SDCC: New "Star Trek" Series Gets Full Title, First Teaser Released
Writer Matt Fraction appeared last night on NBC’s Late Night with Seth Meyers, where he offered sex advice from Just the Tips, the book he co-authored with his Sex Criminals collaborator Chip Zdarsky, and discussed the inspiration behind his run on Marvel’s Hawkeye.
“The book was really about what Hawkeye does when he goes home to do his laundry,” Fraction explained. “It’s like Hawkeye on his day off. To me he’s the human heart and soul of the Avengers, so it was fun to do a book like that about somebody who compulsively can’t stop helping people, even when he’s a human crap-sack tire fire of a human being. That’s on the back of the action figure: ‘human crap-sack.'”
Matt Fraction, writer of Sex Criminals, Casanova, Satellite Sam and ODY-C, will be a guest Thursday, May 21, on NBC’s Late Night with Seth Meyers.
“Like, a guest-guest,” he wrote in the latest DeConnick & Fraction newsletter. “Like, on the show. […] I have a really cool treat cooked up for the show, so — so yeah. Tune in! DVR that shit! Do whatever millennials do now, I don’t even …”
If NBC’s Parks and Recreation has taught us anything, it’s that 1.) jogging is the worst; 2.) at least once a year you have to treat yo self; and 3.) seven years from now, Marvel’s Guardians of the Galaxy will still be wildly popular.
Chris Evans and Chris Pratt didn’t attend Super Bowl XLIX merely to root for their home teams and settle their friendly (and charitable) wager. No, the stars of Marvel’s Captain America and Guardians of the Galaxy also went to Phoenix to photobomb unsuspecting football fans.
Host Jimmy Fallon enlisted the actors for an installment of “Tonight Show Celebrity Photobomb,” in which the trio stealthily — and sometimes not so stealthily — crept up behind fans posing on the NBC Super Bowl Red Carpet. What began as simple solo pop-ups quickly escalated with the addition of stunts and props, including a seemingly innocent hoagie that Pratt turned somewhat obscene (see below).
When Brian Michael Bendis appeared last week on NBC’s Late Night with Seth Meyers, he did more than promote Playstation Network’s Powers adaptation and Marvel’s Secret Wars. He also offered up some comic-book recommendations.
In “Comic Book Gateway,” a video shot backstage at Late Night and released this week, the writer suggests some titles for newcomers. While he gives nods to Marvel’s Guardians of the Galaxy and Star Wars, Bendis devotes most of his time to creator-owned comics.
Author and Locke & Key co-creator Joe Hill appeared Monday on Late Night with Seth Meyers to promote the film adaptation of his novel Horns, and to provide another perspective on a perhaps-misunderstood figure: the Devil.
“I feel like he’s got an unfairly bad reputation,” he explains. “[…] I feel like the Devil could be right on the Avengers. He’s like a superhero: He punishes the bad guys, he’s got a cool look — he’s got horns and the red costume. On his very first adventure, he freed two naked prisoners being held in a jungle prison by a megalomaniac, and in the process, he introduces fruit into their diet and sort of taught them about their own sexuality, which I think makes him like a cross between Animal Man and Dr. Ruth. And that’s awesome.”
As Seth Meyers quickly discovered last night on NBC’s Late Night, Gotham City residents are really, really tired of being asked about Batman.
In an effort to get to know his audience, the talk-show host singled out Jeremy and, um, Jeremy, a pair of tourists from Gotham — yes, the Gotham City — who quickly set him straight on the subject of the Caped Crusader.
The debut of NBC’s new summer sitcom Working the Engels will also bring another debut — Spectagirl, a superhero designed by J. Bone (The Saviors).
The show is about a family — the “Engels” mentioned in the title — who run their own law firm.
“I was asked by talented co-creator of the show, Jane Cooper Ford (with co-creator Katie Ford), to design Spectagirl as the fictional favourite superhero of Jenna Engel,” the artist said on his blog. “She’s part Supergirl, part Wonder Woman, all-knowing and all-seeing!”
Check out the new hero below, and watch Working the Engets starting July 10.
Fans of the supernatural Western The Sixth Gun who were upset last year when NBC passed on the television adaptation may want to pack for an impromptu trip to Santa Fe, New Mexico. That may be the only place you’ll be able to watch the unaired pilot.
A Song of Ice and Fire author George R.R. Martin, who last year bought the Jean Cocteau Cinema in downtown Santa Fe, has announced the venue will stage two screenings of the episode on May 23.
While the announcement of a Constantine series on NBC may be good news for Warner Bros.’ DC Comics-based television plans — the project joins Gotham and the Arrow spinoff The Flash on the agenda — it won’t mean immediate financial benefit for the creators of the fan-favorite character. It seems those media rights are part of an earlier deal.
“As of this morning, it appears there will be NO payment to the Constantine creators for this series,” Stephen R. Bissette, who created John Constantine with Alan Moore and John Totleben, wrote Monday on his Facebook page. “This option apparently rolled out of the already-paid-for option for the Constantine movie in the 1990s. Thus, we’ll only see $$ waaaay down the road, it appears, IF this series makes it to being a series. If it makes money. If it trickles down.”
The movie Bissette references is actually the 2005 supernatural action-thriller that starred Keanu Reeves as the cynical occult detective. Although the adaptation was lambasted by many fans for its casting of the American Reeves as the English Constantine and the liberties taken with the source material, it managed to gross more than $230 million worldwide on a reported $100 million budget. Its option apparently included sequel and television rights.
If you read about, or saw, with envy Community creator Dan Harmon’s triumphant return to Comic-Con International wearing a custom-made, if somewhat haphazardly constructed, Iron Man costume, now’s your chance to make it your own. OK, maybe you don’t envy it; maybe you’re just a die-hard fan of Harmon or the NBC comedy. Whatever the case, the suit is being auctioned on eBay.
It’s legitimate, as the seller appears to be Rob Schrab, Harmon’s longtime writing partner and creator of Scud: The Disposable Assassin, and the Community creator announced the auction himself on his website. If you still somehow question the costume’s authenticity, the top of the chest plate is signed by Harmon and — better still! — it “Smells like Dan!” What more proof could you ask for?
Fresh from his turn as Penguin in CollegeHumor’s “Badman,” comedian and occasional comics writer Patton Oswalt pays a visit to Pawnee, Indiana, to pitch his idea for the ultimate Star Wars/Marvel Universe crossover.
Oswalt, who appears on Thursday’s episode of Parks and Recreation as a citizen who filibusters a city council vote, was asked by producers to ramble a while about the subject of his choice. What he delivered instead is a remarkable, and wholly improvised, eight-minute proposal for the plot of Star Wars: Episode VII that begins with the resurrection of Boba Fett before incorporating appearances by Spider-Man, Moon Knight, Daredevil, the X-Men, Mister Fantastic and the entire pantheon of Greek gods, and then ending in … exhaustion. Yes, it’s all done in one take.
Watch the full glorious scene below, and see what makes it to television when Parks & Rec airs Thursday at 9:30 p.m. ET/PT on NBC.
If the blockbuster television ratings didn’t already certify The Walking Dead as a pop-culture phenomenon, then a Saturday Night Live parody undoubtedly cements that status.
Over the weekend, NBC’s sketch-comedy show set its sights on the apocalyptic drama with help from host Kevin Hart as Lyle, a survivor who wants nothing more than to join Rick’s group. As they deliberate, Rick is surreptitiously bitten by a walker, exposing some issues within the group.
However, the best part of the two-minute sketch is Nasim Pedrad as a remorseless Carl: “I’m good at killin’, and I feel emotionally fine after I do it!” Watch the video below.
The Ninth Circuit rejected a comic creator’s $60-million claim against NBC Universal and the producers of the television series Heroes, determining there was no evidence of copyright infringement.
Jazan Wild (aka Jason Barnes) sued the network and Tim Kring’s Tailwind Productions in May 2010, accusing them of stealing the “carnival of lost souls and outcasts” depicted in the fourth season of the drama from his 2005-2006 comic series Jazan Wild’s Carnival of Souls. In his original complaint, he laid out numerous side-by-side comparisons that he contends prove the TV show’s traveling carnival is “virtually identical” to the one in his comic series.
However, in May 2011, a federal judge found that Heroes and Carnival of Souls “differ markedly in mood and setting, and weren’t substantially similar works, and therefore Wild had failed to prove his claim for copyright infringement. In Wild’s appeal, he insisted the judge erred by using too rigorous of a test to determine infringement, arguing that the wide availability of his comic meant he had to meet a lower standard of proof.
Comics creator Jazan Wild on Monday asked the Ninth Circuit Court of Appeals to revive his $60 million copyright-infringement lawsuit against NBC Universal and the producers of Heroes, arguing that a trial judge shouldn’t have thrown out his claims nearly two years ago.
Wild (aka Jason Barnes) sued the network and Tim Kring’s Tailwind Productions in May 2010, accusing them of stealing the “carnival of lost souls and outcasts” depicted in the fourth season of the drama from his 2005-2006 comic series Jazan Wild’s Carnival of Souls. In his original complaint, he laid out numerous side-by-side comparisons that he contends prove the TV show’s traveling carnival is “virtually identical” to the one in his comic series.
But in May 2011, U.S. District Judge Gary Allen Feess determined that Heroes and Carnival of Souls “differ markedly in mood and setting, and weren’t substantially similar works, and therefore Wild had failed to prove his claim for copyright infringement. In Wild’s appeal, he insisted the judge erred by using too rigorous of a test to determine infringement, arguing that the wide availability of his comic meant he had to meet a lower standard of proof.