One Piece Archives - Robot 6 @ Comic Book Resources
Passings | Bermuda-based cartoonist Peter Woolcock died Wednesday after being struck by a car as he was walking to the office of The Royal Gazette to deliver his weekly cartoon. He was 88. Born and raised on a farm in Argentina, Woolcock served on a British tank crew in World War II (during which time he also kept a sketchbook) and worked as a cartoonist and illustrator for almost 60 years, first for children’s magazines in the United Kingdom and then, after moving in 1981 to Bermuda, as an editorial cartoonist. Both his editors and the politicians he depicted have kind things to say in this lengthy obituary, which notes that his final cartoon was about San Diego losing the bid to host the America’s Cup. [The Royal Gazette]
Creators | Candorville cartoonist Darrin Bell talks about the political cartoons he drew in response to the non-indictments of the police officers in the Michael Brown and Eric Garner cases, as well as his own experiences as a black man who got “the talk” when he was 6 or 7 years old and will some day have to give it to his own son. [Comic Riffs]
Manga | The top-selling manga in Japan this year was One Piece, with nearly 11.9 million volumes sold; Attack on Titan came in a close second, with 11.7 million. [Anime News Network]
Publishing | Jim Zubkavich updates his post from last year about the long-term sales and profitability of his series Skullkickers. There are some interesting angles to this, including the cost of his deluxe collected editions, the boost he got from his “reboot,” and the importance of digital sales in the long term: “Since there’s no print run or storage limit with digital they continue to build profitability over the long haul (particularly with the early issues as new readers sample the series during comiXology sales). Many issues that lost money in their initial print release have been able to make back their losses thanks to digital.” [Zub Tales]
Manga | Eiichiro Oda’s One Piece, the bestselling manga in Japan, is getting a spinoff: Starting with the January issue, which ships in December, the manga magazine Saikyo Jump will carry a series focusing on Monkey D. Luffy and the Straw Hat Pirates. There doesn’t seem to be any information yet on who the creators will be. [Anime News Network]
Publishing | In a business-oriented interview, Mark Waid talks about the strategy behind his digital comics site Thrillbent, especially its appeal to diverse groups of readers. The key is flexibility, Waid said, in terms of platforms and content. His goal is to make the comics readable on any digital device, which he says is not difficult once the site is set up. In terms of content, he says, “Pay attention to the audience, let them tell you who you’re clearly not serving, and go after them.” [The Wall Street Journal]
Comics | Vincent Zurzolo of Metropolis Collectibles explains why he and his partner Stephen Fishler were willing to pay a record $3.2 million last month for a pristine copy of Action Comics #1: “We feel very confidently this was a good price and that we will be able to sell this for a profit. We really believe in the strength of the comic book market and that it has a long way to go.” Zurzolo also talks about how he built up his business, starting out selling comics at conventions at the age of 15. [The Hollywood Reporter]
Legal | More trouble for Square Enix over the gamer manga Hi Score Girl: Publication was suspended last month following allegations the series, which runs in the Japanese magazine Monthly Big Gangan, had used characters owned by the game company SNK Playmore without permission. Now it turns out Square Enix asked permission from Sega to use characters from its Virtua Fighter game, but then went ahead and published the story before permission was granted. Sega executives “strongly objected” but took no further action and did grant the permission, reasoning it would be good publicity for the game. [Anime News Network]
Legal | A South Korea court has ruled an exhibition devoted to One Piece can be held as planned after it was abruptly canceled earlier this month following allegations that Eiichiro Oda’s popular pirate manga contains images that resemble the Rising Sun flag, considered a symbol of Japanese imperialism in South Korea. The company staging the One Piece show, which includes life-sized statues, rare figures and Oda’s sketches, asked the court to step in after the War Memorial of Korea in Seoul pulled the plug on the event just days before its scheduled July 12 opening. The court found that One Piece can’t be considered to “[hail] Japanese imperialism” simply because it depicts a flag reminiscent of the Rising Sun; and even if those images are of the Rising Sun flag, it’s mainly shown in a negative light. [The Asahi Shimbun]
Events | An extensive exhibit in Taipei, Taiwan, devoted to Eiichiro Oda’s One Piece manga and anime has drawn more than 100,000 visitors since its opening on July 1. Overseen by Oda, the exhibition is the first of its kind outside of Japan, where it was held from 2012 to 2013 to celebrate the 15th anniversary of the insanely popular manga. “One Piece Exhibition: Original Art x Movies x Experience Pirate King Taiwan” runs through Sept. 22. [Kotaku]
More than 500 volumes of such top-selling manga as One Piece, Naruto and Death Note debuted today on comiXology as part of a new North American distribution agreement with Viz Media.
The publisher, which already had its own self-contained app for multiple platforms, brought its digital catalog to the Amazon Kindle in October; just days later, comiXology announced a deal to distribute titles from Viz Media Europe and its subsidiary Kazé to French-speaking European countries. Amazon purchased comiXology in April.
Manga | Hajime Isayama’s Attack on Titan has knocked longtime bestseller One Piece from the top of Japan’s manga charts. Market research firm Oricon reports that Attack on Titan, which has 13 volumes in print, sold 8,342,268 copies in the first half of the year, making it the bestselling series in Japan. One Piece, which has long held that title, sold 4,936,855 copies of 73 volumes, but it did top the charts for single-volume sales, with 2,825,339 copies sold of the latest volume. The numbers cover the period from mid-November to mid-May. [Anime News Network]
Publishing | DC Entertainment Co-Publisher Jim Lee talks about his history with Batman in advance of DC’s 75th-anniversary celebration for the character. [Asbury Park Press]
Not that we necessarily required an further evidence of the popularity of One Piece, but now comes word that with the release of its 74th volume, Eiichiro Oda’s pirate manga has sold more than 310 million copies in Japan alone.
It’s worth noting that it was only November when Shueisha Inc. and Viz Media took out newspaper ads trumpeting the 300-million copy milestone (with another 45 million outside of Japan). Earlier that same month, it was revealed that One Piece has sold 130.15 million copies in Japan just since 2009, the year that market research firm Oricon began reporting book sales.
So what’s the secret behind the success of the world’s bestselling manga? Its sometimes-manic mix of action, comedy and sorrow, a seemingly magic formula the 39-year-old Oda attributes his short attention span. “The thing is, I get bored easily,” he told The Japan Times last fall. “So if my manga was just about the action, or comedy, or tear-jerking moments, I would get bored. I change the style of the series to keep up my motivation to draw. […] Humans can only come up with new ideas when they’ve reached their limits. When I finish a manuscript, I am completely exhausted.”
Oda, who’s been drawing One Piece since 1997, just announced that he’s placing the manga on hiatus for two weeks while he has his tonsils removed. “Since I’m having this surgery anyways, I plan to have a bazooka installed on my shoulder,” he said in a message to fans. “I’ll be back with my body stronger, so I can clear my workload in the latter half of this year. I’ll be right back, so please come play with me again.”
Retailing | Finally breaking its silence regarding the feud with Hachette over sales terms, Amazon acknowledged it’s buying less print inventory and “safety stock” from the publisher and is no longer taking pre-orders for its titles. And while Amazon conceded that “Hachette has operated in good faith and we admire the company and its executives,” the retail giant said “we are not optimistic that this will be resolved soon.” The company also recognized the affect the dispute may have on authors, revealing it offered to fund 50 percent of an author pool to help mitigate the impact. Hachette responded, saying it was glad Amazon has admitted its actions have an effect on authors: “We will spare no effort to resume normal business relations with Amazon—which has been a great partner for years — but under terms that value appropriately for the years ahead the author’s unique role in creating books, and the publisher’s role in editing, marketing, and distributing them, at the same time that it recognizes Amazon’s importance as a retailer and innovator.” [Publishers Weekly, GalleyCat]
In the battle no one ever expected — Dragon Ball‘s Goku vs. One Piece‘s Monkey D. Luffy — no clear winner emerges, but there is an obvious loser: the sidewalks of Tokyo.
The pretty impressive life-size sculpture is on display through Sunday outside the Shibuya Parco department store to promote the release of J-Stars Victory Vs., the Shonen Jump 45th-anniversary multiplayer fighting game featuring many of the magazine’s most popular characters.
More photos can be found at Game Watch Impress.
Following news that it had acquired the North American rights to Naoki Urasawa’s Master Keaton, Viz Media announced a handful of other releases for the fall and winter, including Yūsei Matsui’s supernatural action/comedy Assassination Classroom and the print edition of Dragon Ball creator Akira Toriyama’s newest work.
Debuting in July 2012, Assassination Classroom centers on a class of misfits who try to kill their new teacher, an alien octopus with bizarre powers who destroyed most of the moon and is threatening to do the same to Earth within a year — unless his students can destroy him first. The series will be available bimonthly in print and digitally from Viz beginning in December.
Previously serialized digitally by Viz, Toriyama’s quirky comedy Jaco the Galactic Patrolman follows a retired scientist who lives alone on a desert island, where he researches time travel. However, that quiet life is interrupted when galactic patrolman Jaco crash-lands on the island and decides to move in. Featuring new, bonus content for Dragon Ball Z, the print edition debuts in January.
Those two manga are joined by One Piece Box Set 2 (November), which includes Vols. 24-46, the third and fourth story arcs of the “Skypiea” and “Water 7″ arcs, as well as the “Strong World” minicomic, and Naoki Serizawa’s Resident Evil, a five-volume prequel to the video game Resident Evil 6 (November).
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out on Wednesday.
So without further ado, let’s get to it …
Manga | Roland Kelts looks at the international popularity of One Piece, whose sales number 300 million volumes in Japan and 45 million in the rest of the world. The piece includes an interview with creator Eiichiro Oda — he says he writes what he imagines his 15-year-old self would like to read — as well as editors from Viz Media, the American publisher of One Piece, who discuss the reasons for its popularity overseas as well as the global impact of manga piracy on these manga pirates. [The Japan Times]
Conventions | Which shows are money-makers for creators, and how much do they make? The answers, broken out into a handy infographic, may surprise you. [The Devastator]
“The thing is, I get bored easily. So if my manga was just about the action, or comedy, or tear-jerking moments, I would get bored. I change the style of the series to keep up my motivation to draw. […] Humans can only come up with new ideas when they’ve reached their limits. When I finish a manuscript, I am completely exhausted.”
— Eiichiro Oda, the 38-year-old creator of One Piece, crediting a short attention span and sheer exhaustion as the secrets behind his hit pirate adventure, which has more than 345 million copies in print worldwide. He reveals that he doesn’t sleep or eat much when he’s working.