Non Sequitur Archives | Robot 6 | The Comics Culture Blog

Comics A.M. | Oregon paper pulls ‘Non Sequitur’ cartoon; Daniel Clowes honored by fellow artists

Non Sequitur

Non Sequitur

Comic Strips | The Portland Oregonian pulled three Non Sequitur strips that made fun of the occupiers of the Malheur National Wildlife Refuge after one of the occupiers was killed. “The strip, which had been making fun of such groups, seemed jarring and in poor taste given that someone now was dead,” said Oregonian editor Mark Katches. “That decision has yielded a grand total of two reader complaints.” Cartoonist Whitey Miller said he did not know the strips were being pulled and replaced with older ones. “This is the first I’ve heard about it,” he said. “Not controversial to my knowledge.” [Willamette Week]

Creators | Set aside some time this weekend to read Robert Ito’s in-depth profile of Daniel Clowes, which covers his life and career from his childhood through his most recent work, Patience. The piece is illustrated with drawings by prominent cartoonists such as Seth, Rutu Modan, and Richard Sala, as well as photos by Ian Allen. [California Sunday]

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‘Non Sequitur’ creator Wiley Miller wins 2014 Reuben Award

non-sequitur

Non Sequitur creator Wiley Miller on Saturday took home the 2014, Reuben Award, presented by the National Cartoonists Society to the outstanding cartoonist of the year.

In addition, the NCS presented awards in 15 other categories during the ceremony in San Diego. Isabella Bannerman’s Six Chix was named best newspaper strip and Speed Bump by Dave Coverly won for best newspaper panels. Sergio Aragones Funnies, published by Bongo, won for best comic book, while The Fifth Beatle by Vivek J. Tiwary, Andrew C. Robinson and Kyle Baker won for best graphic novel. Jeff Smith’s Tuki won for long-form webcomic, while Ryan Pageow’s Buni took home the award for short-form webcomic.

You can find a list of the other award winners below.

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See you in the funny pages … or maybe not

The Non Sequitur that was too hot for Cleveland

There have been a few glaring omissions in the newspaper comics world over the past few days.

The more serious one is the loss of Cul de Sac, one of freshest, funniest comics around, which will go on hiatus for three or four weeks while creator Richard Thompson goes through a course of physical therapy for his Parkinson’s Disease. In his usual gracious way, Thompson finds something funny in all this:

I’ve only been in for an evaluation, but the therapy largely consists of big, exaggerated movements and sweeping silly walks that will so embarrass your body that it’ll start behaving itself, I hope. Also I’ll learn ten ways to defeat a mugger by falling on him.

The gap may not be noticeable to those who don’t look to closely, as Thompson will rerun some older Cul de Sac strips during the hiatus.

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Newspapers panic at Mohammed mention in Non Sequitur

A previous Non Sequitur that raised eyebrows in Malaysia

The Daily Cartoonist’s Alan Gardner reports that over 20 papers have requested a replacement strip for Wiley Miller’s Non Sequitur this Sunday, because of potentially controversial content. It’s pretty thin gruel:

The cartoon by Wiley Miller depicts a lazy, sunny park scene with the caption, “Picture book title voted least likely to ever find a publisher… ‘Where’s Muhammad?’” Characters in the park are buying ice cream, fishing, roller skating, etc. No character is depicted as even Middle Eastern.

Miller’s reaction: “the irony of editors being afraid to run even such a tame cartoon as this that satirizes the blinding fear in media regarding anything surrounding Islam sadly speaks for itself. Indeed, the terrorists have won.”

That’s a bit over the top. The terrorists haven’t won because newspapers won’t print a comic that is even mildly controversial; it’s a longstanding American tradition, although the humor in this one seems to be on a par with jokes in which Jesus walks across the water hazard on a golf course.

In another post, Gardner points to an interfaith group’s call for cartoonists to stop depicting Osama Bin Laden, on the grounds that it might make public discourse less stupid. That’s certainly a noble goal, but I doubt kicking Bin Laden off the comics pages will accomplish it.


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