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Graphic novels | The Will and Ann Eisner Family Foundation and the American Library Association will launch the Will Eisner Graphic Novel Prize for Libraries at the ALA summer conference, held June 21-26 in Anaheim, California. Three libraries each year will be selected to receive all the books nominated for the Will Eisner Comic Industry Awards, as well as a $2,000 voucher to buy additional graphic novels and a $1,000 stipend to hold comics-related or author events. Libraries to register to win at the ALA conference; winners will be announced June 24. [Publishers Weekly]
Graphic novels | Calvin Reid and Heidi MacDonald look at the graphic novel presence at last week’s BookExpo America. [Publishers Weekly]
Publishing | Three million-dollar Kickstarter drives, including Rich Burlew’s $1.2 million campaign for The Order of the Stick, make the fund-raising site look like a pot of gold to some folks, but it’s not that easy: Suw Charman-Anderson, who;s contemplating a Kickstarter drive herself, looks at the factors that make the big money-makers so successful. [Forbes]
Editorial cartoons | The New York Times has responded to Daryl Cagle’s criticism of its hiring policy and fees for editorial cartoonists, saying the newspaper will delay bringing political cartoons back to its Sunday review section until editors have had time to revisit their policies. [The Cagle Post]
Editorial cartoons | For those who want a look at the bigger picture, Columbia Journalism Review surveys the landscape of editorial cartooning and in particular, the economics of syndication. [Columbia Journalism Review]
Libraries | A middle school library in New Brunswick, Canada, has been asked to remove Joann Sfar and Lewis Trondheim’s Dungeon series for review after the mother of a 12-year-old student complained about the depictions of sex and violence in one of the volumes. The CTV News reporter goes for the easy gasp by showing the scenes in question to a variety of parents, all of whom agree they don’t think the book belongs in a school library, and in this case the mom has a good point: The book received good reviews but is definitely not for kids. [CTV News]
Publishing | John Jackson Miller has been looking at the fine print in old comics — the statement of ownership, which spells out in exact numbers just how many copies were printed, how many were sold, etc. One of the highlights is Carl Barks’ Uncle Scrooge, which sold more than 1 million copies, making it the top seller of the 1960s. “It’s meaningful, I think, that the best-seller of the 1960s should come from Barks, whose work was originally uncredited and who was known originally to fans as ‘the Good Duck Artist,'” Miller concludes. “Fandom in the 1960s was bringing attention to a lot of people who had previously been unheralded, and Barks is a great example. He changed comics — and now comics were changing.” [The Comichron]
Jillian Tamaki (Skim, Indoor Voice) is between projects right now, with one project on the editor’s desk and another not quite under way. So when the New York Times asked her to illustrate a piece on political sex scandals, she was ready, willing, and more than able. Here’s the main illustration, and click through to her blog to see some other sketches. (Mildly NSFW—this is the Times, after all—but she includes one drawing that was apparently too hot for them.)
There have been a few glaring omissions in the newspaper comics world over the past few days.
The more serious one is the loss of Cul de Sac, one of freshest, funniest comics around, which will go on hiatus for three or four weeks while creator Richard Thompson goes through a course of physical therapy for his Parkinson’s Disease. In his usual gracious way, Thompson finds something funny in all this:
I’ve only been in for an evaluation, but the therapy largely consists of big, exaggerated movements and sweeping silly walks that will so embarrass your body that it’ll start behaving itself, I hope. Also I’ll learn ten ways to defeat a mugger by falling on him.
The gap may not be noticeable to those who don’t look to closely, as Thompson will rerun some older Cul de Sac strips during the hiatus.
The Poynter Institute’s Jim Romenesko (always the go-to source for journalism news) reports that Newsday and the Atlanta Journal-Constitution have joined the Chicago Tribune in refusing to run this week’s Doonesbury strips, which include excerpts from Joe McGinniss’ book The Rogue, an unauthorized and extremely salacious biography of former Alaska governor and vice-presidential candidate Sarah Palin. Shawn McIntosh, editor of the Journal-Constitution, has this response to readers who commented:
Mr. Trudeau has based this series of comic strips on an as-yet unpublished book by author Joe McGinnis about Sarah Palin. Since the book is not yet published, Ms. Palin has not had an opportunity to comment publicly on the content included in the book and picked up in the cartoons. Nor has the book yet been reviewed for accuracy. In essence, the cartoons would be reporting news, not commenting on news that is already public.
That raises an interesting question: Would the papers run the cartoons two weeks from now, after the book has been published? According to The Washington Post, McGinniss sent cartoonist Garry Trudeau an advance copy and later approached him about “an exclusive first-serial arrangement.” Honestly, this sounds as much like blatant product placement as an attempt to break news on the comics page.
Retailing | Free Comic Book Day founder Joe Field reports that this year’s event drew between 300,000 and 500,000 people to participating retailers, and generated an estimated $1.5 million in publicity for comics and comics stores. “Free Comic Book Day may have been my idea ten years ago, but seeing the remarkable things this event has done for the entire comics world is really encouraging,” he writes on his store’s blog. “Many of my comics retailer colleagues in the U.S., Canada and 40 other countries bring energy, creativity and enthusiasm to FCBD, making it a very special community event that is now the world’s largest annual comics’ event. All of this shows just how current the comics’ medium is — and how vital comic book specialty stores are to our local communities.” [Flying Colors, via The Beat]
Legal | In the wake of the latest confiscation of comics by Canadian customs agents, Laura Hudson looks at how creators and fans can protect themselves when crossing the border. [Comics Alliance]
Comic strips | Tundra marketing director Bill Kellogg has launched Ink Bottle Syndicate, which represents eight comic strips: That Monkey Tune, by Mike Kandalaft; Holy Molé, by Rick Hotton; Sunshine State, by Graham Nolan; Half Baked, by Rick Ellis; Future Shock, by Jim and Pat McGreal; 15 Minutes, by Robert Duckett; Biz, by Dave Blazek; and, of course, Tundra, Chad Carpenter. [The Daily Cartoonist]
Comic strips | In what Michael Cavna so accurately describes as “a seismic shift” for the world of newspaper syndication, United Media has announced it will outsource all editorial, production, sales, marketing and distribution functions for its 150 comics and other features to Kansas City-based Universal Uclick. (Tom Spurgeon likens the move to Marvel outsourcing all of its titles to DC Comics.) The transition begins immediately, and is expected to be complete by June 1. United Media’s stable of strips include Get Fuzzy, Pearls Before Swine, Rose Is Rose and Marmaduke. Universal Uclick’s lineup includes Doonesbury, Non Sequitur, Garfield, For Better or For Worse and the recently added Peanuts and Dilbert. [Comic Riffs]
Passings | Anant Pai, who’s credited with launching India’s comic industry in the 1960s with his series Amar Chitra Katha (Immortal Picture Stories), died Thursday of a heart attack. He was 81. Affectionately known by his fans as “Uncle Pai,” he also created the children’s series Tinkle and had spent the past three years working on Glimpses of Glory, which chronicles 40 defining moments from Indian history. After falling and fracturing his foot, Pai underwent surgery of Saturday, which prevented him from attending the first Indian Comic Con, where he was to be given a lifetime achievement award. [The Associated Press, India Real Time]
Retailing | The financially troubled Borders Group reportedly could file for Chapter 11 bankruptcy protection as soon as today or Tuesday, setting the stage to close about 200 of its 674 Borders and Waldenbooks stores and eliminate thousands of jobs. [The Wall Street Journal]
Retailing | Diamond Comic Distributors revealed that 98 percent of the more than 500 direct market stores visited by secret shoppers during the first month of day-early delivery were found to be in compliance with the program’s street-date requirements. According to Diamond, of the 10 stores discovered to be in violation of the agreement, one was reported by another retailer while the others were discovered by secret shoppers. [ICv2.com]
Comic-Con | Badges for Comic-Con International sold out Saturday during a marathon online-registration session that taxed the servers of convention sales partner TicketLeap and frustrated ticket buyers. Four-day passes were gone by about 2 p.m. PT; the event sold out by 6 p.m. (Additional passes may become available as cancellations are processed.) As we noted earlier, San Francisco comics retailer Isotope is memorializing Saturday’s experience with a “San Diego Comic Con 2011 Registration Disaster Commemorative Fail Frog button,” featuring a modified version of the TicketLeap logo that frustrated users saw every time they refreshed their web browser.
On the TicketLeap company blog, CEO Chris Stanchak acknowledged that “our platform experienced capacity issues for a 4 hour period” on Saturday: “While we knew the event was going to put significant demand on our system, we did not expect the traffic we received. […] The traffic we received yesterday was several orders of magnitude higher than our high end estimate. Due to the heavy strain on the system, users for all events across our system received ‘Over Capacity’ errors. This prevented ticket buyers from buying tickets and it prevented event organizers from managing their events.” Tom Spurgeon offers commentary. [Comic-Con International]
Conventions | Comiket 79, the winter installment of the self-published comic book fair held twice a year in Tokyo, set a turnstile attendance record last week with 520,000 people over three days. That’s just 20,000 less than the summer record — and the equivalent of about four Comic-Cons. [Anime News Network]
Legal | Archie Comics reportedly has threatened legal action against the in-production Indian film Boys Toh Boys Hain, which, according to this description, is “based on the lines of the celebrated [Archie] comic book but set in Delhi instead of Riverdale.” However, the director now claims that, “We never made any statement which suggested that the film is inspired from Archie comics. One of my actors may have said in an interview that the film has a feel similar to Archie, but never that the film is based on it.” The publisher was dealt a blow in an unrelated legal matter in September when India’s Delhi High Court refused to hear a complaint challenging the use of the name “Archies” by a Mumbai company. The court said it had no jurisdiction in the matter because Archie Comics doesn’t have an office in India. [Hindustan Times]
Creators | Renowned artist Steve Rude has announced that money raised from an online art and comics auction has enabled he and his family to keep their home: “When I saw the bread coming in after Gino made her announcement (this was unbeknownst to the oblivious Dude), I was, and still am, in a mild state of stupefication. The outpouring of generosity was clearly far beyond what Gino and I could’ve asked for. Your contributions poured in from all corners of our planet; the sizeable backstock of comics and Dude related ‘higher reading paraphernalia’ were ordered by the spit-load; and Erik Larson bought his complete Next Nexus 3 issue! All said, we saved the house.” The Nexus creator is still working to regain his financial footing, so he’s selling 2011 calendars and, soon, a new sketchbook. [DudeNews]
Comic strips | Cartoonist Jim Davis has issued an apology for an ill-timed Garfield strip that appeared on Veterans Day. The strip, which appeared in newspapers on Thursday, featured a standoff between Garfield and a spider, and referred to “an annual day of remembrance” called “National Stupid Day.” In a statement, Davis explained that the strip was written almost a year ago, “and I had no idea when writing it that it would appear today — of all days.” [CNN, The Daily Cartoonist]
Publishing | The 60th volume of Eiichiro Oda’s popular pirate manga One Piece sold more than 2 million copies in its first four days of release. It’s the first book to move more than 2 million copies in its first week of sales since the Japanese market survey company Oricon began reporting its charts in 2008. As we reported last week, this volume’s 3.4 million-copy first printing set a record, and propelled the series past the 200 million-copy mark. [Anime News Network]
Editorial cartoons | Pulitzer Prize-winning cartoonist Matt Davies has been laid off by the Gannett-owned Journal News in White Plains, N.Y. [Comic Riffs]
Publishing | Abrams has made three comics-related promotions: Susan Van Metre to senior vice president and publisher, overseeing all comic arts books as well as Abrams Books for Young Readers and Amulet Books; Charles Kochman to editorial director of Abrams ComicArts; and Chad W. Beckerman to creative director, overseeing design for all comic arts books as well as Abrams Books for Young Readers and Amulet Books. [Abrams]
Publishing | Veteran writer J.M. DeMatteis has resigned as editor-in-chief of Ardden Entertainment, fledgling publisher of Flash Gordon and partner in the planned revival of Atlas Comics. DeMatteis, who joined Ardden in February 2008, cited creative differences with Co-Publishers Brendan Deneen and Rich Emms. Deneen has assumed the role of editor-in-chief. [J.M. DeMatteis’ blog]
Comic strips | Non Sequitur cartoonist Wiley Miller comments on the decision by more than 20 newspapers to replace the Oct. 3 installment of his strip because it mentioned the Prophet Muhammad: “[Editors] didn’t see the satire was on them, of being petrified to run anything related to him. But this whole thing has just gotten so silly over the years. It’s something I can’t lay off. It’s my job as a satirist to point out the stupidity in the world. And the editors fell right in line with proving how stupid it is.” Andrew Alexander, ombudsman for The Washington Post, criticized his newspaper for pulling the strip. [Fox News]
Editorial cartoonists seem to be going the way of buggy-whip makers; the past few years have brought a litany of layoffs and, at least from the outside, it looks like staff cartoonists are becoming a thing of the past.
Cartoonist Daryl Cagle posted some surprisingly frank advice for editorial cartoonists on his blog this week. Depending on how you look at it, this is shrewd business advice or an enticement to dumb down and sell out.
Some of this is good nuts-and-bolts advice for freelancers: Think of what your editors want (not what you want to draw), plan ahead for holiday and seasonal cartoons, sell your archived cartoons on a per-use basis, and avoid local papers — there’s no money in that market. Learn to draw — words alone can’t carry a cartoon.
But it is also rather disturbing. Let’s return to that first point, about pleasing editors: