Axel-In-Charge: In-Depth with Alonso on Marvel's "All-New, All-Different" Lineup
One murder mystery revealed from three perspectives — in stark black and white. That’s the heart of Point of Impact, writer Jay Faerber‘s new Image four-issue collaboration with artist Koray Kuranel, which debuts Oct. 10. In anticipation of the launch, I cajoled Faerber into discussing this project as well as his appreciation of investigative reporters, a preference for giving his stories a strong sense of place, and how writing for television has affected his comics writing … among many other topics.
Tim O’Shea: In the opening pages of Point of Impact, readers lose a character fairly fast (Nicole Rafferty)–and yet in her absence the mystery of her death makes her a focal point of the book. How challenging is it to construct a story with a character who has a presence due to her forced and permanent absence.
Jay Faerber: It is a challenge, for sure. But I think a character’s absence can be a very effective way of defining that character. A big part of the inspiration of why I chose to tackle this particular story is because I wanted to explore how one person is viewed by the different people in his or her life. We all play different roles for each other, and I thought that would be an interesting way to approach a murder mystery.
Conventions | Thousands of fans were locked out of the Calgary Comic & Entertainment Expo after the local fire marshal declared that the building had reached capacity. The big draw was not actually comics but a reunion of the cast of Star Trek: The Next Generation. [Calgary Herald]
Awards | The Thrill Electric, an online comic created by Leah Moore and John Reppion, Emma Vieceli, Windflower Studio and LittleLoud for the U.K.’s Channel 4, has been nominated for best website in the 2012 Broadcast Digital Awards. [Broadcast]
Creators | Jay Faerber talks about his early ambitions, his current comic Near Death, and what is so special about being published by Image: “The thing about Image is you have absolute creative freedom. Once Near Death was approved, I just wrote it. There were no notes from Eric or anyone else at Image telling me what they think I should do, which is awesome. But it can also be a burden, because if a book sucks, I can’t say, ‘Well, if I had been able to do it my way…’ – because I did do it my way. So working at Image has made me become my own editor. The buck stops here, you know?” [Broken Frontier]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15 this week, I’d continue to support the DC relaunch by picking up Wonder Woman #1, Legion of Super-Heroes #1 and Green Lantern Corps #1 (All DC, $2.99). I’d also grab the first issue of IDW’s new ongoing Star Trek book ($3.99), which adapts episodes of the original TV show into the new movie continuity, because I’m nerdy like that.