Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
Legal | Kuala Lumpur police raided the office of the Malaysian cartoonist Zunar and seized 149 copies of his books Conspiracy to Imprison Anwar and Pirates of the Carry BN. They were looking for the cartoonist himself, but he was in the United Kingdom, speaking at Oxford and Cambridge universities and giving a talk in London titled “To Fight Through Cartoons.” In a press release, Zunar said the raid occurred under the Printing Presses Act, Sedition Act and Penal Code, and that he would be called to the police station on his return to the country; he was arrested under that act in 2010. He also tweeted, “If the cartoons are defamatory, those who feel aggrieved should file a civil suit. No problem. I oppose the use of criminal laws like the Sedition Act” [The Malaysian Insider]
Political cartoons | Charlie Hebdo cartoonist Zineb El-Rhazoui, on a fundraising tour in Canada, said the terrorists who attacked the magazine’s offices and killed 12 people were the ones who made a mockery of religion, not the cartoonists who drew caricatures of the Prophet Muhammad. “This is the most ugly caricature, that this is the most ugly picture of their religion,” she said. “It is not the pictures made by Charlie Hebdo.” [CTV News]
As readers of this site are no doubt aware (to say the least!), Jaime Hernandez’s contribution to the recently released Love and Rockets: New Stories #4, “The Love Bunglers,” magisterially ties together some 30 years of history for its leading players, Maggie Chascarillo and Ray Dominguez. Now, the Hooded Utilitarian’s Ng Suat Tong has shown us exactly how.
His annotations for “The Love Bunglers” take the story’s many flashback panels, including all the scenes from the story’s centerpiece two-page spread, and place them side by side with the original scenes to which they’re flashing back, some of which were first published literally decades ago. It’s stunning to see how Jaime reinterpreted and re-interpolated his previous work– hifting our POV from one angle to another, showing moments that took place between the moments he depicted in the past, and of course re-drawing classic characters and scenes in his current style. Besides being a really useful post from a story perspective–surely everyone who read “The Love Bunglers” was hoping someone would do exactly this–as a demonstration of Jaime’s artistic intelligence and prowess, it’s tough to top. But then, so is “The Love Bunglers.”