oni press

Food or Comics? | Raspberry RASL

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Dark Horse Presents #9

Chris Arrant

If I had $15, I’d start out with Prophet #22 (Image, $2.99) by Brandon Graham and Simon Roy; it’s an Old West pioneering comic set on an alien world. Next up would be my favorite comic from Marvel these days, Uncanny X-Force #22 (Marvel, $3.99). Remender was raised on Claremont-era X-Men, and this is excavating the intricacies of Captain Briton and late ’80s Excalibur comics for Otherworld, Jamie Braddock and a swashbuckling Nightcrawler. Last up with my $15 bounty would be A Long Day Of Mr. James – Teacher (Blank Slate, $7.99). A great looking piece of cartooning from an artist, Harvey James, I’m looking to learn more about.

If I had $30, I’d double back and first pick up Dark Horse Presents #9 (Dark Horse, $7.99). Seriously, this is the comic that some fans were hoping for several years back: one book containing new stories from Paul Pope, Mike Mignola, Neal Adams, Brian Wood, Kristian Donaldson… and pin-ups by Geoff Darrow? Seriously, I second-guess any comics fan I meet who isn’t buying this. Next up would be Wolverine and The X-Men #6 (Marvel, $3.99) by Jason Aaron and Nick Bradshaw. Seeing Wolverine and Kid Omega going to an outer space casino sounds like everything the X-Men haven’t been in over two decades, but I’m liking it. I can only hope they run into Lila Cheney. Lastly, I’d pick up Jeff Smith’s RASL #13 (Cartoon Books, $3.50). The last issue was history-heavy focusing on Tesla, so I hope this one is bit more kinetic.

If I could splurge, I’d go back for a second Blank Slate book—Hector Umbra (Blank Slate, $26.99). I’ve heard nothing about cartoonist Uli Oesterle, but after seeing the preview on Blank Slate’s website I’m kicking myself. Long story short, DJ kidnapped during his set (at Robot Mitchum nightclub no less, best club name ever), and his friend Hector Umbra, an artist-turned-detective, goes after him. Some people compare Oesterle’s art to Mignola,but I see some Paul Grist in there as well.

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Something to look forward to: Horror from Bunn and Jones

Jones's= latest sketch from her blog

Joëlle Jones mentioned the other day that she was working on a new horror comic for Oni Press with Cullen Bunn, writer of The Sixth Gun, and that piqued our interest. The folks at Broken Frontier were interested, too, and they got a few more details. “[The project] is currently planned as a limited series,” Bunn said. “It’s definitely one of the darkest things I’ve written so far – a kind of horror mash-up that I’m pretty excited about it.”

While Bunn has been busy with The Sixth Gun, Wolverine and his upcoming stint on Venom: Savage Six, Jones has brought her lively, slightly retro style to a stack of teen and young adult books, including Dark Horse adaptations of PC Cast’s House of Night and Janet and Alex Evanovich’s Troublemaker, and a new adaptation of O.T. Nelson’s The Girl Who Owned a City. These two are a killer combination, and I for one can’t wait to see what they have brewing.


Comics A.M. | Anya’s Ghost, Zita the Spacegirl win Cybils Awards

Anya's Ghost

Awards | Two titles from First Second won the graphic novel categories in the 2011 Cybils Awards, literary honors given by bloggers who write about children’s and young-adult books: Ben Hatke’s Zita the Spacegirl received the graphic novel prize in the Elementary & Middle School category, while Vera Brosgol’s Anya’s Ghost won in the Young Adult division. [Cybils]

Digital | With the Vita on the way, Sony is shutting down its PSP comics service, and users will lose their comics come September. [Gameranx]

Graphic novels | Craig Thompson’s Blankets made Oprah’s list of the eight greatest love stories of all time, taking its place alongside Brokeback Mountain and The Hunchback of Notre-Dame. [Oprah.com]

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Comics A.M. | Belgian court won’t ban Tintin in the Congo

Tintin in the Congo

Legal | A Belgian court has rejected a five-year-old bid by a Congolese student to have the 1946 edition of Herge’s Tintin in the Congo banned because of its racist depictions. “It is clear that neither the story, nor the fact that it has been put on sale, has a goal to … create an intimidating, hostile, degrading or humiliating environment,” the court said in its judgment. Bienvenu Mbutu Mondondo, who launched the campaign in 2007 to ban the book, plans to appeal. [The Guardian]

Publishing| John Rood, DC’s executive vice president of sales, marketing and business development, discusses the results of the New 52 readership survey, noting right of the bat that it’s “not indicative of the actual system wide performance,” which makes you wonder what it’s good for. He has some interesting things to say about bringing back lapsed readers and the demographics of DC readers in general, though. [Publishers Weekly]

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First look at the Courtney Crumrin hardcover

Courtney Crumrin, Volume 1: The Night Things Special Edition

Ted Naifeh got his copy of the Courtney Crumrin hardcover, and it looks classy and gorgeous. Having a color, hardcover version of Courtney has always been a cool proposition, but the early peeks at the cover design didn’t do justice to the final product. Courtney Crumrin, Volume 1: The Night Things, Special Edition also features remastered art and a sewn-in bookmark. It’s 136-page, will retail for $19.99, and will hit stores in April.

Johnston and Hart heat up The Coldest City in May

The Coldest City

Wasteland writer Antony Johnston is teaming up with artist Sam Hart for a new Cold War-era graphic novel, The Coldest City. Due in May from Oni Press, the graphic novel is the first in a series of spy thrillers by the writer.

“I like working with shadows and mystery, whether it’s a horror story and there are literal monsters in the dark, or something grounded in real life where those monsters are people. Espionage is all about working with secrets and deciphering the unknown. In The Coldest City, the threat may be real, or it may not even exist at all. Finding the list is like chasing a phantom,” Johnston said in the press release, which also touted Oni’s history of espionage thrillers and historical fiction, from Queen & Country to the recent (and awesome) Petrograd.

The story is about British secret agent Lorraine Broughton, “an experienced MI6 officer whose assignments have taken her all over the world, but never to Berlin — making her an ideal candidate to infiltrate the city amidst the chaos right before the fall of the Iron Curtain.” She’s looking to recover a list of names of every covert officer from every intelligence agency operating in the city.

The black-and-white, hardcover graphic novel debuts in May 2012 and will retail for $19.99. A website for The Coldest City, with more information and sample scenes from the book, can be found at www.thecoldestcity.com.


Oni Press reveals a shiny new logo

As reported on Publishers Weekly this morning, indie comics publisher Oni Press has unveiled a new corporate logo. Designed by Keith Wood, the company’s art director, the new logo replace the one designed by Dave Gibbons that Oni has used since 1997.


“Yep, for the first time since we started publishing in 1997, we’ve done a complete overhaul of our logo,” wrote Oni Press editor-in-chief James Lucas Jones in an e-mail to the company’s creator base. “The original Oni Press logo was designed by the amazing Dave Gibbons and based on a small trinket that publisher Joe Nozemack’s brother had brought back with him from a trip to Japan. It’s an iconic image that has served us well for a long time. We can’t thank Dave enough for contributing such a significant piece of our company’s brand and identity.”

The new logo will debut in March on the first issue of Brian Churilla’s The Secret History of D.B. Cooper. Check out the complete press release after the jump.

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Food or Comics? | Bulletproof Coffee: Disincaffeinated

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Fantastic Life

Chris Arrant

If I had $15, I’d try something new first with the Xeric-winning Fantastic Life GN (Big If, $9.95) by Kevin Mutch. I’ll always give Xeric winners a second look, and this looks built for me: slackers, punk rock, zombies. Next up I’d get the ongoing adventures of Butcher Baker – the Image one – with Butcher Baker Righteous Maker #8 ($2.99). I’ll admit that the series went off a little bit around #5, but I’m still holding on for hopes it’ll right itself or I’ll figure out what I’d been missing. Lastly, I’d get Secret Avengers #21.1 (Marvel, $2.99). Seriously, is Rick Remender becoming the writer of all-things secret in the Marvel U? I’m not complaining though, as he’s bringing his Uncanny X-Force mojo and, from what it looks like, a lot of new cast members.

If I had $30, I’d get my usual pull of The Walking Dead #93 (Image, $2.99) and a Hickman two-fer, Fantastic Four #602 (Marvel, $2.99) and FF #14 (Marvel, $2.99). If you would have told me two years ago I’d be seeing two Fantastic Four titles (and two I’d be reading, no less) I would have been gobsmacked. Hickman does it again. And that’s it.

What, you say I didn’t spend my full $30? It’s a light week for me, so I’d spending the remaining on bags and boards or, *gasp*, food as it says in the title. Tijuana Flats, Taco Tuesday, be there.

Coming back if I could splurge, and I’d put down my tacos and pick up the ADD HC (Vertigo, $24.99) by Douglas Rushkoff, Goran Sudzuka and Jose Marzan Jr. From the outside it looks like The Hunger Games meets Ender’s Game, and Rushkoff looks to be just the one to make that mash-up more than, well, a mash-up.

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Previews: What Looks Good for March

The Art of Daniel Clowes: Modern Cartoonist

It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that we don’t have to come up with a new way to say, “Batwoman is still awesome!” every month. And we’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.

One cool change this month and for the foreseeable future: I’m joined by Graeme McMillan who’ll also be pointing out his favorites.

Finally, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.

Abrams Comicarts

The Art of Daniel Clowes: Modern Cartoonist – I admit, I tend to run hot and cold on Clowes’ output, but I’m a sucker for coffee-table career retrospectives, so the idea of taking 224 pages to look back at his career to date (with, of course, the traditional little-seen artwork and commentary) seems like a must-look at the very least. [Graeme]

Abstract Studios

Rachel Rising, Volume 1: The Shadow of Death – Terry Moore’s latest series gets its first collection and I love the premise of a woman’s waking up in a shallow grave with no memory of how she got there and needing to figure out who tried to kill to her. [Michael]

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Food or Comics? | Prophet profiteroles

Prophet #21

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Graeme McMillan

If I had $15 this week, I’d avoid Marvel and DC altogether and go for some more independent offerings. Top of the pile would definitely be Prophet #21 (Image, $2.99), Brandon Graham’s much-anticipated revamp of the Rob Liefeld book from the mid-90s, recreated (with artist Simon Roy) as some kind of Heavy Metal fever dream; I’m a massive fan of Graham’s, and excited to see what he can come up with when he tries to play it (relatively) straight. I’d also grab Dynamite’s Kirby Genesis: Dragonbane #1 ($3.99), another spin-off from the Busiek/Ross/Herbert series this time focusing on the almost Thor-analog warrior, and IDW’s Memorial #2 ($3.99), continuing the urban fantasy series that I enjoyed so much last month. Lastly, I’d grab the cheap relaunch for Antony Johnston’s Wasteland (#33, Oni, $1.00); I’ve really enjoyed this post-apocalyptic world building book for awhile, but this relaunch – which will return the book to a monthly schedule as well as debut new artist Justin Greenwood – looks set to be a good jumping-on point for those who’ve never sampled its charms before.

If I had $30, I’d be likely to put Dragonbane back on the shelf and try out Marvel’s Fear Itself: Journey Into Mystery Premiere HC collection ($19.99) instead. Not having been a fan of Matt Fraction’s Thor, I skipped the first few issues of this and then, by the time I kept hearing great things and realized I actually really enjoy Kieron Gillen’s writing, it was far enough into the run that I knew I’d end up waiting for the collection. Color me cautiously optimistic.

When it comes to splurging, my love of comics from around when I was born rears its ugly head again, and I find myself drawn to Marvel Firsts: 1970s Vol. 1 TP (Marvel, $29.99). This is possibly my favorite era from the House of Ideas, so the idea of an anthology of some of its weirdest hits sounds right up my alley.

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Comics A.M. | De Guzman leaves SLG, Powell joins Diamond

Jennifer de Guzman

Publishing | Jennifer de Guzman announced that, after 10 years, she has left her position as editor-in-chief of SLG Publishing: “My decade SLG was, I suspect, like no other decade anyone has spent working anywhere. I had great co-workers and got to work with fantastic creators, all of whom I will miss very much. (Though because this is comics and a community like no other, we will always stay in contact.)” [Possible Impossibilities]

Retailing | Chris Powell, current general manager and chief relationship officer for Texas-based comic chain Lone Star Comics, has accepted the newly created position of executive director of business development for Diamond Comic Distributors. The Comic Book Legal Defense Fund board member will start his new position in March. [ICv2]

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Exclusive: Ted Naifeh’s Courtney Crumrin ongoing starts in April

Add another comic to the list of ongoing series starring awesome female characters. Starting in April, Oni Press will publish a full-color Courtney Crumrin monthly series by creator Ted Naifeh. The continuing adventures of Naifeh’s girl monster-hunter is in addition, by the way, to next month’s Polly and the Pirates, Volume 2, written by Naifeh with art by Robbi Rodriguez, so 2012 is already shaping up to be an excellent year for young heroines.

I got to talk to Naifeh a little about Courtney Crumrin and his plans for the series:

Michael May: Thanks for talking with me, Ted. Let’s start with you. What scared you as a kid?

Ted Naifeh: Just about everything. Around the time I was Courtney Crumrin’s age, I was going to summer camp, and they told us some of the lamest fireside ghost stories you could imagine. I think they deliberately stuck with silly, half-baked stories. Or maybe they were chosen because they were local. Seriously, one was a frontier nurse whose hand was crushed in a mine accident, and so they sewed on the hand of a dead miner who apparently turned out to be a mad strangler. That was about the caliber. But damn if they didn’t scare the bejeezus out of me. That nurse followed me home and kept me scared for a year. A few years later, the first half hour of the movie Basket Case freaked me out so bad I didn’t sleep all night. I never did see the rest.

Now I realize I was just a super anxious kid and the scary stories were what my anxieties found to latch onto. Growing out of that phase really felt like a triumph, like I had, in a way, traversed a monster-infested underworld and come out the other side. Years later, I found myself relating so deeply to the kid in Sixth Sense it was astonishing. Like him, I learned to make friends with the monsters.

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NYT best-sellers: Scott Pilgrim’s finest hour

Tim Leong, the art director for Wired and former editor-in-chief of Comic Foundry magazine, has come up with a pretty amazing infographic tracking the titles that have appeared on the New York Times paperback “graphic books” over the past year. The chart is great, but Tim also did some solid number-crunching, and there are lots of interesting results, starting with the fact that the charts were dominated not by Marvel or DC, but by Oni Press and Image.

This doesn’t speak so much about comics as a whole as about a particular segment of the comics world: graphic novels and collected editions. Marvel and DC still dominate the world of single-issue comics sold in the direct market, but the Times looks at sales from independent and chain bookstores, online booksellers and newsstands, as well as comics shops. In that world, two indie properties, both backed by media tie-ins, ruled in 2011. (It would be interesting to see how the hardback charts compare; my guess is that they are more superhero-centric.)

The Hollywood Reporter makes a big deal about The Walking Dead dominating the charts this past week, saying, “No graphic novel series has ever dominated the list quite like Kirkman’s Walking Dead,” although a glance at Leong’s chart makes it clear that Scott Pilgrim dominated even more, with the six volumes of Scott Pilgrim spending a total of 167 weeks on the charts compared to 102 weeks for the seven volumes of The Walking Dead. Incidentally, the next two books were Watchmen (of course!) and The Adventures of Ook and Gluck, Kung-Fu Cavemen from the Future, which is a kids’ graphic novel by the author of the Captain Underpants books.

Leong’s graphic provides a lot of food for thought. What happened in September, for instance, when all the Scott Pilgrim and Walking Dead books pretty much disappeared from the charts? (I looked at the charts for those weeks and nothing jumped out at me, but who knows?) What happened to the five books that came in at No. 1 and then disappeared? And is it better to hit the top spot for a couple of weeks or sit at a lower rank for almost a year? It’s hard to see behind the rankings to hard numbers, but it does seem that the bookstore market is nurturing some diversity.

Oni Press to publish color hardcovers of Ted Naifeh’s Courtney Crumrin series

To celebrate the 10th anniversary of Ted Naifeh’s Courtney Crumrin series, Oni Press will release color “special edition prestige hardcovers” of the series. Courtney Crumrin, Volume 1: The Night Things, Special Edition will hit store shelves in April 2012.

“Readers love Courtney Crumrin for how vividly Ted renders the magical world he has dreamed up,” said Oni Press editor Jill Beaton in a press release. “The original versions were wonderful, and Ted is one of those cartoonists who really understands how to use black ink on a white page. Despite the level of detail, he avoided over-rendering his drawings, meaning that the work is still open and has room to breathe. It also means there is space for color. Warren is highlighting what is already there, filling in an extra dimension that previously was left to the reader.”

Naifeh is remastering the material, working closely with colorist Warren Wucinich to create a spooky palette “that accentuates what everyone loved about the original black-and-white art while providing a completely different way of seeing Naifeh’s fully realized world,” the press release says.

In addition to the color treatment, Oni Press’ art director, Keith Wood, is pulling out all the stops to make the Courtney Crumrin, Volume 1: The Night Things, Special Edition special. “In talking with Ted about what we wanted to do with the hardcover,” Wood said, “he told me that it should look like a book you’d find on Uncle Aloysius’ bookshelf, something Courtney might stumble on when snooping around his office. It’s going to be a cool object as well as a good read.”

The book features a special silver ink, embossed cover and an old-fashioned ribbon bookmark placed in the sewn spine. The 136-page, 6” x 9”, graphic novel will retail for $19.99

“I’m proud of what we’ve accomplished with Courtney Crumrin,” said Naifeh. “It’s been ten wonderful, creative years, and I’m happy to have done it at Oni Press. The fans have shown us tremendous support, and I hope they will enjoy the chance to relive these adventures with a brand-new hue.”

Check out some of the colored artwork after the jump.

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FCBD: BOOM! launches Dune, Bad Medicine surfaces

Diamond has released its Silver Sponsor comics for Free Comic Book Day, meaning that the full array of FCBD comics is now before us. There’s quite a variety: Judge Dredd, Buffy, Gilbert Hernandez’s Marble Season, Smurfs, Donald Duck, Voltron, My Favorite Martian. There’s an anthology of Middle Eastern comics and a (censored) Howard Cruse comic. Over at The Beat, commenter Torsten Adair points out that BOOM! Studios is putting out a Dune comic that hasn’t been announced anywhere else—although the solicit text makes it clear that this is just the first of a series: “a must-have precursor to the epic launch of the adaptation of Dune books from BOOM! starting in July!” And Marble Season was only announced on Thursday. On the other side of the news cycle, the Oni Press selection, Bad Medicine, was first announced in 2008 and is just now coming to the surface—it isn’t even on Oni’s website. The writers are the extremely busy team of Nunzio DeFilippis and Christina Weir, and the art is by Christopher Mitten.

A few other observations: The Gossamyr comic from Th3rd World Studios features art by “talented newcomer Sarah Ellerton.” I don’t know who let that by, but Ellerton is anything but a newcomer; she has been making webcomics (Inverloch, The Phoenix Requiem) for close to a decade now, although it’s clear from the cover that her art has matured quite a bit. Viz is back in the FCBD game but not with their Shonen Jump samplers of years gone by; this year they are all about Voltron Force, and they were pretty excited about these graphic novels at NYCC this year. Yen Press is highlighting their adaptation of Cassandra Clare’s The Infernal Devices, which was announced at NYCC.





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