Merc With A Movie: The 16-Year Odyssey of the "Deadpool" Film
Comic Strips | The Portland Oregonian pulled three Non Sequitur strips that made fun of the occupiers of the Malheur National Wildlife Refuge after one of the occupiers was killed. “The strip, which had been making fun of such groups, seemed jarring and in poor taste given that someone now was dead,” said Oregonian editor Mark Katches. “That decision has yielded a grand total of two reader complaints.” Cartoonist Whitey Miller said he did not know the strips were being pulled and replaced with older ones. “This is the first I’ve heard about it,” he said. “Not controversial to my knowledge.” [Willamette Week]
Creators | Set aside some time this weekend to read Robert Ito’s in-depth profile of Daniel Clowes, which covers his life and career from his childhood through his most recent work, Patience. The piece is illustrated with drawings by prominent cartoonists such as Seth, Rutu Modan, and Richard Sala, as well as photos by Ian Allen. [California Sunday]
Music | Daniel Auerbach, half of the blues/rock duo The Black Keys, is creating a soundtrack album to go with the new comic book miniseries Murder Ballads, which publisher Z2 Comics describes as a “rock ’n’ roll noir story about the music industry and redemption.” The comic, by Gabe Soria and Paul Reinwand, will debut later this year. [Vulture]
Julia Wertz, creator of the wry graphic memoirs The Fart Party, Drinking at the Movies and The Infinite Wait, has turned her hand to a different sort of subject matter: little-known aspects of the history of New York City.
The comics run in The New Yorker under the title “N.Y.C. Mystery History Hour,” and the subjects so far include Fiorello LaGuardia’s ban on pinball machines, the story of Bottle Beach in Dead Horse Bay, the fate of the uniquely designed lampposts made for the 1964-45 World’s Fair and, most recently, the Hess Spite Triangle. She has also done a fascinating then-and-now piece on the theaters of Greenpoint, Brooklyn.
Publishing | Kodansha Comics announced Tuesday that its North American release of Makoto Yukimura’s historical manga Vinland Saga could end following the seventh volume. “Please preorder and don’t let this great series die!” the publisher wrote on Twitter, adding, “We’re hoping we’ll be able to license the next arc, but it’s up in the air at the moment.” Kodansha began the U.S. release of the series in October 2013. The seventh volume will be published Dec. 29. [Anime News Network]
Conventions | Although it may seem way too early to begin the countdown to Comic-Con International, badge sales open Saturday at 9 a.m. PT for those who attended the 2015 convention and preregistration (this isn’t the annual mad dash, which arrives in a few months). If you’re eligible, you should receive your registration code by email at least 24 hours before badge sales open. Comic-Con provides a detailed walk-through of the process. [Toucan]
Legal | The Malaysian Federal Court affirmed a lower court’s ruling that the government shouldn’t have banned two books of Zunar’s political cartoons, 1Funny Malaysia and Perak Darul Kartun. “This is a victory for all cartoonists, it tells the Home Ministry and the government that drawing cartoons is not a crime,” Zunar said. He also said the ruling means that the government must also lift bans on all his books and drop sedition charges against him. “Stop raiding this my office, stop harassing my webmaster for selling the books online, and stop raiding and threatening printers and shops involved in the production and sales,” he said. [Malaysyakini]
Conventions | The organizers of Salt Lake Comic Con next month hope to break the Guinness World Record for largest gathering of people dressed as comic book characters. The current record of 1,530 was set April 2011 at the opening of World Joyland theme park in China. Since then, several conventions have sought to seize that crown, but none has succeeded. It’s not as easy as it may sound, as to be counted for the record, the character must’ve first appeared in a comic book. And that’s just for starters. Salt Lake Comic Con has a rundown of the rules on its website. [KSL]
Creators | Imprisoned Iranian political cartoonist Atena Farghadani is grateful she received the Cartoonist Rights Network International Courage in Cartooning Award, her father said after a visit to her in Evin Prison, and she’s hoping an appeals court will reduce her sentence. Farghadani was sentenced to 12 years and nine months in prison for drawing a cartoon showing the members of the Iranian parliament with animal heads. [International Campaign for Human Rights in Iran]
Manga | The Naruto spinoff Naruto: The Seventh Hokage and the Scarlet Spring, which is running simultaneously in the Japanese and American versions of Shonen Jump, will end in the July 6 issue. [Anime News Network]
Fandom | Rob Salkowitz presents results of a recent survey of convention-goers conducted by the online ticket platform Eventbrite. Interestingly, they found almost complete gender parity (48.9 percent female, 48.7 percent male, and 3.1 percent non-binary/other) among convention-goers in general but much bigger skews in individual categories: “Comics, toys and gaming are predominantly male, while media, anime/manga and sci-fi/fantasy fandom are predominantly female.” A typical con-goer spends between $100 an $500, with comics fans being the biggest spenders and prints and original art the most popular thing to buy. There’s a lot more detail in the article about what people like and don’t like (biggest beef: lack of wi-fi an connectivity in convention centers). The survey updates and expands on a similar survey conducted last year. [ICv2]
Conventions | Chicago’s RedEye has an overview of the Chicago Comic & Entertainment Expo, which kicked off this morning at McCormick Place, and talks with Brian Stephenson of producer ReedPop about the future of the five-year-old show. “It has all the potential in the world to be bigger than San Diego [Comic Con] or New York, all based on the square footage at McCormick,” he said. Meanwhile Chicagoist checks in with a convention food guide, while Chicago Now offers a rundown of the best after-parties. [Chicago Comic & Entertainment Expo]
Crime | Two cosplayers on their way to G-Anime were arrested Friday in Gatineau, Quebec, and their fake weapons were confiscated. The two men, who were wearing camouflage and carrying what appeared to be guns, were spotted in a parking lot near a number of government buildings (the Canadian Parliament was attacked by a lone gunman in October). Someone called the police, and they dispatched about a dozen officers who cordoned off the area and searched for the men. The cosplayers, who were both 18, were taken into custody and fined $270 for violating a municipal bylaw that prohibits carrying certain weapons in public or in a vehicle, although the law seems to be aimed at knives, bows and arrows, and swords, not guns. Their car was impounded, and their weapons are being held as evidence. G-Anime organizers posted a notice Friday asking attendees wearing camouflage or carrying replica weapons to wait until they arrive a the convention to change into costumes. [Ottawa Sun]
Can’t We Talk About Something More Pleasant?
By Roz Chast
In Can’t We Talk About Something More Pleasant? Roz Chast has produced an amazingly honest and clear-eyed memoir of her relationship with her parents in their declining years. It’s both a universal story of something many of us will go through and a very particular account of a single family of quirky individuals.
Chast had an unusual upbringing: She was an only child (a sister died at birth 14 years before she was born), and her parents had her late in life, so she always felt like a bit of an interloper. Her mother had a domineering personality and a sharp temper — she described her own outbursts as “A blast from Chast.” Her father was quieter, easier to get along with, but also plagued by anxieties and phobias, which led him to rely completely on her mother. They were, as Chast describes them, “a tight little unit,” and they seemed to believe that if they carefully avoided the subject of future unpleasantness, nothing would change. She depicts this perfectly in a single panel in which the hooded figure of Death roars “What’s THIS??? The Chasts are talking about me! Why, I’ll show THEM!!!”
Passings | Brian Jacoby, owner of the Tallahassee, Florida, comic shop Secret Headquarters and a well-known presence on Twitter and comics discussion boards, died suddenly on Thanksgiving. The news was first released in a tweet from the store. His memorial service will be held Tuesday. [ICv2]
Editorial cartoons | Bob Staake’s New Yorker cover showing a broken Gateway Arch in St. Louis, a commentary on the events in nearby Ferguson, Missouri, received a lot of attention just before Thanksgiving — and even more when it got around that syndicated cartoonist R.J. Matson had drawn a similar cartoon in August. Matson brushes that aside, however, pointing out that editorial cartoonists often come up with similar visuals: “Finding a good joke is like solving a puzzle and very often there is one very best solution to the puzzle. Any cartoonist worth his salt would kick himself or herself for not finding that solution.” And when five cartoonists do it on the same day, he said, “we call it a Yahtzee.” [The Washington Post]
Editorial cartoons | The New York Times has apologized to readers who were offended by an editorial cartoon about India’s space program that depicted the country as a man in traditional dress, leading a cow and knocking at the door of the “Elite Space Club.” “The intent of the cartoonist, Heng Kim Song, was to highlight how space exploration is no longer the exclusive domain of rich, Western countries,” reads the apology, signed by editorial page editor Andrew Rosenthal. “Mr. Heng, who is based in Singapore, uses images and text — often in a provocative way — to make observations about international affairs. We apologize to readers who were offended by the choice of images in this cartoon. Mr. Heng was in no way trying to impugn India, its government or its citizens.” [The New Indian Express]
Legal | At the request of a state-owned distributor, the Russian media watchdog Roskomnadzor is investigating charges that Marvel comics are “propaganda of a cult of violence,” specifically, violence against Russian targets. The agency will review Avengers #1, due out in Russia in August, “regarding the use of Soviet symbols, the presentation of the characters as Russian service personnel, and the incitement of violence and cruelty,” according to the the Russian Legal Information Agency. This seems to be about the Winter Guard and specifically about Vanguard, who wears a hammer-and-sickle logo; the European publisher, Egmont, plans to remove the logo for the Russian release. Roskomnadzor has the option of issuing an official warning; a publisher who gets two of these in a year may have its license revoked. [CNET]
Christopher Guest calls the cartoons in The New Yorker “the best cartoons in the world,” and for the past 17 years the person responsible for picking them all (and drawing some of them) has been cartoon editor Bob Mankoff. And in his new memoir How About Never?- – Is Never Good For You?: My Life in Cartoons, which goes on sale Tuesday, the Bronx native recounts how these popular comics are made and even the secrets to winning the magazine’s caption contest. Mankoff delves not just into his own process, but also others he’s worked with such as Saul Steinberg and Carl Rose.
Passings | Tom Medley, creator of the comic Stroker McGurk, which ran in Hot Rod magazine for many years, died on March 2 at the age of 93. Medley was a hot-rodder himself, which is how he got his big break: He used to post his cartoons at a local hot-rod builder, and the publisher of Hot Rod, which was just getting off the ground at the time, spotted them and hired Medley as his comics and humor editor. Medley’s son Gary said his father’s humor sometimes foreshadowed reality: “Stroker’s — or Medley’s — inspired genius came up with a host of crazy ideas that appeared impractical at first, but were later adopted by everyday car builders and racers. Multi-engine dragsters, wheelie bars, and drag chutes all sprung from Stroker’s fertile mind before they were embraced in the real world.” [AutoWeek]