Universal Options "The Wicked + The Divine" for TV Adaptation
With Black History Month here, a piece by Joseph Hughes on the `lack of black writers at Marvel and DC Comics has received justifiable attention. It’s an issue that deserves as serious a consideration as the recent arguments for female creators, and it’s something that can really be applied to every minority. Diversity strengthens comics: It brings new voices, new ideas, new perspectives. And seeing that ethnic and cultural diversity reflected within the fictional universes of superhero comics can be life-changing.
I grew up white in Whitesville, an insular community in a small northeastern Massachusetts town. I didn’t know a single non-white person until I went to a new school in fourth grade — and then I knew one non-white person. I still remember the bullying he received; I’d never seen it in real life. My first day there, during gym class, I thought they must be kidding but they weren’t. I don’t remember any teachers ever standing up against it. Sure, they would chastise the general rowdiness but not the racially-specific name calling he got. And when the poor kid would finally lash out, flailing within a sea of ugliness, he would be swiftly escorted out of the classroom. Class would resume without him, pretending his outburst wasn’t the most emotionally honest reaction one could have in that kind of environment. He was written up, sent home, I’m not sure. I was the shy new kid, I had no idea how to respond to it. By junior high, he had vanished. For about the first decade and a half of my life, that was my real-world experience with “diversity.”