Conventions | Wim Lockefeer lines up the exhibits he’s looking forward to at the 39th Angoulême International Comics Festival, which begins today in Angoulême, France. [The Forbidden Planet International Blog Log]
Legal | Cartoonist Albert Lekgaba was sketching the proceedings of the Botswana Court of Appeal when security officers asked to step out of the courtroom, confiscated his work, and told him he could not draw in court, “especially if the judges were present.” When the judges learned of this, however, they informed the court registrar that sketching is indeed allowed, and they ordered that Lekgaba be readmitted to the courtroom and his sketches returned to him. [The Botswana Gazette]
Passings | California newspaper cartoonist John Lara has died at age 56. [Coastline Pilot]
Creators | Heidi MacDonald sums up a number of recent posts on piracy and the creative life in one mega-post, and a lively discussion follows in the comments section. [The Beat]
Legal | The trial resumed today, if only briefly, in Tunis for the president of a Tunisian television network accused of “insulting sacred values” when he aired the adaptation of Marjane Satrapi’s Persepolis. Tensions were so high in the courtroom that proceedings were postponed until April. The Oct. 7 broadcast resulted in an attempted arson attack on the network’s offices and the arrest of some 50 protesters. Nessma TV President Nebil Karoui, who apologized in October, is charged with “insulting sacred values, offending decent morals and causing public unrest” because of the outrage triggered by a scene in Persepolis showing God, which is prohibited by Islam. [AFP]
Organizations | Stumptown Comics, the organization that puts on the Stumptown Comics Fest every year in Portland, Oregon, has added three new members to its board: Comic Book Legal Defense Fund Executive Director Charles Brownstein, Boilerplate co-author Anina Bennett and editor Shawna Gore. [Stumptown Comics]
Comics | CNN covers the upcoming wedding of Archie Comics’ Kevin Keller, who will get married to another man in Life with Archie #16. Keller was injured while serving in the military in Iraq and Clay Walker, his groom-to-be, was his physical therapist. “Riverdale is this picturesque vision of American life, and when you see yourself reflected in that, you have a role in even the most idealized version of the reality you live in,” said Matt Kane, associate director of entertainment media for the Gay and Lesbian Alliance Against Defamation. “That’s the difference between feeling like a rejected outsider and feeling like you’re a part of something.” [CNN]
Comics | Jim Caple worries that viewers of the Tintin movie won’t appreciate it the way he does, comparing old-school Tintin fans to old-school Boston Red Sox or Seattle Mariners fans: “That’s what I worry about. I worry there will be all these Tintin wannabes who only know the character from the movie, who don’t appreciate Herge’s genius, who don’t know what it was like to wait a month for the next 10-page installment or when you had to special order the few books made available in America. Fans who didn’t earn this movie.” [ESPN]
I was surprised when Bil told me he read Zippy in his local Arizona paper and liked it. He didn’t even qualify his opinion with the usual, “Of course, I don’t always get it.” Until then, I hadn’t paid much attention to The Family Circus, but I slowly began to see that you could read more into it than what appeared on the surface.
We mentioned the other day that the late Bil Keane once did a Family Circus crossover with Bill Griffith’s Zippy. Griffith has a nice piece at The Comics Journal that explains how the crossover came about and reinforces what everyone says about Keane being a nice guy but also sharper than his genial comic would lead you to believe; he also posts the Zippy strips that feature Jeffy and the Family Circus panel that features Zippy in all their surreal glory.
Creators | Writer Peter David shares a “Fan/Pro Bill of Rights” related to proper behavior at conventions, starting with a “Prime Directive”: “Fans and Pros have the right to be treated by each other with the same courtesy that they themselves would expect to be treated. Fans and Pros who act like jerks abrogate the right to complain when they themselves are treated like jerks.” [Peter David]
Crime | A Denver judge sentenced Aaron Castro to 45 years in prison after Castro pleaded guilty to drug and extortion charges. Prosecutors say he ran a major methamphetamine distribution ring and laundered the profits by buying and selling valuable comics in the collector’s market. [KMGH Denver]
Digital | Robot 6 contributor Graeme McMillan catches an error in Marvel’s press release from last week: Marvel was not the first comics publisher to release an entire line of comics simultaneously in print and digital—Archie Comics was. [Blog@Newsarama]
The world of comics is filled with tortured souls, but Bil Keane was not one of them.
The creator of The Family Circus passed away Tuesday at the age of 89, after what was by all accounts a wonderful life. Keane started drawing The Family Circus in 1960, and it is still going strong today — his son Jeff took over in recent years — and his 60-year marriage to Thelma Keane, the model for the mother in the cartoon, was a love match. Keane served as the president of the National Cartoonists Society from 1981 to 1983 and emceed its awards banquet for 16 years. Even before he died, his fellow cartoonists unfailingly described him as the nicest of nice guys, and startlingly funny. His niceness, apparently, had a bit of an edge.
Keane took The Family Circus seriously, seeing his mission as providing “good, wholesome, family entertainment,” a sort of cartoon comfort food for readers whose real-life families may not have been quite as warm as his fictional clan. In fact, one of the most touching tributes to his work came from Lynda Barry:
I was a kid growing up in a troubled household. We didn’t have books in the house, but we did have the daily paper, and I remember picking out ”Family Circus” before I could really read. There was something about looking through a circle at a life that looked pretty good to me.
For kids like me, there was a map and a compass that was hidden [in] “Family Circus.” The parents in that comic strip really loved their children. He put that image in my head and it stayed with me.
Comics | Calling Tintin a “Catholic hero,” the Vatican newspaper L’Osservatore Romano took strong exception to the decision by U.K. publisher Egmont to sell the controversial Tintin in the Congo with a protective band around it — or, as the paper says, “wrapped up like a pornographic magazine and consigned to the adults-only section” of bookstores because of its portrayal of racial stereotypes. If you’re going to do that, the editorial argues, why not ban Boy Scouts, which were founded by notorious eugenicist Anthony Baden-Powell? “But then, he was English,” the paper snidely concludes. [Agence France-Presse]
Digital | ComiXology confirmed Tuesday that the Comics by Comixology app will be available for Amazon’s Kindle Fire when it goes on sale next week. ComiXology CEO David Steinberger said the company is prepared for the smaller screen size the Fire has, compared to the iPad: “Ah, well we’re lucky there, because our Guided View reading technology was designed first for a very small device — the iPhone — long before tablets became the norm. A great comics reading experience is one of the core reasons we’re so successful, and it translates great to all devices, from small to large. The Comics by comiXology reading experience is the same on all platforms, so it’s going to be very familiar to our fans. You can toggle in and out of Guided View with a simple double-tap. The Fire has a great screen, and for those pages that have lettering a little too hard to read, Guided View is a fun way to get in there and see the details.” [Chicago Sun Times]
Creators | Eugene Son, a friend of late comics creator Dwayne McDuffie, announced plans to transform the writer’s website from “one that promoted his work to one that reflects his immense legacy.” The site’s blog will remain active, with plans to post old columns and scripts written by McDuffie, as well as tributes and stories from McDuffie’s friends. Earlier this week Son posted a 2002 essay he said was one of McDuffie’s most-read works, “Six Degrees of St. Elsewhere (aka The Grand Unification Theory).” [DwayneMcDuffie.com]
Publishing | Wizard has hired Kevin Kelly as managing editor of its “website, social media and digital content endeavors.” Kelly has previously worked for several entertainment websites, including io9, Moviefone, Cinematical and Joystiq, and was most recently senior features editor for G4tv.com. [press release]
Manga | Playback hosts a “Manga Moveable Feast” on Ken Akamatsu’s Love Hina, which returns to print from Kodansha Comics next week. [Playback:stl]
Legal | Authorities in Clinton Township, Michigan, tracked down two men mentioned in police reports by comics retailer Michael George after his wife’s 1990 murder who were never questioned. The judge gave police 48 hours to locate and question them. One of the men passed away, while the other, John Fox, will be questioned Friday about a family car that is similar to one seen near the comic book store where Barbara George was killed. [Detroit Free Press]
Digital comics | Heidi MacDonald talks to SLG Publisher Dan Vado about plans to release the company’s serialized comics digitally rather than in print. Vado reveals SLG’s popular Johnny the Homicidal Maniac by Jhonen Vasquez will be released in digital format. [The Beat]
Comics | Lisa Fortuner notes that this week’s Green Lantern Corps #1 story shares a title with a Nazi propaganda film: “That’s a beheading, followed by cutting a woman in half, followed by the loss of a finger, followed by a reference to an infamous Leni Riefenstahl film. For those of you who are new to the Internet and it’s population of history snobs, Leni Riefenstahl was an early 20th Century pioneer who made inroads for women in the field of Evil. She did a Nazi propaganda film called ‘Triumph of the Will’ which to this day is still inspiring horror of authoritarian power in film classes and museums. It is probably not the best choice of titles for a book where the main heroes are fueled by willpower.” [Written World]
Retailing | A Sunday deadline passed without additional bidders for the bankrupt Borders Group, leaving a group of liquidators as the only suitor for the second-largest bookstore chain in the United States. However, The Wall Street Journal reports that the bookseller will likely entertain offers right up until Tuesday’s scheduled bankruptcy auction. The newspaper contends Borders was in negotiations late Sunday with Books-A-Million in hopes of striking a deal that would save what remains of the company, which once operated more than 1,000 locations. [The Wall Street Journal]
Conventions | Comic-Con International has released information on prices for the 2012 San Diego Comic-Con. Adult four-day passes will no longer be discounted compared to the prices of single-day badges; an adult four-day pass without the option to attend Preview Night will cost $150, while buying individual adult tickets for each day would cost $143. Adult four-day tickets with Preview Night will cost $175. Per the CCI website, “We hope that this change will encourage people to purchase only the days they will actually be attending, leaving additional badges for others who want to attend Comic-Con.”
Insulting the referee is a pastime as old as sports itself, but it’s rare to call one out by name in a comic strip. So when Brian Basset and Rob Harrell’s syndicated comic Adam@home took a potshot at former National Hockey League referee (and current Guelph, Ontario, city councilor) Andy van Hellemond, the ref called foul. According to Kathy English, public editor of the Toronto Star, van Hellemond has served a libel notice on the paper, saying he intends to sue for defamation, and that the comic strip has caused him “serious and irreparable harm”:
Our client takes the position that the publication of his last name and prior occupation in respect of his ability to referee professional hockey games was calculated to disparage both his personal and professional reputation and was defamatory.
For those who (like me) don’t follow hockey too closely, English gives a good summary of why van Hellemond might be a likely target for Adam‘s humor (which was the setup for a bad pun, not cutting sports commentary), and she defends the strip as legal, although admittedly unfair (and a bit random, as van Hellemond left the ice in 1996). She also says that this is the first time anyone at the paper has ever heard of a lawsuit being filed over a comic strip.
(via Graphic Policy)
It’s not exactly pirates vs. ninjas, but there has been, shall we say, some ill feeling between webcomics creators and the National Cartoonists Society over the years. But there comes a time to put away childish things, including feuds, and this year the NCS actually invited three webcomics creators—Kate Beaton, Randall Munroe, and Dave Kellett—to present a panel at their annual meeting, which was held this past weekend in Boston. Naturally, Kellett worked this event, along with some of the high points of the evening, into his daily webcomic, Sheldon.
The big news of the evening was that Richard Thompson won the award for outstanding cartoonist of the year, an honor that anyone who reads Cul de Sac can tell you was well deserved. The award for best newspaper strip went to Jeff Parker and Steve Kelley’s Dustin, Jill Thompson won the Best Comic Book Award for Beast of Burden, and Joyce Farmer took Best Graphic Novel honors for Special Exits.
As we noted in January, Cul de Sac creator Richard Thompson, who has Parkinson’s disease, and Chris Sparks, of Sparking Design, are putting together a book of Cul de Sac tributes by different artists to raise funds for the Michael J. Fox Foundation. Now you can follow along on the Team Cul de Sac blog, where as the artists make their contributions. The artwork will be compiled into a book, which will be sold to benefit the fund, and the original art will also be auctioned off for the cause.
And here’s an extra treat for Cul de Sac fans: Alex Dueben talked to Thompson about the strip last week for Comic Book Resources.
Created by cartoonist Jon Adams, Friendship Town has been a part of the San Francisco Chronicle‘s print edition for almost a year now and has now made its way to the paper’s website. In addition, Adams has even been posting some of the comics the Chronicle rejected on his own site.
Adams is perhaps best known for his long-running series Truth Serum, which was nominated for two Eisner Awards in 2007. Debuting in 2001 as a minicomic, it’s hit the larger comics work with a miniseries in 2002 from SLG Publishing, and runs as a weekly webcomic on Dark Horse’s website as well as its own site.
Here’s a holiday treat at a price Ebenezer Scrooge would appreciate: Little Nemo in Christmasland, a free sampler of Winsor McKay’s comics from Sunday Press, which publishes those big, beautiful Little Nemo books.
It’s too bad the iPad didn’t exist in 1906, because it would be interesting to see what McKay could do with the smaller format and bright colors. As it is, the comics show up nicely on the screen but are a bit too small to be fully legible. (This isn’t helped by McKay’s wobbly, crowded lettering.) That means the reader’s experience is broken into two pieces—first you look at the page as a whole, and appreciate McKay’s lovely drawings and masterful compositions, and then you blow it up to read the lettering and follow the story. Admittedly, the second stage is optional, as the stories are fairly slight. The bottom line is that the iPad is really too small to show off these comics at their best, but it is a decent alternative if you can’t afford (or store) the full-size books.
One warning note: These comics appeared in the early 1900s, and they reflect the popular culture of the times. Which is to say, there are crudely caricatured black characters in several of the strips.
If you like the Christmas sampler, check out the 38-page Little Nemo in Slumberland app for $3.99.