Strong Talks Merging "Super-Cute" with "Super-Psycho" for "Arkham Knight's" Harley Quinn
Video Games, Comic Books, TV, Film
Retailing | The driver died early Sunday after crashing a car into Mile High Comics’ Jason Street “mega store” in Denver. There were no passengers, and no one was in the store at the time of the accident. [CBS Denver]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15: Whoah, another tough week to narrow things down. Is every Brian Wood-written title required to come out the same week of each month? Do Dark Horse and Marvel get together and plan it that way, so that people who only buy Wood comics only have to go to the store once a month? I think more than half the DC titles I buy come out this time every month, too. So yeah, lots to pick from …
Anyway, I’d start with one of those Brian Wood comics, Conan the Barbarian #8 (Dark Horse, $3.50), which features Vasilis Lolos on art. Lolos drew one of my favorite issues of Northlanders, “The Viking Art of Single Combat,” so it’s cool to see the two of them working together again. I’d also get a comic I’m sure will be popular with a few of my colleagues, the first issue of the new Stumptown miniseries by Greg Rucka and Matthew Southworth (Oni Press, $3.99). Next I’d get Manhattan Projects #6 (Image, $3.50); this issue turns the focus from America’s secret science program to Russia’s secret science program. Jonathan Hickman and Nick Pitarra are having a lot of fun with this one. Finally, I’d get Uncanny X-Force #31 (Marvel, $3.99), which really picked things up last issue … and this is a comic that’s usually running on twice as many cylinders anyway.
If I had $30, I’d also grab two finales from DC Comics — Shade #12 and Resurrection Man #0 (both $2.99). Honestly, I never expected to see a Resurrection Man comic again, much less by the guys who wrote the original, so the fact that we got a good run of 13 issues is a pleasant surprise. Shade, of course, was planned as 12 issues from the beginning, and was a nice return to the Starman-verse by writer James Robinson. That leaves me room for three more $2.99 comics, which means I’m going to bypass X-Men, The Massive and Avengers Assemble this week (let’s assume that I’ll one day spend my splurge money on the trades) and instead go with Chew #28 (Image, $2.99), It Girl and the Atomics #2 (Image, $2.99) and Demon Knights #0 (DC Comics, $2.99).
Splurge: Assuming I wouldn’t spend my unlimited gift card on single issues, I’d be looking at the first Bucko collection from Dark Horse ($19.99) and Fantagraphics’ Is That All There Is? trade ($25).
The long-lived children’s comic The Beano has a new look (and a new subtitle: The Beano starring Dennis the Menace and Gnasher). Comics artist Lew Stringer takes a look inside at some of the changes. Nigel Parkinson takes over on Dennis the Menace, who will start to be menacing again; his character was watered down a while ago, but apparently the editors have started listening to 8-year-old boys, which is a good thing in this case. And several of the long-lived comics have had art changes. Only 19 of this issue’s 36 pages are comics, though.
• Stringer also reviews a history of The Dandy, which has the same parentage as The Beano but in recent years has become the edgier of the two (i.e. more fart jokes). It looks like The Beano may be evening things out a bit in that regard. John Freeman posts a lengthier review of the book at Down the Tubes.
• Jeremy Briggs talks to the organizers of Carlisle Mega-Con, a new convention taking place next weekend. As the organizers are also staffers at the local Waterstone’s, they have some insight into local tastes; interestingly, manga and superhero comics are both popular, but customers really prefer “genre books with a dark edge to them such as Vertigo.”
Plenty more art from Clowes, Yuko Shimizu, Daniel Krall, Nick Abadzis and Duncan Fegredo after the break. Continue Reading »
Conventions | Thousands of fans were locked out of the Calgary Comic & Entertainment Expo after the local fire marshal declared that the building had reached capacity. The big draw was not actually comics but a reunion of the cast of Star Trek: The Next Generation. [Calgary Herald]
Awards | The Thrill Electric, an online comic created by Leah Moore and John Reppion, Emma Vieceli, Windflower Studio and LittleLoud for the U.K.’s Channel 4, has been nominated for best website in the 2012 Broadcast Digital Awards. [Broadcast]
Creators | Jay Faerber talks about his early ambitions, his current comic Near Death, and what is so special about being published by Image: “The thing about Image is you have absolute creative freedom. Once Near Death was approved, I just wrote it. There were no notes from Eric or anyone else at Image telling me what they think I should do, which is awesome. But it can also be a burden, because if a book sucks, I can’t say, ‘Well, if I had been able to do it my way…’ – because I did do it my way. So working at Image has made me become my own editor. The buck stops here, you know?” [Broken Frontier]
The UK comics scene is bustling, with 2000AD celebrating its 35th anniversary, a new kids’ comic making waves, and tons of creators working on tons of new projects.
The indy publisher Blank Slate, home of Psychiatric Tales and the anthology Nelson, will be publishing a collected edition of Nick Abadzis’s Hugo Tate, and in anticipation of that, Abadzis has set up a Hugo Tate Tumblr for photos, thoughts, and even the odd page of comics.
Passings | Jan Berenstain, who with her husband Stan created the popular children’s book characters the Berenstain Bears, passed away Friday at a hospital near her home in Bucks County, Pennsylvania. Berenstain, 88, had suffered a stroke earlier in the week. Since the release of The Big Honey Hunt in 1962, the Berenstain Bears series has grown to more than 300 books and sold about 260 million copies worldwide, inspiring animated television specials and series, museum exhibits and a stage show. Stan Berenstain passed away in 2005 at age 82. [The Washington Post]
Events | This year’s 24-Hour Comics Day will be held Oct. 20. [ComicsPro]
Comics | Here’s a variation on the comics-aren’t-for-kids-anymore theme, with reasonable parents who know they need to check what their kids are reading, and a retailer who gets it. [WNYT.com]
Although cartoonist Nick Abadzis might be known to most American audiences solely for his graphic novel Laika, the Swedish-born artist has been busy making comics since the mid-80s. And now, enterprising UK art-house publisher Blank Slate is bringing back Abadzis’ first major comics work, which made him a name to his European fans. Hugo Tate is the story of a man living his life and soaking up the eccentricities that normal people like you and I exhibit. Although the characters are little more than stick-figure men, Abadzis gave them a lushly drawn world and some true-to-life character moments that couldn’t be done anywhere except in comics.
“Over the years, I have been asked for this collection, many, many times,” Abadzis said in a message posted on Forbidden Planet’s blog. “It’s taken a long time to get together, for which I apologise to all those patient readers and fans of Deadline out there. I’ve been working on it, on and off, for years, digitizing and restoring the artwork. (Note to self: never use zip-a-tone again. It shrinks with age.) But this is to let the faithful out there know that the Hugo Tate book really is on its way. It’s going to be published by Blank Slate, an imprint whose output I’ve been really enjoying in the past couple of years. ”
Originally published from 1988 to 1994 inside Deadline magazine as a companion series to Tank Girl, the sole previous collection — a partial collection in 1993 called Hugo Tate: O, America – has been out of print for over a decade.Abadzis’ has posted some of his favorite strips on his blog, including the excellent “Bread & Liver” strip which you should definitely read.
Although Deadline is most fondly remembered for introducing the word to Jamie Hewlett & Alan Martin’s Tank Girl, works like Hugo Tate have largely fallen between the cracks and are just now seeing the light of day. Next on my wish list is Philip Bond’s Wired World.
Nick Abadzis might be best known for his creator-owned work such as Laika, but beneath that independent exterior lies the beating heart of a Marvel fanboy. In addition to work on Marvel’s UK imprint in the 1990s and more recently on X-Men: To Serve & Protect, he’s wrapping up a cover for an upcoming special by Classic Marvel Figurine Collection featuring comics’ biggest brain, MODOK. Check it out:
Man, oh, man.
Retailing | Borders Group, the second-largest bookstore chain in the United States, could be liquidated as early as next week if no other suitors step forward by Sunday evening, the deadline established by a federal bankruptcy court. A judge on Thursday approved the company’s motion to auction itself off after a proposal from private-equity firm Najafi Cos. fell apart over the objections of creditors. Borders, which once operated more than 1,000 stores, now has 399 locations and nearly 11,000 employees, including 400 at its Ann Arbor, Michigan, headquarters. [The Associated Press, The Detroit News]
Awards | The Young Adult Library Services Association has announced the 2012 “Great Graphic Novels for Teens” nominations, a list that includes Takio by Brian Michael Bendis and Michael Avon Oeming, Thor: The Mighty Avenger by Roger Langridge and Chris Samnee, Axe Cop by Ethan and Malachai Nicolle, How to Understand Israel in 60 Days or Less by Sarah Glidden and many more. The final list will be announced in January at the American Library Association’s Midwinter Meeting. [American Library Association]
Titled Chefs of America, the cartoonist says “fittingly, it’s about food.. but of course, it’s not only about food. Food is all about people, after all…”
Abadzis plans to have a new episode in each week’s issue of the Gourmet Live app — which is free, so there’s no time like the present to check out new work by this amazing artist.