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Following a student’s protest over the contents of the graphic novels required by her English 250 class, Crafton Hills College President Cheryl A. Marshall has issued a statement saying the college will not ban any books or alter the content of the course.
I support the college’s policy on academic freedom which requires an open learning environment at the college. Students have the opportunity to study controversial issues and arrive at their own conclusions and faculty are to support the student’s right to freedom of inquiry. We want students to learn and grow from their college experiences; sometimes this involves reaffirming one’s values while other times beliefs and perspectives change. In this specific case, the syllabus distributed on the first day of class contained the list of required reading materials allowing students the opportunity to research the books and make a choice about the class. The class is one of numerous electives available for completion of the English degree. We are attempting to avoid this situation in the future and Professor Bartlett has agreed to include a disclaimer on the syllabus in the future so students have a better understanding of the course content. I know he appreciated the differing views presented by Ms. Shultz in his class.
College student Tara Shultz is the latest in a long line of people to be shocked to find that Persepolis, Marjane Satrapi’s graphic memoir about growing up during the Iranian revolution, contains violence.
A 20-year-old attending Crafton Hills College in Yucaipa, California, was so dismayed by the graphic content in four of the graphic novels required by her English 250 course — official description: “the study of the graphic novel as a viable medium of literature through readings, in-class discussion and analytical assignments” — that she and her parents are seeking to have them banned by the administration.
In addition to Persepolis, Shultz took exception to Alison Bechdel’s Fun Home, the first volume of Brian K. Vaughan and Pia Guerra’s Y: The Last Man, and Neil Gaiman, Mike Dringenberg & Co.’s The Sandman: The Doll’s House, due to the depictions of sex, violence and “obscenities.”
“I didn’t expect to open the book and see that graphic material within,” she told the Redlands Daily Facts. “I expected Batman and Robin, not pornography.”
Libraries | Digital media distributor Midwest Tape has announced a new e-book and comics service for libraries, which will be accessed via its hoopla platform. Unlike the widely used Overdrive, the service will allow multiple checkouts for a single book, rather than limiting checkouts to one user at a time. [Publishers Weekly]
Legal | The trial began Tuesday for Iranian cartoonist Atena Farghadani on charges of spreading propaganda and insulting members of parliament, stemming from a cartoon she posted on Facebook depicting politicians as monkeys and other animals. Farghadani has been an activist in other ways as well, meeting with the families of people killed during the 2009 presidential elections. She was arrested last August and sent to prison, released, and then arrested again after posting a video online describing beatings by prison guards. She has been in solitary confinement since January and suffered a heart attack in February, after being on a hunger strike for three weeks. [The Washington Post]
Creators | The Southern Poverty Law Center, which compiles an annual list of hate groups operating in the United States, said it will add artist Bosch Fawstin to its 2016 report. He drew the winning entry in the Prophet Muhammad contest in Garland, Texas, where two gunmen were killed Sunday in a foiled attack. The American Freedom Defense Initiative, which sponsored the competition, is already included on the list. Heidi Beirich of the SPLC described Fawstin’s work as “virulently ugly” and “hate views.” The artist, who was raised as a Muslim but is now an outspoken critic of Islam, responded, “So they want to put a cartoonist on there who doesn’t act out violently? Go for it.” Fawstin, creator of the “anti-jihad superhero” Pigman, also vowed to continue his work despite fears for his safety: “I understand the threat, but I’m not going to be cowed by it. I still intend to go up there and I still intend to speak out.” [Reuters]
Creators | Art Spiegelman, Neil Gaiman and Alison Bechdel are stepping in as table hosts tonight at the PEN American Center gala, after a number of writers dropped out of the event to protest the organization’s decision to give a posthumous freedom of expression award to the staff of Charlie Hebdo. [The New York Times]
Collectors | Scottish collector Alec Whitelaw owns every issue of the Oor Wullie annual ever published, but he was stunned to learn his collection was worth nearly $38,000 when it was appraised on the BBC’s version of Antiques Roadshow. Whitelaw had come to the event by train, but organizers arranged for a chauffeured car for the return trip, as he had brought the books with him. “After they told me the value of the books they wouldn’t let me go home with them,” he said. “They got me transport home in a nice car and I felt like Lady Muck.” [Daily Record]
Political cartoons | Airdropping propaganda on the enemy is a time-honored tactic, and it just happened again: Michael Cavna has a copy of the cartoon, which depicts ISIS recruits lining up to be fed into a meat grinder, that the U.S. Military Information Support Operations Command dropped into the ISIS-held territory of Raqqa, Syria. According to the Pentagon, a U.S. Air Force F-15 warplane dropped about 60,000 of the leaflets on March 16. [Comic Riffs]
Creators | Writer Michael Frizell talks about working on his latest Bluewater comic Ozzy Osbourne: The Metal Madman. Research was a big part of the job: “The trick was trying to sort out the hyperbole from the facts,” he said. “Thus, anything I documented in the comic book had to have at least three sources confirming its validity.” [Fast Company]
Vertigo has announced the fall release of two Neil Gaiman deluxe hardcover editions, The Sandman: Overture and Free Country: A Tale of the Children’s Crusade.
The first may seem a tad optimistic, as the six-issue bimonthly miniseries by Gaiman and J.H. Williams III, which debuted in October 2013 as part of the 25th anniversary of The Sandman, has yet to release its final two chapters. Set to arrive in November, the deluxe edition will include all six issues, the gatefold from the debut issue, plus extras like pages from the Special Editions and script pages.
In celebration of “The Spirit’s” 75th anniversary, DC Entertainment will release a new hardcover collection of Will Eisner’s renowned creation.
“The Spirit” has passed through the hands of several legendary writers, including Neil Gaiman, Alan Moore and Jeph Loeb. DC announced the book at the DC Entertainment Retailer Roadshow.
You’ll be forgiven if you missed Sweatshop the first time around. Sure, it was created, written and mostly drawn by Peter Bagge, and yes, it was published by DC Comics, but not for long. It lasted just six issues in 2003 and, according to Bagge’s afterword to the new collection (published not by DC, but Fantagraphics), then-DC President Paul Levitz decided to pull the plug around the time the second issue shipped.
The unlikely pairing of DC with talent like Bagge was apparently an outgrowth of editor Joey Cavalieri’s success with the hardcover Bizarro Comics anthology, which teamed “alternative” comics creators with DC regulars. Bagge, who had written DC’s poorly received nine-issue Yeah!, met with Cavalieri and decided on a pretty perfect premise for a comedic comic book. (Yeah!, by the way, was drawn by Gilbert Hernandez and was also collected by Fantagraphics rather than DC.)
Titled “Heartbreak Hotel,” the show at the Tampa Theatre is billed as a “‘one-night stand’ of music and stories, featuring the most heartbreaking work the duo has ever made, and just possibly some lovey stuff too.” Just 1,000 prints will be available for purchase at the Feb. 14 performance, with any leftovers made available online.
After revisiting Neil Gaiman and P. Craig Russell’s 2002 collaboration last year with a new edition of Murder Mysteries, Dark Horse plans to return to the material — and so much more — with a gallery edition designed to fully showcase the illustrator’s work.
Set for release in October, P. Craig Russell’s Murder Mysteries and Other Stories: Gallery Edition will feature high-quality scans of his original art, printed at art-board size.
This will not be a post about how Saga is awesome. I’ve written 30 of those already. No thrilling over Lying Cat here, no desperation for the next issue, none of my hopes to see The Will return to action or for [SPOILER] to [SPOILER] and [SPOILER SPOILER SPOILER].
Nor will I lose my cool over the fact that, right now, my bookshelf contains two excellent and weird and hilarious China Mieville (China Mieville!)-penned trades of Dial H, complete with blink-and-you’ll-miss-‘em anti-MPAA digs. Or that Neil Gaiman, in the – yikes — almost two decades since I picked up my first Sandman trade, has evolved from Sensational Comic Book Writer Neil Gaiman to MechaGaiman, Devourer of Worlds, Savior of Publishing and Champion of Art. Or that Genevieve Valentine is writing Catwoman!
I won’t flip out about The Wicked + The Divine or Chew or either Marvel, Ms. or Captain.
Whether you’re looking to benefit a good cause or simply trying to squeeze in another tax deduction before 2014 comes to an end, you need look no further than the Comic Book Legal Defense Fund.
The nonprofit, dedicated to protecting the First Amendment rights of comics creators, publishers and retailers, is rewarding contributions — of any amount — made by midnight Wednesday with an exclusive download of Neil Gaiman: Live at the Aladdin, the 2001 CBLDF benefit reading that includes performances of “Chivalry” and “Being an Experiment Upon Strictly Scientific Lines …”
If, for some reason, you’re uncertain of precisely what the CBLDF does, this post on the organization’s website touches upon the highlights of its “busy year”; there’s also a handy chart, which you can see below.
Regular readers of ROBOT 6 will undoubtedly recall the nonprofit’s involvement in Banned Books Week (which this year focused on comics) and the debate over Alison Bechdel’s Fun Home in the South Carolina legislature.
Crime | Artist Josh C. Lyman reports that thieves broke into his car sometime on Monday or Tuesday and stole about 40 pieces of original art (some of it commissioned), 1,200 prints, plus convention setup materials, art supplies and clothes. “I’m more devastated in the fact my originals are all gone … some of my better non-commissioned work of the last 3 years … along with all of my tools I have earned and acquired during the aforementioned periods. Tshirts and the like I can slowly replace … but it’s the matter of having all this potential art for shows gone; along with all the posters I had left,” he writes. Lyman contacted police and has notified local comic shops to keep an eye out for the missing work, and he has posted images of the stolen art. [Facebook, via Bleeding Cool]
Censorship | Rachael Jolley takes a long and wide view of the pressures that political cartoonists are subject to, looking at several recent attempts to suppress editorial cartoonists as well as the history of tensions between creators of political cartoons and those they portray; the article also includes comments from Neil Gaiman on the topic of censorship. [The New Statesman]
Conventions | The San Diego Tourism Authority is asking hotels in the Comic-Con International room block to freeze their rates at the 2016 level for the following two years, as part of its bid to keep the convention in the city. Already, 30 of the 50 participating hotels have agreed to do so. Meanwhile, Mayor Kevin Faulconer will attend the next Comic-Con board meeting to make an appeal to organizers to remain in the city; Tourism Authority CEO Joe Terzi said Anaheim has made a bid for Comic-Con, but the city’s convention bureau wouldn’t comment.
A plan to expand the San Diego Convention Center collapsed after the hotel-tax funding scheme was ruled unconstitutional, but Anaheim is preparing to break ground on its own 200,000-square-foot expansion. However, Comic-Con spokesman David Glanzer said, “Some people had mistakenly implied that an expanded convention center would be the thing that solidified our decision to stay or go, but there are a number of factors to be addressed: hotel room rates, available space within hotels and outside the center, things that could mitigate the issue of having outgrown the convention center. An expansion would be great for the city and us, but if it doesn’t happen we’ve been able to make do without it, and if we can mitigate the concerns we do have we’ll be able to stay here.” [U-T San Diego]