REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
As if this year’s Angouleme International Comics Festival hadn’t been plagued by enough controversy, the organizers decided to play a practical joke at the closing ceremony that a lot of people didn’t find very funny.
The ceremony began with comedian Richard Gaitet, clad in a neon-blue suit and red bow tie, announcing, “This will be the shortest ceremony in history, because all we want to do is drink and dance.” He proceeded to present nine awards in rapid succession, including the award for best series to Saga, best comic for young people to Aaron Renier’s The Unsinkable Walker Bean, and the Fauve d’Or, the big prize, to Arsène Schrauwen, by Olivier Schrauwen. And then two women appeared and said, “Bravo Richard, for that joke about the false fauves [awards] and the size of the Grand Prix. We laughed a lot, but now we must go.” And then they presented the real awards because that first set? That was fake.
Censorship | Malaysian cartoonist Zunar claims Facebook removed his latest cartoon, which portrays the wife of the Malaysian prime minister as the head of a bank. Zunar, who is awaiting trial on nine counts of sedition stemming from tweets critical of the government, said the cartoon was “blocked” half an hour after he uploaded it, and subsequent efforts to upload the cartoon failed. Several of his Facebook pages display the text but no image, but the entire cartoon is gone from his main fan page. “It is really funny because normally you can re-upload the image with a different file name,” he said. “This seems like a well-executed plan by cybertroopers to block the content.” [The Malaysian Insider]
The nominees have been announced for this year’s Los Angeles Times Book Prizes, a list that, unsurprisingly, includes awards-season favorites Can’t We Talk About Something More Pleasant? by Roz Chast and This One Summer by Mariko Tamaki and Jillian Tamaki.
The five finalists in the graphic novel category are:
The Society of Illustrators has announced the winners of the 2015 Comic and Cartoon Art Annual competition. Olivier Schrauwen took the gold medal in the Long-Form category for Arsène Schrauwen, and Bianca Gagnarelli received top honors in the Short Form category for Fish. Lauren Weinstein won the gold medal in digital media for Carriers, her five-part webcomic about learning she and her husband both had the gene for cystic fibrosis, and therefore her unborn child might have the disease.
The winning entries will be put on display in two exhibits at the Society of Illustrators gallery in New York: The Short Form, Digital Media, and Special Format exhibit will run from June 16-July 18, and the Long Form, Single Image, and Comic Strip show will run from July 21-August 15. Many of the entries will also be on display at the MoCCA Arts Fest in April.
Here’s the complete list of winners:
Retrofit Comics is extending its early bird sale, allowing readers to subscribe to a full year of their comics for just $65, shipping included.
That includes original single-issue comics by Kate Leth, Olivier Schrauwen and Matt Madden, as well as some up-and-coming creators you probably haven’t heard of … yet. But wait! There’s more! They also throw in a free digital version of each comic (in PDF format) and two free gifts and you can have one of their 2014 comics sent to a friend! If that’s all too much, there’s also a digital-only option for $35.
Retrofit, which publishes single-issue alt-comics, was launched in 2011 by creator Box Brown with initial funding from a Kickstarter campaign. The idea is to allow creators to publish single-issue comics, which Brown sees as an important part of the creative process:
Passings | Bermuda-based cartoonist Peter Woolcock died Wednesday after being struck by a car as he was walking to the office of The Royal Gazette to deliver his weekly cartoon. He was 88. Born and raised on a farm in Argentina, Woolcock served on a British tank crew in World War II (during which time he also kept a sketchbook) and worked as a cartoonist and illustrator for almost 60 years, first for children’s magazines in the United Kingdom and then, after moving in 1981 to Bermuda, as an editorial cartoonist. Both his editors and the politicians he depicted have kind things to say in this lengthy obituary, which notes that his final cartoon was about San Diego losing the bid to host the America’s Cup. [The Royal Gazette]
Creators | Candorville cartoonist Darrin Bell talks about the political cartoons he drew in response to the non-indictments of the police officers in the Michael Brown and Eric Garner cases, as well as his own experiences as a black man who got “the talk” when he was 6 or 7 years old and will some day have to give it to his own son. [Comic Riffs]
Death, taxes and new comics. Those are just a few things we can expect in the New Year (not YOUR death necessarily, just death in general). Anyway, lots of comics will be published this year. Here are six I’m really looking forward to and that I think you should be excited about as well. Feel free to disagree with me in the comments.
1. Seconds by Bryan Lee O’Malley (Random House). A bit of an obvious choice perhaps. Still, whether you loved Scott Pilgrim or hated it to tiny, tiny pieces, there’s little doubt that O’Malley’s big follow-up to his uber-successful and much ballyhooed series is going to draw a lot of attention from all corners of comics fandom. There’s a lot of people curious about this book, about which little is known other than it takes place in a restaurant. Count me among them.
2. Arsene Schrauwen by Olivier Schrauwen (Fantagraphics). Is Olivier Schrauwen one of the most amazing, inventive and original cartoonists to come along in decades? Well, duh. If you’ve read The Man Who Grew His Beard, My Boy or perhaps the initial chapter of this (I’m assuming) invented tale of the author’s grandfather, you know how creative and fearless he can be. This might well be the book I’m most looking forward to this year.
The greatest comics of all time don’t appear on bestseller charts or canon lists or big-box bookstore shelves. They are the property of the back issue bins and thrift store crates and convention tables of the world, living like the medium itself in the unseen crags and pockets of publishing history…
Arsene Schrauwen #1 (of 3), by Olivier Schrauwen. 2012. Self-published; printed by Zaadmat.
Best single image:
A study in contrasts, like this whole comic: a complex composition drawn in a bone simple style, the most banal of subject matter given the most elegant of treatments.
The Toronto Comic Arts Festival, one of the high points of the indy comics year, has announced the first round of guests for this year. It doesn’t seem to be up on the TCAF site just yet, but Tom Spurgeon has the rundown at The Comics Reporter, and it’s an impressive list: Jeff Smith, Alison Bechdel, Guy Delisle, and Gabriel Bá and Fábio Moon are the headliners. Smith will be celebrating the 20th anniversary of Bone, while Bechdel’s Are You My Mother? and Delisle’s Jerusalem are both due out shortly before the show.
But wait! There’s more! Kate Beaton, German creator Arne Bellstorf, Scottish creator Tom Gauld (whose Goliath is due out soon from Drawn and Quarterly) Gabriella Giandelli, Jennifer and Matt Holm (Babymouse), Jason, Kazu Kibuishi (creator of Amulet and editor of the Flight anthologies), Bryan Lee O’Malley (Scott Pilgrim), Gary Panter, Michel Rabagliati, Andy Runton (Owly), Olivier Schrauwen, and Adam Warren (Empowered) will also be gracing the halls of the Toronto Reference Library this May. That’s an amazingly eclectic and talented group. If you have been thinking “Some day I’ll make it to TCAF,” this should probably be the year.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15 this week, I’d continue to support the DC relaunch by picking up Wonder Woman #1, Legion of Super-Heroes #1 and Green Lantern Corps #1 (All DC, $2.99). I’d also grab the first issue of IDW’s new ongoing Star Trek book ($3.99), which adapts episodes of the original TV show into the new movie continuity, because I’m nerdy like that.