Bendis On War Machine's Death, She-Hulk's Fate & Raising the "Civil War II" Stakes
• iFanboy has named Petrograd by Phil Gelatt and Tyler Crook as their book of the year.
• Johanna Draper Carlson shares her top ten graphic novels of the year, a list that includes Anya’s Ghost by Vera Brosgol, Criminal: The Last of the Innocent by Ed Brubaker and Sean Phillips, Love and Capes: Wake Up Where You Are by Thomas Zahler and Hark! A Vagrant by Kate Beaton.
• Danny Djeljosevic, Nick Hanover and Jason Sacks at Comics Bulletin count down their top ten graphic novels of 2011, which include Frank Miller’s Holy Terror, Oil and Water by Steve Duin and Shannon Wheeler, and Habibi by Craig Thompson.
• Pop Candy’s Whitney Matheson continues her countdown of the top people of 2011. Jeffrey Brown comes in at No. 71, while Brian Selznick lands at No. 55. Jeff Lemire is at No. 31. Robert Kirkman and Kevin Smith both break into the top 20. I won’t spoil the No. 1 pick, but I agree with it wholeheartedly.
• Jonathan P. Kuehlein of the Toronto Star picks his year’s best, including Vietnamerica: A Family’s Journey by GB Tran, Joe The Barbarian: The Deluxe Edition by Grant Morrison and Sean Murphy, and Scarlet: Book 1 by Brian Michael Bendis and Alex Maleev.
Comics | While going through a box in his attic, a Grange Park, Illinois, man discovered a copy of Amazing Fantasy #15, the first appearance of Spider-Man, that he had bought as a kid. While other copies of the comic have fetched as much as $1.2 million, Chimera’s Comics is selling it for $12,000 due to its condition. [LaGrange Patch]
Comics | Brian Truitt profiles Marvel’s Fantastic Four, talking to Mark Waid, Tom Brevoort and Tom DeFalco about the long-running comic. [USA Today]
Publishing | Janna Morishima, formerly of Scholastic and Diamond Comic Distributors, has joined Papercutz as its first marketing director. [Papercutz]
It’s been just over two years since the last time cartoonist Shannon Wheeler and I have done an interview. Since then, he’s gotten even more popular with his successful New Yorker cartoon submissions; turned his New Yorker rejections into the Eisner Award winning collection (from BOOM! Studios), I Thought You Would Be Funnier; collaborated with Simon Max Hill on a Little Golden Book parody, Grandpa Won’t Wake Up (BOOM! Studios); as well as teaming with Steve Duin (The Oregonian columnist) on Oil and Water (from Fantagraphics, set for release this month). This new interview focuses on the experience of winning a second Eisner (to go with his 1995 Best New Series win for Too Much Coffee Man), his various current collaborations, comedic boundaries and the impact of stress in his creative process. Be sure to peruse Fantagraphics 19-page preview of Oil and Water after enjoying the interview.
Tim O’Shea: Not many folks can say they’ve won an Eisner, but this year’s was actually your second Eisner win. How gratifying was it to get such validation again? Also, how amused were you that you won an award for a collection of work rejected by the New Yorker?
Shannon Wheeler: It was more moving than validating. I didn’t think I would win this time around. I swore I wouldn’t be one of those people who cry on stage at a stupid award ceremony. But once I got up and took the award in my hand I honestly choked up. It meant more to me than I thought.