Editor’s note: With Tim O’Shea being out this week, Chris Arrant was kind enough to step in and provide an interview for us this Monday. Tim will be back next week.
One of the most exciting new talents to come into comics last year was cartoonist Nate Simpson with the debut of Nonplayer #1 last April. It was made official when, only three months later, he received the Russ Manning Most Promising Newcomer Award at Comic-Con International in San Diego. Since then he’s gotten a movie deal and been approached with a variety of comic opportunities, but also had his share of bad luck with a broken collarbone in September. 2011 was a year to remember for Nate Simpson.
Now Simpson is back at the drawing board working on Nonplayer #2, but his whirlwind success (and spill) forced the cartoonist to take a more earnest look at this business he left his full-time career in video games for back in 2009. On his workblog he says it best, describing it as place where he “learns to draw comics by drawing a comic.” And what he’s learned is that there’s a lot more to comics than just drawing them. I talked with Simpson this past weekend about the status of Nonplayer #2, his outlook on comics, and the struggle between seeing comics as an art form and seeing them as a business.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on what we call our “Splurge” item.
There comes a time when curiosity overwhelms common sense, which is why if I had $15 this week, I’d pick up Fear Itself #1 (Marvel Comics, $3.99). I’m not sold on the series, as much as I love crossovers – Immonen on art is a big draw, but Fraction has been very uneven recently for me – and, despite some of the reviews I’ve read, I’m hearing word that it’s more of a case of “You’ll like this if this is the kind of thing you like” book than a home run. We’ll see. I’m much more excited about Nate Simpson’s Nonplayer #1 (Image Comics, $2.99); the previews look amazing, and everyone I know who’s read a preview copy has only had glowing praise for it. I’ll also be picking up the second (and final) issue of IDW’s crossover event Infestation ($3.99), as I want to know how the whole thing ends up, and the spoilers for Brightest Day #23 (DC Comics, $2.99) make that a must-have, too, even if it’s more for “They’re doing WHAT?” reasons than genuine excitement.