Luke Cage History: From Hero for Hire to Hollywood
TV, Comic Books
When Japan Rail West announced in July that it was getting into the mecha business with a Neon Genesis Evangelion-themed bullet train, we were given a glimpse of what the exterior would look like. Now, mere weeks before the 500 Type EVA begins service between Osaka to Fukuoka, we’re treated to a look inside.
Retailing | As the U.S. Senate prepares to vote on the Marketplace Fairness Act, Jacob Weisberg looks at how Amazon and Congress have managed to delay online sales taxes for more than a decade, giving online retailers a significant advantage over brick-and-mortar stores. Amazon, which has long fought any attempts to collect sales tax through lobbying, campaign contributions and threats to move to warehouse jobs, now supports the legislation, with Weisberg contending the retail giant “has played out the clock longer than it dared hope and would now like to be able to build warehouses everywhere without doing state-by-state battle over its ‘physical presence.'” The bill seems likely to pass the Senate, but its fate in the House is far less certain. [Slate.com]
Publishing | DC Comics has put together a guide to its graphic novel backlist, which will be available both in print and digitally. [Publishers Weekly]
Something like a cross between fan fiction and minicomics, doujinishi are most often defined as self-published parodies, extrapolations or fantasies revolving around popular, existing (and generally copyright-protected) characters and franchises. They’re generally created by fans for other fans, although the doujinishi culture is so pervasive in Japan that the phenomenon is tolerated and, in some cases, even encouraged and participated in by professional creators (and copyright holders).
Western otaku have likely seen more than their fair share of doujinshi, but more casual Western comics fans likely haven’t had any real exposure.
Enter Dark Horse’s recent Neon Genesis Evangelion: Comic Tribute, an officially sanctioned, professionally curated and created, $11, 170-page doujinishi-style anthology, produced and published in the digest-sized tankobon format made familiar to American manga fans over the past decade and a half or so.
But what is it, exactly? A bunch of different manga creators, the most prominent among them probably being Sgt. Frog‘s Mine Yoshizaki, providing short, parodic riffs on various aspects of the Evangelion franchise. Think of it as the manga equivalent of a celebrity roast.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item. I’m filling in this week for Michael May, who is off in Florida spending his splurge money on mouse ears and giant turkey legs.
If I had $15, I’d start of the week with Brian K. Vaughn and Fiona Staples’ Saga #7 (Image, $2.99). Saga has become a real bright spot in comics for me being sci-fi without being “sci-fi,” being romance without being “romance,” and being great at being great. It gives me the same excitement the way Bone, Strangers In Paradise and A Distant Soil did back in the early 90s. Next up would be Punk Rock Jesus #5 (DC/Vertigo, $2.99) by Sean Murphy. Murphy’s really exceeded my expectations here, creating a nuanced and elaborate world that has great art as a bonus. You can really tell Murphy’s been thinking about this story for awhile now. After that I’d get Invincible #97 (Image, $2.99), to finally get the truth behind the new Invincible, Zandale. I’ve been enticed by what’s been teased so far, and I hope the inevitable return of Mark Grayson doesn’t prevent me from seeing more of Zandale in the future. Last up with my $15 budget would be my call for the best superhero book on the stands today, Wolverine & The X-Men #20 (Marvel, $3.99). I feel like the title isn’t getting the attention it deserves with Marvel NOW! upon us, but Jason Aaron and Nick Bradshaw are absolutely delivering it here.
If I had $30, I’d double back and double up on Brian Wood with Conan The Barbarian #10 (Dark Horse, $3.50) and The Massive #6 (Dark Horse, $3.50). The Massive has survived the monumental loss of artist Kristian Donaldson, forging on in Wood’s story of one ship trying to survive in an ecological destitute Earth. Over at Conan The Barbarian, Declan Shalvey looks to be bringing the goods and showing he’s more than a Marvel superhero artist. After that I’d get the second series debut of Where Is Jake Ellis? (Image, $3.50) by Nathan Edmondson and Tonci Zonjic. This is a mighty pairing, and seeing them peel back the layers on Jake Ellis has been fun.
Legal | The 9th Circuit Court of Appeals will hear arguments today on whether a negotiated 2001 deal DC Comics should prevent the daughter of Superman co-creator Jerry Siegel from reclaiming his portion of the rights to the Man of Steel under a provision of U.S. copyright law. A federal judge determined in 2008 and 2009 that the writer’s heirs had successfully recaptured the copyright, asserting that because the 2001 agreement hadn’t been formalized, there was no deal. The appeals court is also set to review a ruling allowing DC to sue Marc Toberoff, who represents both the Siegel family and the estate of his collaborator Joe Shuster, for interfering with its agreements with the heirs. [Business Week]
Creators | Collaborators Justin Jordan and Patrick Zircher talk about the latest Valiant relaunch, Shadowman. [USA Today]
Creators | John Ostrander, who writes several Star Wars comics for Dark Horse, gives his take on Disney’s acquisition of Lucasfilm. [ComicMix]
Welcome to What Are You Reading?, our weekly rundown of what comics and other stuff we’ve been checking out recently. Today our special guest is cartoonist Austin English, creator of the graphic novel Christina and Charles and publisher of Domino Books.
To see what Austin and the Robot 6 crew have been reading, click below.