MAD may be well past its 1960s heyday, but every once in a while the magazine shows that it’s still capable of surprising us with political satire and social commentary.
The most recent reminder is MAD‘s timely take of Norman Rockwell’s famous 1958 painting “The Runaway,” which memorably depicts a kindly state trooper talking to a little boy at a diner counter. In the magazine’s update, influenced by events in Ferguson, Missouri, and the subsequent debate about the militarization of local police forces, the officer isn’t the reassuring presence he might have once been.
Opening Nov. 10, the exhibit features more than 130 paintings, drawings, photographs and sculptures from the personal collection of Ross, who’s often characterized as “the Norman Rockwell of the comics world.” According to the museum, the pieces range from a crayon drawing of Spider-Man that the artist drew at age 4 to paintings for Marvels, Kingdom Come, Green Hornet and Flash Gordon (you can view some of the pieces on the exhibition’s website). Ross himself will appear at the opening celebration for the first museum exhibition of his work.