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Welcome to Store Tour, ROBOT 6’s new weekly exploration of comics shops, and the people who run them. Think of it as the retailer version of Shelf Porn. Each Sunday we’ll feature a different store, and also get to know the person behind the register.
This week’s store is The Comic Room, located at 659 McCowan Road in Toronto, Ontario, at the intersection of McCowan and Lawrence Avenue East. We spoke with manager Sean Clement.
Written by Buccellato and illustrated by Noel Tuazon (Tumor), the series debuted in February 2012 from Dog Year Entertainment. However, just five of the planned six issues were released.
Set in a world where technology is stuck in the analog 1970s, Foster centers on a haunted war veteran who becomes the guardian of a 6-year-old boy wanted by a shadowy race of supernatural creatures.
“Foster is such a personal story for me,” Buccellato said in a statement. “As a father of a teenage boy, I wanted to write about fatherhood and specifically the male need to protect your child from the physical dangers of the world. Foster’s trying to forget the Vietnam War at the bottom of a bottle when he encounters a boy who changes his life. Suddenly he has to navigate a world where technology is stuck in the analog ’70s and supernatural creatures and twisted scientists lurk around every corner. Noel Tuazon really captured the gritty, urban horror at the heart of this story.”
Foster will be available for $12.99 beginning July 2.
Have you ever tried explaining particles to a 5-year old? Me neither. I have a hard enough time explaining them to myself. But comic creators Jason Rodriguez (Postcards: True Stories That Never Happened) and Noel Tuazon (Elk’s Run) are doing just that in their new illustrated children’s book The Little Particle That Could.
This 22-page book follows a girl graviton who is out to meet the little photon boy of her dreams. In addition to the illustrated story, Rodriguez wrote a four-page primer on particles, gravitons and protons that is ideal for kids or adults to explain the science behind the story.
Currently, The Little Particle That Could is only available as a digital download for the Kindle, but it’s available there FREE for a limited time. Here are two pages from the book:
Editor’s Note: With the recent discussions going on around the comics community about creator-owned comics, we’re pleased to welcome one of the voices in those discussions, 30 Days of Night and Mystery Society creator Steve Niles, to Robot 6 for a series of columns on creator-owned comics. A big thanks to Steve for agreeing to do the column, as well as to artist Stephanie Buscema for creating a killer image for it.
by Steve Niles
Welcome to the first installment of my new column, Creator-Owned Spotlight. I tried to think up an amusing title, but then decided to just settle on what it was: a spotlight on creator-owned comics, publishers and retailers who support the need for more creator-owned books.
I guess the first order of business is to define what I mean when I say “creator-owned comics.” I’m talking about ANY book where the creator has ANY ownership in their book. So basically, if you sign a work-for-hire agreement, you don’t generally have ownership. It doesn’t make those books bad, or the enemy, or anything like that. We’re just not talking about them here.
Why am I doing this? I’ve been called insane for wanting to promote my competitors’ work. All I have to say to that is: it isn’t a competition. And yes, I am crazy. I’ve drawn a line in the sand for myself to be positive. I hope you’ll try, too.
First up is such an obvious choice; I really don’t need to write much at all. His name is synonymous with creator-owned books, because he’s one of creator-owned comics’ greatest success stories. He’s also a friend and hero of mine.
Welcome to What Are You Reading?, where the Robot 6 crew talks about the books that made it off our “to read” piles and have moved on to greener pastures. This week our special guest is J. Caleb Mozzocco, who blogs regularly at Blog@Newsarama and on his personal blog Every Day Is Like Wednesday.
To see what Caleb and the Robot 6 crew have been reading, click below …
Hello and welcome once again to What Are You Reading?, where the Robot 6 crew talk about the comics and graphic novels that they’ve been enjoying lately. Our special guest this week is comics journalist and critic Dirk Deppey of Journalista and The Comics Journal fame.
To see what Dirk and the Robot 6 crew have been reading lately, read on …
Welcome once again to What Are You Reading?, our weekly look at what’s on the night stands of the Robot 6 crew. This week our special guest is Kody Chamberlain, who you might know from such comics as Punks, newuniversal: 1959, The Foundation and his latest, Sweets, from Image Comics.
To see what Kody and the rest of the Robot 6 crew have been reading, click below …
Happy Sunday and Happy Fourth of July, as we once again delve into what the Robot 6 crew are reading this week. Joining us as our special guest this week is Jeff Lemire, creator of Sweet Tooth, The Nobody, The Essex County Trilogy and Lost Dogs, and the writer of the Atom strip in Adventure Comics and the upcoming Superboy series.
To see what Jeff and the Robot 6 crew are reading, click below …
As I was looking through the items on display at the NBM booth at ALA, the cover of The Broadcast really caught my eye. Written by Eric Hobbs and Noel Tuazon, it’s a story about how one isolated community faced the panic started by Orson Welles’ War of the Worlds broadcast—not realizing it is a hoax, four famlies come together for safety but the enemy, as is so often the case in these stories, comes from within.
Hobbs has just posted a scene from the story at the NBM blog, and it makes for powerful reading. There’s a bit more here. I enjoyed Tuazon’s art in Red Plains, so I’m really looking forward to this one.
This interview with Joshua Hale Fialkov (creator of the acclaimed Elk’s Run from a few years ago and current noir work at Archaia, Tumor [which reunites Fialkov with his Elk’s Run artist Noel Tuazon]) took an interesting route before finally getting here. The initial interview started as a suggestion from Johanna Draper Carlson back in October 2008 (thanks, Johanna) and was intended for my pop culture blog, Talking with Tim. Fialkov was more than game to do the interview and we completed the initial interview in late 2008, right around the time I signed on to contribute my comics interviews to Robot 6. So, savvy, yet disorganized guy that I am, I set the interview aside–and promptly misplaced it. When news of Fialkov’s Tumor (available here for Kindle and here for free for those of without Kindles) started making the rounds, I realized my mistake and tracked the emails down. I contacted Fialkov (offering my sincere apologies) and he was kind enough to entertain new questions about Tumor. So please note, after the initial Tumor discussion, the interview moves on to the initial 2008 interview, which while it is understandably dated in some aspects, much of it is still quite engaging and relevant. My thanks to Fialkov for his understanding and for his time both in 2008 and 2009.
Tim O’Shea: How pleased have you been with Tumor’s Kindle sales? How much has the story’s word-of-mouth been boosted thanks to the website?
Joshua Hale Fialkov: Well, just using our placement in the ranks on Amazon, the fact that a Kindle only comic book can get up to be the 8th most ordered graphic novel on all of Amazon, including print, is pretty damn amazing. I think there’s a lot of reasons that we’re up there, including that we’re giving the first chapter away for free, but, still, that says to me that there’s an audience for comics on the device, and it’s one that in some ways may soon rival the audience for print comics. At least, for those readers who use Amazon to get their fix. My whole career has been built on a lot of goodwill, and from the support of friends and fans with big mouths and wide audiences, and, frankly, in a niche business like comics, that’s really how the whole thing works. What I hope to do is go the extra mile to really reward my readers, first with what I hope is excellent content, but secondly by giving them access to the stuff over on the website, including behind the scenes material, and special features that not only enhance their enjoyment of the book, but hopefully show them a side of the process they haven’t considered. To that end, there’s a healthy amount of traffic who make it over to the site every time we release an issue, so, I know that in some respects, it’s working.