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This was a tough year for Boston Comic Con: It was originally scheduled for the weekend after the Boston Marathon, and although organizers worked tirelessly not to cancel the event, the venue was within the lockdown zone following the bombings, and the load-in day coincided with the massive manhunt forsuspect Dzhokhar Tsarnaev. In the end, they had no choice but to shut down the convention. As most of the talent was already in town, local retailers sponsored a number of mini-cons.
Despite the cheerful we-can-get-through-this attitude of that weekend, things were looking pretty bleak. And then Boston Comic Con came roaring back, in a new venue and with a new attitude. This year, it felt less like a local event and more like a big-city con, with a smattering of publisher booths and an array of top-tier talent. The convention has grown quickly, from 1,000 attendees at the first con in 2007 to 15,000 last year. This year, with a bigger venue and more guests, I’m guessing the final number will be even higher.
At Comic-Con International in San Diego, IDW Publishing announced that Winsor McCay’s Little Nemo will return in a new series titled Little Nemo: Return to Slumberland, by Eric Shanower and Gabriel Rodriguez. As it turns out, there’s more to Little Nemo than just one new book.
Comics store turned small-press publisher Locust Moon is putting together an anthology of Little Nemo stories called Little Nemo: Dream Another Dream. Scheduled for release in 2014, the book has an eye-opening A-list lineup, including Peter Bagge, John Cassaday, Neal Adams, Bill Sienkiewicz, Becky Cloonan, Scott Morse, David Petersen, Mark Buckingham, Paul Pope and J.G. Jones. This book is a follow-up from the company’s anthology Once Upon a Time Machine, released last year by Dark Horse.
Little Nemo: Dream Another Dream will be published by Locust Moon as both a newspaper and a hardcover book, at the full size of the original Little Nemo pages — 16 inches by 21 inches. Described by Locust moon as a “love song for Winsor McCay, Little Nemo and the limitless possibilities of comics,” this is definitely one to watch. Here are several sample pages:
History | Scholars will present their research this week on The Glasgow Looking Glass, which is believed to be the very first comic book, at the International Graphic Novel and International Bande Dessinee Society Joint Conference in Glasgow Published in 1825, the work is a satire of early 19th-century Scottish fashions and politics. [ITV]
Retailing | Aaron Muncy, owner of The Comic Shop in Decatur, Alabama, is matter-of-fact about his business: There isn’t much of a kids’ market, he says, and he has no time for collectible comics: “Since it’s worth so much money — it’s just straight to eBay and get rid of it. I’ll leave it in the store for a week or two if I pick it up, just to give my customers a chance but it’s worth too much money to have sitting around.” [WAFF]
With director Zack Snyder’s Man of Steel opening today nationwide (many theaters had screenings as early as 12:01 a.m.), it’s impossible to swing a dead Kent without hitting a dozen Superman-related items online or in print. Although most of them are directly related to the Warner Bros. franchise reboot, there are plenty with clear comic-book ties. Here are just a handful of them:
• Superman gets the cover of this week’s Entertainment Weekly, on which Neal Adams and Murphy Anderson’s rendition of the Last Son of Krypton (from December 1972′s Action Comics #419) is given prominence over the movie and TV versions — possibly because Man of Steel star Henry Cavill was featured in April, but hey, we’ll take it. But poor, poor Brandon Routh …
• Mark Waid, whose 2003-2004 miniseries Superman: Birthright (with Leinil Francis Yu) influenced Man of Steel, saw the movie last night and tweeted, “That thunder you heard at around 9:15 EST was the sound of my heart breaking in two.” He followed that with a review on his Thrillbent website that he prefaced with, “It’s a good science-fiction movie, but it’s very cold. It’s not a very satisfying super-hero movie. That said, if your favorite part of SUPERMAN: THE MOVIE was Superman standing in the Fortress while Jor-El lectured him, you’re gonna love MAN OF STEEL.”
Manga | The mega-popular series One Piece resumed publication in this week’s issue of Shonen Jump, after a two-week hiatus due to manga-ka Eiichiro Oda’s health problems following a tonsil infection. [Cruchyroll]
Comics | It seems like we are reading a lot about comics in the Arab world lately, and Egyptian graphic novelist Achraf Abd Elazim argues that the fourth major comics center (after New York, France and Belgium, and Japan) will be Dubai. [Your Middle East]
Comics | Michael Cavna kics off Comic Riffs’ celebration of Superman’s 75th birthday with a roundup of writers’ opinions on why the character has stood the test of time. [Comic Riffs]
DC Comics will resurrect its well-regarded anthology Batman: Black and White beginning in September with six double-sized issues.
Originally published in 1996 as a four-issue miniseries, the anthology was the brainchild DC’s Vice President of Art Direction & Design Mark Chiarello, then a Batman Group editor, who sought out such top creators as Bruce Timm, Joe Kubert, Bill Sienkiewicz, Neil Gaiman, Ted McKeever and Katsuhiro Otomo to offer their own interpretations of the Dark Knight — in black and white.
The concept was revived in 2000 as a series of backup features in Batman: Gotham Knights, featuring contributions by the likes of Alex Ross, Paul Dini, Warren Ellis, Jim Lee, Chris Claremont, Paul Pope, Steve Rude, Harlan Ellison, Paul Grist, Darwyn Cooke, Jill Thompson and Mike Mignola. That title ended in 2006, but several Batman: Black and White have since been adapted as motion comics by Warner Premiere and DC Entertainment, and inspired numerous statues released by DC Direct.
According to the solicitation text provided to MTV Geek, September’s Batman: Black and White #1 will feature stories by Chip Kidd and Michael Cho, Neal Adams, Joe Quinones and Maris Wicks, John Arcudi and Sean Murphy, and Howard Mackie and Chris Samnee. Priced at $4.99, the 48-page first issue is scheduled to arrive Sept. 4.
Publishing | Image Comics provided the retail news and analysis website ICv2 with worldwide pre-order figures for 15 of its March titles, allowing for comparison with estimates of Diamond Comic Distributors sales to U.S. direct market stores. [ICv2.com]
Creators | Mark Waid pens a tribute to the late Carmine Infantino. [Hero Complex]
Creators | Gilbert Hernandez distinguishes between autobiography and art in his new graphic novel, Marble Season, which takes on a 1960s suburban childhood not unlike his own. [Chicago Reader]
You may remember the story of an antisocial teen working his way into Bruce Wayne’s life, and even becoming part of his family, before dying in a Robin costume.
You might also remember this story being called “Punish Not My Evil Son,”* as told by writer Bob Haney, penciler Neal Adams, and inker Dick Giordano (note: GCD credits Adams), in The Brave and the Bold vol. 1 #83 (April-May 1969).
Like much of the Haney oeuvre, “Punish” depends on unique circumstances that otherwise might not fit well within Batman’s shared universe. Young Lance Bruner, who’s around the same age as teenager Dick Grayson, is the son of one Prof. Bruner, Thomas Wayne’s “closest friend.” When we first meet him he’s horsing around with a couple of Wayne valuables and smarting off to Alfred, so already he’s off to a bad start. However, he shows Bruce an agreement signed by both Prof. Bruner and Dr. Wayne, which provides that “if anything ever happen[s] to the professor[,] the Wayne family promises to adopt and raise Lance.” Indeed, Bruce remembers seeing baby Lance in his dad’s arms, and recalls further that the professor was “the finest man I’ve ever known … besides my own dad!” Lance has already tearfully played the orphan card, so Bruce reminds a skeptical Dick how a certain other kid came to live at Wayne Manor — and away we go.
Happy Sunday and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Today our special guest is Dave Dwonch, creative director at Action Lab Entertainment and the writer of such comics as Space-Time Condominium, the upcoming Ghost Town, Double-Jumpers and more.
To see what Dave and the Robot 6 crew have been reading, click below.
Creators | Laura Sneddon talks to Neal Adams about his life in comics, including the time Stan Lee offered him the opportunity to work on any comic Marvel published: “I said, ‘Ohh okay, I see. So what’s your worst-selling title?’ He said, ‘X-Men, we’re gonna cancel it in two issues.’ I said, ‘You know what, I’d like to do X-Men.’ He said, ‘I just told you we’re gonna cancel it in two issues.’ I say, ‘Well fine! You know for two issues I will do X-Men. And that will be fine.’ He said, ‘Well okay. We’ll [write/run] it as long as we can, we’ll make you a deal. You can do X-Men, then we cancel it, then you gotta work on an important book like the Avengers.’” [The New Statesman]
Legal | Forbes profiles Michael Wolk, a lawyer who’s organized the financial backing for Stan Lee Media’s prolonged, and so far unsuccessful, multibillion-dollar lawsuits against Marvel and Disney over the rights to the characters co-created by Stan Lee. Wolk’s primary investor is Elliott Management, one the nation’s largest hedge funds. SLM, which is no longer affiliated with its co-founder and namesake, asserts Lee didn’t properly assign ownership of the works to Marvel, and that Disney didn’t file its Marvel agreement with the U.S. Copyright Office. “We are in the right here,” says Wolk, who’s not actually a Stan Lee Media shareholder. “No court has ever addressed or ever decided who is the owner of the characters — all of the prior litigation got dismissed for reasons that have nothing to do with who owns the characters.” [Forbes.com, via The Beat]
Every week, hard as it may be to believe, I try honestly to offer something I think might interest the larger group of DC Domics superhero readers. However, this week I am invoking a personal privilege. For one thing, with Halloween on a Wednesday (when I usually end up writing these essays), the holiday will more than likely take priority.
The main reason, though, is that today is my birthday, and as you might have guessed from the headline, this year is my 43rd birthday. Therefore, this week I have pulled together an especially memorable DC story and/or issue from each of those years, 1969 through 2012. (Note: They may not always line up with the actual year, but just for simplicity’s sake, all dates are cover dates.) These aren’t necessarily the best or most noteworthy stories of their particular years, but they’ve stuck with me. Besides, while I’ve read a lot of comics from a lot of sources, for whatever reason DC has been the constant. Maybe when I’m 50 I’ll have something more comprehensive.
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As written by Scott Snyder, penciled by Greg Capullo and inked by Jonathan Glapion, the lead story in Batman Vol. 2 #13 is a terrific kickoff to the latest Batman event. “Death of the Family,” the Joker-centric crossover running through the Batman line for the next few months, will eventually involve seven more ongoing series — including Batgirl and Batman and Robin, which we’ll discuss later — but this opening chapter by itself shows me that Snyder, Capullo and company intend to kick out all the stops when it comes to the Clown Prince of Crime.
Naturally, SPOILERS FOLLOW for this week’s Bat-books.
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Graphic novels | The Comic Book Legal Defense Fund has written to the Enfield, Connecticut, school district to ask that Matthew Loux’s SideScrollers be reinstated to its summer reading list and to point out that the district did not follow its own procedures when it removed the book last month after the mother of a ninth-grader complained about the graphic novel’s profanity and sexual references. [CBLDF]
Digital comics | Digital distributor iVerse has unveiled a new deal to sell foreign-language translations of Marvel and Archie comics worldwide. iVerse will have exclusive global rights to Marvel’s foreign-language comics, both floppies and trades, while for Archie they will create apps in different languages for different countries, starting with Japan, China, and India. iVerse CEO Michael Murphy says that 50 percent to 65 percent of the company’s digital sales are to international customers (including Canada). Nonetheless, the comics will be “platform-independent”: iVerse will provide translation (through a combination of machine translation and human editors) and distribution, so the comics will be available through their Comics + app but also through other channels, such as Amazon or iBooks. [Publishers Weekly]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
For once, I’m doing this in semi-reverse order. Or, at least, I’m starting with my would’ve-should’ve splurge, anyway, because if I had the money to spare, I’d definitely pick up the Invisibles Omnibus HC (DC/Vertigo, $150). Yes, I’ve read the comics before, and yes, I own all the trades. And yet … I really, really wish I could own this book. In another world, I am rich enough for that to happen.
Back in the real world, my first $15 pic is very easy: Mark Waid and Chris Samnee’s Rocketeer: Cargo of Doom #1 (IDW Publishing, $3.99); both creators are at the top of their games these days, as demonstrated in Daredevil on a regular basis, and so seeing them both take on Dave Stevens’ classic character feels like the kind of thing I will happily sign onto. Similarly, the first issue of the new Buffy The Vampire Slayer: Spike spin-off (Dark Horse, $2.99) automatically gets a pick-up, based on the quality of both the core Buffy and spin-off Angel and Faith books alone.
If I had $30, I’d add Prophet Vol. 1: Remission TP (Image Comics, $9.99) to my pile. I dropped off the single issues for this early on, because I wasn’t digging it as much as I wanted to, but enough people have told me that I’m wrong that I’m coming back to check out the collection — especially because (a) Brandon Graham and (b) that price point. I am continually a sucker for the $9.99 collection; publishers, you should remember this for me and people like me in future.