Waid Assembles Big Stories for "All-New All-Different Avengers"
Libraries | A parent plans to appeal a decision by a New Mexico school district to keep Gilbert Hernandez’s Palomar on the shelves of the Rio Rancho High School Library. Catrenna Lopez complained in February after her 14-year-old son brought home the acclaimed hardcover, insisting it contained “pornographic” images and promoted prostitution. A review committee appointed by the superintendent of Rio Rancho Public Schools voted 5-3 last week to retain the book. In response to the decision, Lopez said, “To me, this book is kind of like having a Hustler magazine in the schools.” If she follows through with her plan, the appeal would go to the school board, which would take a public vote on its decision. [KRQE]
Publishing | The French satire magazine Charlie Hebdo was teetering on the edge of bankruptcy before armed gunmen attacked its offices last month, but the outpouring of support that followed has changed the financial picture: The first issue after the attack sold millions of copies, 250,000 new subscribers signed up, and the paper even received more than $4.5 million in donations. The flush of wealth is causing dissension among the staff, Sam Schechner reports, with some arguing that the publication should become a cooperative. At the same time, they’re discussing how Charlie Hebdo will keep its edge under the new circumstances. A new issue, the second since the attacks, is out on newsstands today. [The Wall Street Journal]
Conventions | Rob Salkowitz, who wrote a book about Comic-Con International, looks forward to this weekend’s sold-out Emerald City Comicon, and explains why it represents the convention of the future: “One reason ECCC is such an ideal place to talk about the future of comics is because the show itself looks like the future of comics–at least the one that I call ‘The Expanding Multiverse.’ Supportive of creators and celebrities alike, embracing the broadest conception of styles and subjects from indie work to mainstream superheroes, self-consciously diverse and inclusive in its conception of fandom, ECCC and shows like it represent a sustainable path forward for geek culture in an age of super-saturation and sensory overload.” Salkowitz will be a participant, not just a fan: He has developed a programming track on comics and digital culture that will feature a number of people (IDW’s Ted Adams, Monkeybrain’s Alison Baker) giving short presentations, similar to the format and spirit of TED Talks. [ICv2]
Manga | In Japan, as elsewhere, people would rather read about farming than actually do it; agriculture has become a popular topic for manga, and the Agriculture Ministry recently announced an award for manga that raise interest in farming. The article mainly focuses on Hiromu Arakawa’s Silver Spoon, which has recently been made into a movie; Arakawa is also the creator of Fullmetal Alchemist, a fact the article omits. [The Wall Street Journal]
Awards | Silver Spoon was on of the 10 nominees for this year’s Osamu Tezuka Cultural Prize; two manga that are published in English, Attack on Titan and Animal Land, also made the list. [Anime News Network]
Passings | Silver Age artist Dan Adkins died earlier this month at the age of 76. Adkins, who began with self-published zines before becoming a freelance illustrator, served as Wally Wood’s assistant. As a member of Wood’s studio, he was one of the original artists for T.H.U.N.D.E.R. Agents. Adkins was a prolific penciller and inker for numerous publishers, from DC Comics and Warren Publishing to Harvey Comics and Marvel, notably drawing 132 covers for the latter. He talked in detail about his career, and working with Wood, in this interview with Alter Ego. [News from ME]
Kickstarter | Jeff Yang analyzes why Jonathan Coulton and Greg Pak’s Code Monkey Save World Kickstarter, which started with a single Tweet, was destined for success, and he talks to both creators about how it came to be. [Speakeasy]