan (the parent companies of Viz Media, which gets the lion’s share of their output) or Akita Shoten.
It’s time once again for our monthly trip through Previews looking for cool, new comics — now with 100 percent more JK Parkin! Michael May, Graeme McMillan, Chris Arrant and JK have each picked the five comics they’re most anticipating in order to create a Top 20 (or so; we overlap sometimes) of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
47 Ronin #1 (Dark Horse, $3.99): Mike Richardson, Dark Horse’s head honcho, teams with Usagi Yojimbo creator Stan Sakai to retell the story of the 47 ronin who avenged their master after he was forced to commit ritual suicide for assaulting a court official. It will be both very cool and a little odd to see Sakai drawing samurai that aren’t anthropomorphic animals and aren’t in black and white (the book’s full color), but I’ve always admired his clean style. As an added bonus, Kazuo Koike of Lone Wolf and Cub fame consulted on the project, so this should be a treat.
Great Pacific #1 (Image Comics, $2.99): Joe Harris and Martin Morazzo have come up with a book that I just love the high concept behind: the heir to one of America’s most successful oil companies moves to the infamous Great Pacific Garbage Patch and declares it a sovereign country. He then fights giant sea monsters, based on the preview art that’s been released, which is an added bonus.
Marvel NOW!: This might be cheating, but Marvel has 10 new comics debuting in November under the Marvel NOW! banner. Mark Waid on Hulk? John Romita on Captain America? Matt Fraction writing Fantastic Four and FF? Jonathan Hickman on Avengers? Yeah, I’ll just lump all these together and hope no one notices I’m gaming the system here …
Walt Disney’s Donald Duck: A Christmas for Shacktown: Fantagraphics continues its series of high-end collections of the best of Carl Barks’ duck stories, with the Christmas-themed third volume arriving just in time to be stuffed in somebody’s stocking.
Retrovirus (Image Comics, $16.99): Jimmy Palmiotti and Justin Gray’s latest graphic novel, drawn by Norberto Fernandez, is about a research scientist who specializes in viruses heading to Antarctica to examine a perfectly preserved caveman. I’m a fan of Palmiotti and Gray’s work together, from Jonah Hex to The Monolith (which gets the collection treatment in November), and this one sounds like it could be a lot of fun.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
What’s that, you say? Paul Grist’s new Mudman series starts this week (#1, Image Comics, $3.50)? Well, that’s how I’m starting my $15 haul this week. While I’m at it, let’s add Avengers Origins: Luke Cage #1 (Marvel, $3.99) and Kirby Genesis: Captain Victory #1 (Dynamite, $3.99), before finishing up with the third issue of Wonder Woman (DC, $2.99) for a superheroic week that goes from the earth to the gods, with some blaxploitation and aliens thrown in the middle for flavor.
DC would dominate the other half of my budget if I had $30. I’d be grabbing the third issues of Green Lantern Corps, Justice League and Supergirl ($2.99 each, except Justice League for $3.99), but I’m surprising myself as much as anyone else by grabbing The Bionic Man #4 (Dynamite, $3.99) for my final pick – I read the first three issues in a bunch this weekend and really enjoyed the book to date much more than I’d been expecting.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15: It would be tough. For one thing, DC has three books for $5 or more each that I’m interested in — the last issues of Justice League Generation Lost and Brightest Day, as well as Action Comics #900. If I bought all three, well … I couldn’t buy all three, at least not for $15. I stopped reading Brightest Day several issues ago, so I’m more curious about the return of a certain character to the DCU proper than anything. And I’ll probably hold off on Action as well, at least for now. But Justice League Generation Lost‘s final issue ($4.99) would be at the top of my buy list for sure.
Even as rescue operations continue and officials scramble to avert a nuclear disaster in the wake of the earthquake and tsunami that hit Japan on Friday, some manga artists are reaching out to their fans with a message of hope.
Takehiko Inoue, the creator of Vagabond and Slam Dunk, has been posting pictures of ordinary Japanese people smiling with the Twitter hashtags #prayforjapan and #tsunami, as a sort of prayer. Shoujo manga creator Arina Tanemura (Kamikaze Kaito Jeanne, The Gentlemen’s Alliance Cross) also drew one of her characters with a big smile. Akira Toriyama (Dragon Ball) posted a lively drawing with a message of support on the Shonen Jump website. And Itou Noizi, who illustrated the Melancholy of Haruhi Suzumiya light novels, has drawn a picture of Haruhi in prayer.
A number of well-known creators, including Naoki Urasawa (Pluto, 20th Century Boys), Natsume Ono (House of Five Leaves) and Kanata Konami (Chi’s Sweet Home) have posted drawings and messages of encouragement at the website of Kodansha’s Morning magazine. Anime News Network has a full list of contributors in English.
Here’s yet another reason to go to Toronto in May: Manga creator Natsume Ono will be a special guest at this year’s Toronto Comic Arts Festival.
Ono creates beautiful, moody manga for adults, as far as you can get from the boobs-and-battles stories that dominate the medium in this country; you can read several chapters of her tale of a skilled but shy swordsman, House of Five Leaves, and the first chapter of the modern drama not simple at Viz’s SigIKKI website. Viz has also published Ono’s Ristorante Paradiso, the story of a woman who goes to work at her mother’s restaurant, seeking revenge for being abandoned as a child, and instead falls in love with the staff of charming, bespectacled men, and the sequel, Gente.
Ono, who is making her first appearance in North America, joins a stellar lineup that includes Chris Ware, Jillian Tamaki, Mawil, and Adrian Tomine, and organizer Christopher Butcher thinks she will be a good fit, noting, “fantastic work fits squarely into the ‘art comix’ idiom that’s at the core of the Festival.”