Examining "Rebirth's" Treatment of Legacy & Promise of a Less "Grimdark" DC Universe
Comic Strips | The Portland Oregonian pulled three Non Sequitur strips that made fun of the occupiers of the Malheur National Wildlife Refuge after one of the occupiers was killed. “The strip, which had been making fun of such groups, seemed jarring and in poor taste given that someone now was dead,” said Oregonian editor Mark Katches. “That decision has yielded a grand total of two reader complaints.” Cartoonist Whitey Miller said he did not know the strips were being pulled and replaced with older ones. “This is the first I’ve heard about it,” he said. “Not controversial to my knowledge.” [Willamette Week]
Creators | Set aside some time this weekend to read Robert Ito’s in-depth profile of Daniel Clowes, which covers his life and career from his childhood through his most recent work, Patience. The piece is illustrated with drawings by prominent cartoonists such as Seth, Rutu Modan, and Richard Sala, as well as photos by Ian Allen. [California Sunday]
Awards | The Center for Children’s Books at the University of Illinois has chosen Ben Hatke’s Little Robot as the winner of this year’s Gryphon Award for Children’s Literature. The award honors children’s books that bridge the gap between being read to and reading on one’s own. “Hatke’s graphic novel is both cleverly crafted and utterly irresistible,” said Assistant Professor Deborah Stevenson, the head of CCB and chair of the committee. “Our young heroine is an admirable adventurer and capable wielder of a tool belt, and the little robot she finds, repairs, and befriends is an endearing pet/sidekick. The balance between wordless sequences and simple speech-balloon dialogue (plus the robot’s sound effects) will reassure tentative readers and encourage them to decode narrative from both visual and textual clues.” [University of Illinois]
Comic strips | The end of Edge City has generated a conversation about newspaper comics in general. As co-creator Ray LaBan says, creating a comic strip was his childhood fantasy, and he got to do it, “But I got to do it when everybody stopped paying attention.” This article takes a broad view, looking at the fact that newspapers’ budgets for comics, like everything else, are shrinking, online portals are providing alternatives, and readers’ strong preferences for legacy strips like Beetle Bailey and Blondie, as well as safe topics, are limiting the opportunities for new strips. Universal UClick launches one new strip a year, according to president John Glynn. On the other hand, creator Brad Guigar is taking his comic Evil Inc. out of the Inquirer because he can do better with a more mature version, published online and supported through Patreon. With interviews with the syndicates, a newspaper features editor, and creators, this piece is a well rounded look at the current state of syndicated comics. [The Philadelphia Inquirer]
Legal | On the day his trial on sedition charges was due to begin, Malaysian political cartoonist Zunar threw a curve ball, asking the high court to declare the sedition law unconstitutional. The Malaysian government has repeatedly attempted to ban or censor Zunar’s cartoons, but this case actually stems from a series of nine tweets he wrote following the conviction of opposition leader Datuk Seri Anwar Ibrahim on sodomy charges; Zunar accused the court of following the wishes of the prime minister. On Friday, Zunar’s lawyers (one of whom has also been charged with sedition) filed a petition with the high court saying that the lower court that was to hear the case had no authority to do so. The Malaysian Federal Court recently dismissed a challenge that made a similar argument; Zunar’s case is now scheduled to be heard on Dec. 8, with a decision expected a week later. [Index on Censorship]
Publishing | Filip Sablik, BOOM! Studios’ president of publishing and marketing, describes the company’s announced cutback in the number of titles as a contrarian move: “All of the major mainstream comic publishers are pushing out more titles. Since February’s ComicsPro meeting, it’s something we’ve consistently heard from the front lines of the industry. So we decided to swim upstream a bit by trimming back our line and really focus, doubling down on our marketing and our positioning for each title, believing that a sniper-like approach would yield better profitability.” [ICv2]
Comic strips | Cartoonist Jan Eliot has announced that, after 20 years, she will no longer create daily strips for Stone Soup. She will, however, continue to produce a Sunday version. She’s cutting back so she can focus on other projects without all the deadline pressure: “It may seem like a small task, creating one cartoon a day, but it is herculean in many ways. The pressure to be good enough, funny enough, to create interesting-enough drawings, live up to the standards of great cartoonists I admire and share the comics page with is not a small thing.” [The Daily Cartoonist]
Conventions | As the third Salt Lake Comic Con approaches, co-founders Dan Farr and Bryan Brandenburg talk about the event’s beginnings — how they chose the venue, how they managed to book William Shatner and Stan Lee for the first convention, and how they used social media to build a following before the event itself. [Salt Lake Tribune]
Graphic novels | A number of incoming freshmen at Duke University have refused to read Alison Bechdel’s Fun Home, chosen as the summer reading selection for the class of 2019. Brian Grasso started the conversation by posting on the class Facebook page that he wouldn’t read the graphic novel because of its depictions of sexuality, saying, “I feel as if I would have to compromise my personal Christian moral beliefs to read it.” That opened up a discussion in which some students defended the book and said that reading it would broaden their horizons, while others shied away from the visual depictions of sexual acts. And Grasso felt that the choice was insensitive, commenting: “Duke did not seem to have people like me in mind. It was like Duke didn’t know we existed, which surprises me.” [Duke Chronicle]
Awards | The Buffalo News editorial cartoonist Adam Zyglis is the winner of the 2015 Pulitzer Prize in Editorial Cartooning, fulfilling a mandate given to him on the day he was hired, when his editor said, “Welcome aboard. Now go win us a Pulitzer.” [The Buffalo News]
Legal | DragonCon co-founder Ed Kramer, who entered a plea deal in December to avoid more jail time on child molestation charges that date back to 2000, could find himself back behind bars for his use of social media. Kramer, who’s no longer associated with DragonCon, ended years of legal wrangling with an Alford plea that, among other stipulations, barred him from having any direct or indirect contact with anyone under the age of 16. A registered sex offender, Kramer set up a Twitter account under his real name in 2011, but didn’t do much with it until a couple of weeks ago, when he suddenly became active and began following people — including a 14-year-old girl. His Google+ page also shows a connection with the then-14-year-old boy he was charged with molesting. Kramer lists his address as Brooklyn on his social media accounts, but he apparently is still in Georgia. The Gwinnett County district attorney is investigating; a violation of the plea agreement could result in a 60-year prison sentence, 20 years for each of the three counts of child molestation. Heidi MacDonald has more at The Beat. [Gwinnett Daily Post]
Passings | Eisner Hall of Fame nominee Fred Kida has died at the age of 93. Kida was an active comics artist for almost 50 years; he got his start drawing Airboy for Hillman Comics in about 1940 and went on to work for Lev Gleason and then Marvel. He assisted Will Eisner occasionally on The Spirit and also drew a number of newspaper strips, including Flash Gordon and The Amazing Spider-Man. “He was a good, dependable artist who drew beautiful women, handsome heroes and some of the ugliest villains in comics,” said Mark Evanier. [News from ME]
Publishing | ICv2 has a two-part interview with Dynamite Entertainment CEO Nick Barrucci, who has plenty to say about variant covers, the launch of Twilight Zone and Legenderry, their Gold Key properties, and what’s coming in the year ahead. [ICv2]
Digital comics | The Korea Times takes a look at the comics market in that country, where government suppression of comic books in the 1990s (and school-sponsored book burnings even before that) has combined with the current demand for free digital material (in the form of the wildly popular “webtoons”) to create an uncertain environment for cartoonists trying to make a living from their work. “Unlike Japanese manga, which continues to drive a large part of the country’s publishing market and provide a creative influence to movies, music and video games, Korea’s cartoon culture was deprived of its opportunity to thrive,” said Lee Chung-ho, president of the Korea Cartoonist Association. “However, the most difficult process for us will be to find a sustainable business model. Readership has increased dramatically through webtoons, but you have no clear idea on how many of these readers will be willing to pay for content.” [The Korea Times]
Kevin Blankenship used to be a newspaper cartoonist — you might have seen his strip @random in your local paper, and there’s a hefty sample of his work at his website — but we all know that’s a tough field nowadays. So a few years ago, when he had kids, Blankenship put away his pen and focused on his day job in advertising.
He still manages to be creative every Sunday morning, however, when he makes his kids’ favorite breakfast: pancakes. He has turned it into sort of a cartoon challenge — the children tell him what to draw, and he sketches it on a hot griddle, using thinned-out pancake batter in a squeeze bottle. Over time he has refined his technique to create a three-toned look by putting down the darkest lines first, letting them brown a bit, then adding two more layers, one at a time. He started posting his pancake creations on Instagram and Twitter, and now he’s on Tumblr as well.
Pancakes turn out to be a rather forgiving medium. “As long as the pancakes taste good,” he told Business Insider, “you don’t have to worry too much about messing up the shape.”
Check out Blankenship’s Tumblr for more images like the ones above and below; he has been on a roll with Christmas pancakes lately, including two versions of the leg lamp from A Christmas Story.
Digital comics | Apple rejected 59 comics this year for in-app buying, although many of them were allowed into the iBookstore. I looked at the phenomenon, and talked to Image Comics Publisher Eric Stephenson about the effect that had on Matt Fraction and Chip Zdarsky’s Sex Criminals, which is available via the comiXology website and Android app, iBooks, and Image’s own website, but can’t be bought in-app from comiXology’s iPad app. “”It absolutely hurt digital sales on Sex Criminals #2,” Stepheneson said. “This is a series that is getting fantastic word of mouth, it’s amazing work by Matt and Chip that is receiving rave reviews and selling out instantly. Not being able to offer the book to curious readers through our app or the comiXology app is a significant deterrent to reaching the widest possible audience.” [Publishers Weekly]
Comics | Tierney Sneed went to the Women in Comics panel at New York Comic Con and then hit the floor to talk to creators (and also yours truly) about the mismatch between the number of women comics readers and the industries that cater to them, including the publishers and cons like NYCC (where women made up 35% of attendees but only 6% of guests). [U.S. News & World Report]
Digital Comics | I interviewed Darya Trushkina, vice president for business development of NARR8, a digital comics app that features motion comics with some gamelike features. Here’s what caught my attention: When I asked her why they went with motion comics, she said “It boosts our retention rate and boosts usage significantly.” Their retention rate—readers who return to the app—is 50%, and the average session is 15 minutes. [Good E-Reader]
Creators | Indian cartoonist Aseem Trivedi’s turn on in the reality show Bigg Boss seems to have ended badly: Trivedi was tossed off the show, perhaps due to political pressure, and his political commentary did not make the final cut. In true reality-show fashion, he left in a cloud of acrimony, saying that his fellow contestant Salman Khan “overstepped the bounds of decency” with another cast member, Sapna Bhavanani. And apparently the producers did not deliver on their promise to allow him to use the show as a platform for his views: “I and Sapna were constantly talking about corruption and women`s empowerment inside the house, but after coming out, I was zapped to learn that none of those things were telecast. … These guys lied to us. We were told – `you will not have to do any naach gana [melodrama] and you will just have to put forth your views on revolution, society and corruption.` But it was all humbug!” [India TV News]